Description:
London, 1921. Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impressions; 275 designated for distribution in the United Kingdom, and 125 for the United States. In good condition with some minor mat tone, and two dots of adhesive residue in the top and right and left margins, well outside of the image area.
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Ludgate Hill
by Walcot, William
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Middletown, New York, United States
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Forum of Minerva, Assisi
by Walcot, William
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Middletown, New York, United States
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1919. Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat tone around perimteter of image, image itself has some light age tone. Scattered areas of light discoloration from adhesive residue at top right and left sheet corners, well outside of image area. Image area is bright and in generally good condition. Literature includes Sir Reginald Blomfield, Architectural Water-Colours and Etchings of W Walcot, London: H C Dickins & Technical Journals, 1919, Page 15; Elizabeth Harvey-Lee 5.
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Schooners along the Hudson, West Point Academy in the distance
by Walling, Anna May
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- Used
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Middletown, New York, United States
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1900. Watercolor on buff, heavy weight watercolor paper, 3 1/2 x 5 5/8 inches (90 x 143 mm), initialed in pencil in the lower right corner. General uniform toning and some framer's notations in pencil on the verso. Anna May Walling was born in 1881, a native of Goshen, New York. She was a graduate of the Blair Academy, and Pratt Institute. She traveled to Europe in 1910 where she focused on decorative arts, and was for a time under the tutelage Louis Comfort Tiffany. She is most well known for her hand-painted Dresden China and decorative kiln-fired tiles, as well as elaborate, hand-painted clock face designs.
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The Compleat Angler + The Lives of Donne Wotton Hooker Herbert & Sanderson with Love and Truth & miscellaneous writings; Edited by Geoffrey Keynes, Illustrations by Thomas Poulton and Charles Sigrist
by Walton, Izaak
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- near fine
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- Used - Near fine
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Bloomsbury: The Nonesuch Press, 1929. Limited Edition. Near fine. Thomas Poulton and Charles Sigrist. 8vo, 8 1/4 x 5 1/8 inches (210 x130 mm); pp. [6] x, 631 [5]. 6 copperplate engravings by Charles Sigrist (portraits of Walton, Donne, Wotton, Hooker, Herbert, and Sanderson) with tissue guards, but some offsetting to adjoining pages; 10 drawings of fish from in-line blocks, water-colored with stencils. Monotype Poliphilius on Pannekoek mould-made paper. All edges untrimmed, t.e.g. on the rough; bound in full natural morocco, headband and tailband, turn-ins with gilt fillets, marbled endpapers; "I.W." within gilt frame on front cover and gilt title on spine, raised bands; spine slightly wrinkled, but binding is firm and book is internally bright and clean. Housed in a marbled paper slipcase matching the endpapers, somewhat discolored and corners worn. Number 1577 of 1600 copies, in ink on the limitation page. [Dreyfus 61]. The first edition of Izaak Walton's (1593 - 1683) complete writings, this…
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The Plank Bridge; Landschap met een bruggetje van planken
by Waterloo, Anthonie
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Middletown, New York, United States
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1650. Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: "Antoni Waterlo fe. et in." In very good condition with light toning in the top right and left corners, at the location of a former mount, and scattered inscriptions in pencil on the verso. With a charming ovoid beehive collectors stamp in purple ink on the verso (Lugt 2732). Because this impression lacks the additional cross hatching and vertical shading on the trunk of the large tree in the left portion of the image, and the mound of earth in the left-center sheet, it is our opinion is that this is a first state impression (of two), and before the 1776 publication by Basan. A comparable impression may be found in the collection of the British Museum. Plate six from the series, "Six Landscapes." [Bartsch 52.1; Hollstein 52]. On the collector's stamp, taken from Frits Lugt, Les Marques de Collections de Dessins & d'Estampes…
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Hermitage
by Waterloo, Antonie (after)
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Middletown, New York, United States
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1800. Etching on cream laid paper, 4 x 4 3/4 inches (100 x 120 mm) narrow margins. In very good condition with a number of inscriptions in pencil on the verso. Also on the verso there is an unidentified circular collector's stamp in black ink bearing the initials YVB, or LVB (not in Lugt). A copy printed later, evidenced by the lack of the artist's initials which would have appeared in the upper-left image area. A fine 19th century impression. [Bartsch 4].
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Wordsworth's Grave and Other Poems
by Watson, William
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- near fine
- Signed
- first
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- Used - Near fine
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- First Edition
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- 1
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Middletown, New York, United States
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London: T. Fisher Unwin, 1890. First Edition. Near fine. 8vo, 7 1/2 x 4 3/8 in. (190 x 113 mm); [2] 76 pp. Limited edition of thirty copies on deluxe japon, of which this is no. 24, with signature of the publisher on the limitation page and SIGNED BY THE AUTHOR on the verso of limitation page. Illustrated frontispiece of Grasmere Churchyard. Original stiff vellum, gilt title on spine, Cameo Series device to front covers and publisher's imprint to rear covers in brown, edges untrimmed. Front cover slightly bowed and edges thumbed but in excellent condition, sound and internally clean. [BLL01003865553] https://www.vialibri.net/searches?author=Watson%2C+William&title=Wordsworth%27s+Grave+and+Other+Poems&year_min=1890&year_max=1890&sort=price.desc&s=1.s0w4gm.e790ac37f0cdb5e4. This is a RARE first limited edition of Watson's poems, printed on deluxe japon and bound in vellum. Unwin's Cameo series of poetry was a distinctively packaged sequence of books that caught the attention of the public and…
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Base of a Colossal Column Near Syracuse
by Watts, William (after Luigi Mayer)
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- Used
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Middletown, New York, United States
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London: T. Bensley for R. Bowyer, 1810. Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots of discoloration in the lower left corner. One plate from Views in the Ottoman Dominions, in Europe, in Asia, and some of the Mediterranean Islands, from Original Drawings Taken for Sir Robert Ainslie, by Luigi Mayer. In its entirety, Views in the Ottoman Dominions, in Europe, in Asia, and some of the Mediterranean Islands, from Original Drawings Taken for Sir Robert Ainslie, by Luigi Mayer contained 71 colored aquatints engraved by William Watts, after drawings by Mayer, each accompanied by leaf of text in English and French.
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View of the Villa at Scabrosa
by Watts, William (after Luigi Mayer)
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Middletown, New York, United States
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London: T. Bensley for R. Bowyer, 1810. Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots of discoloration in the lower left corner. One plate from Views in the Ottoman Dominions, in Europe, in Asia, and some of the Mediterranean Islands, from Original Drawings Taken for Sir Robert Ainslie, by Luigi Mayer. In its entirety, Views in the Ottoman Dominions, in Europe, in Asia, and some of the Mediterranean Islands, from Original Drawings Taken for Sir Robert Ainslie, by Luigi Mayer contained 71 colored aquatints engraved by William Watts, after drawings by Mayer, each accompanied by leaf of text in English and French.
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Dentelle en Pierre, Rouen
by Webb, Alonso C.
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Middletown, New York, United States
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1902. Etching with aquatint on buff laid watermarked Van Gelder Zonen paper, 12 9/16 x 9 1/16 inches (319 x 230 mm), full margins. Signed, titled and numbered 33/100 in pencil, lower margin. Minor uniform toning, minor mat tone, and one 1/4-inch vertical edge tear in the lower center sheet edge, well outside of image area.
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Der Lange Franz, Frankfurt
by Webster, Herman A.
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Middletown, New York, United States
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1911. Etching on handmade laid paper, 5 x 3 3/8 inches (126 x 80 mm), full margins. Signed in pencil, lower margin. Minor toning, and a large, expertly repaired tear in the upper-right corner which extends 1/2 inch into the image area, but is only visible through raking light, or with the use of a blacklight. Small loss at the right sheet edge, well outside of image area. An impression of this work may be viewed in the permanent collection of the Art Institute of Chicago; Prints & Drawings, collection No. 1927.5737.
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L'automne
by Weirotter, Franz Edmond (after van Goyen)
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Middletown, New York, United States
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Paris: Huquier, 1750. Etching and engraving on cream laid paper, 11 3/4 x 8 1/8 inches (297 x 205 mm), margins trimmed. Scattered light surface soiling, minor loose handling creases, rubbed edges, and small corner losses. The lower portion of the sheet including the bottom of the title of the work is partially trimmed out. There are various notations in graphite and light blue pencil on the verso. All condition points are consistent with age. One of a series of four works based on the seasons, after paintings by Jan van Goyen.
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La Marchande de Moutarde
by Whistler, James A. M.
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Middletown, New York, United States
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London, 1858. Etching printed in dark brownish black on heavy cream wove paper, 6 1/4 x 3 1/2 inches (157 x 78 mm), wide, if not full margins. Fifth state (of 5). A luminous, richly inked impression with warm plate tone. [Kennedy 22].
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Billingsgate
by Whistler, James Abbott McNeill
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Middletown, New York, United States
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1859. Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edge, well outside of the image area. A superb, well-inked impression with all the fine lines printing clearly and with crisp, well defined plate edges. MacDonald's ninth state (of 9), before cancellation. [Kennedy 47; Glasgow 51].
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After the Funeral; With an introduction by Roland Grant. Illustrated by Sally Scott
by WHITTINGTON PRESS / Scott, Paul
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- Fine
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- Used - Fine
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Middletown, New York, United States
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Andoversford: Whittington Press & William Heinemann, 1979. Limited Edition. Fine. Sally Scott. Royal 4to, 12 3/4 x 10 in. (320 x 250 mm), pp. xvi + 22 + vi. With 8 line-block reproductions of drawings by Sally Scott. Hand-set in 18 point SB Caslon. 200 numbered copies, of which this in no. 45. Hand-set in 18-point Caslon type, printed in brown and black on Zerkall white wove mould-made paper on the Wharfedale press and signed by Sally Scott and Roland Gant on the colophon page. Hunter & Foulis Ltd. 1/4 binding in maroon buckram, gilt rules and spine titling, with Whittington marbled paper-covered boards; t.e.g., rest uncut; Colorplan Bokhara Red end-papers, matching slipcase, lightly bumped on the corners and with small section sunned. Fine book in a near fine slipcase. [Butcher 45]. 'After the Funeral' was the last book written by Paul Scott (1920 - 1978), author of 'The Raj Quartet', who died shortly after receiving the 1977 Booker Prize for fiction for his novel 'Staying On'. It begins with an…
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After the Funeral; With an introduction by Roland Grant. Illustrated by Sally Scott
by WHITTINGTON PRESS / Scott, Paul
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- Used - Fine
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Middletown, New York, United States
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Andoversford: Whittington Press & William Heinemann, 1979. Limited Edition. Fine. Sally Scott. Royal 4to, 12 3/4 x 10 in. (320 x 250 mm), pp. xvi + 22 + vi. With 8 line-block reproductions of drawings by Sally Scott. This is copy I of 200, 25 of which in special binding, signed by Sally Scott and Roland Gant on the colophon page. Hand-set in 18 point SB Caslon type, printed in brown and black on Zerkall white wove mould-made paper on the Wharfedale press. Weatherby Woolnough binding in tan Oasis. Front cover blind embossed with a design by Sally Scott. Gilt titling, t.e.g, rest uncut; gilt rule on turn-ins. Roselle French marbled endpapers, matching slipcase. Fine book in a fine slipcase. [Butcher 45]. 'After the Funeral' was the last book written by Paul Scott (1920 - 1978), author of 'The Raj Quartet', who died shortly after receiving the 1977 Booker Prize for fiction for his novel 'Staying On'. It begins with an introductory memoir by Roland Gant, on of Scott's closest friends, whose own career…
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Poems for Alan Hancox; Melvyn Bragg, D. J. Enright, U A. Fanthorpe, Michael Foot, Duncan Forbes, John Fuller, Seamus Heanery, Michael Horovitz, Ted Hughes, Adrian Mitchell, Jenny Joseph, P J Kavanagh, Laurei Lee, Ptere Levi, Brian Patten, Lawrence Sail, Jon Silkin, Jon Stallworthy, Charles Tomlinson
by WHITTINGTON PRESS / Heaney, Seamus & others
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- Fine
- first
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- Used - Fine
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- First, Limited Edition
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Middletown, New York, United States
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Andoversford: Whittington Press, 1993. First, Limited Edition. Fine. Miriam Macgregor. Royal 8vo, 11 x 7 7/8 in. (280 x 200mm); pp. 41. Two wood engravings by Miriam Macgregor. Copy 267 of 350 copies printed. Set in Goudy Modern and printed in black, the wood-engravings in brown, on Zerkall cream smooth laid paper on the Heidelberg press. Fine Bindery in quarter binding in cloth with Whittington printed paper-covered boards, gilt spine titling, headbands, top edge gilt, mauve Hahnenühle endpapers. [Butcher 118]. An elegant tribute to Alan Hancox was assembled by Alan Tucker, The introduction is by Melvyn Bragg and the afterword by Michael Foot. It contains sixteen poems (15 of them previously unpublished), and a prose piece by Laurie Lee. Alan Hancox Opened his first bookshop in Cheltenhaim in the late 1940s, and it quickly became a meeting place and the literary heart of the town.
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Miracle in the Wilderness; A Story for Christmas
by WHITTINGTON PRESS / Gallico, Paul
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- Used - Fine
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Middletown, New York, United States
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Andoversford, Gloucestershire: Whittington Press, 1975. Limited Edition. Fine/Near fine. Janet & Anne Grahame-Johnstone. Long 8vo. 10 1/4 x 6 1/2 inches (260 x 165 mm); pp. vi + 26; set in 12 pt SB Caslon type on mould paper; title and press name in gold ink on title page; 5 full-page line-block reproductions of drawings by Janet & Anne Grahame-Johnstone, including a frontispiece of an Indian warrior on horseback. Copy 48 of 250 copies, numbered and signed in pen by the author on the limitation page and one of 85 specially bound in hard grain morocco by Hunter and Foulis Ltd. with gold-blocked image (like frontispiece), owl press mark on back cover, gilt title on spine; special endpapers marbled by Solveig Stone; t.e.g., rest deckled. Paper slipcover has very light shelf wear. Whittington Press postcard loosely inserted. [Butcher 13]. Jasper and Dorcas Adams had a hard life on the frontier in colonial America. It was also a dangerous life. Vigilance and good luck kept them safe until December 24,…
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Poems for Alan Hancox; Melvyn Bragg, D. J. Enright, U A. Fanthorpe, Michael Foot, Duncan Forbes, John Fuller, Seamus Heanery, Michael Horovitz, Ted Hughes, Adrian Mitchell, Jenny Joseph, P J Kavanagh, Laurei Lee, Ptere Levi, Brian Patten, Lawrence Sail, Jon Silkin, Jon Stallworthy, Charles Tomlinson
by WHITTINGTON PRESS / Heaney, Seamus & others
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- Fine
- Signed
- first
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- Used - Fine
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- First, Limited Edition
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Middletown, New York, United States
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Andoversford: Whittington Press, 1993. First, Limited Edition. Fine. Miriam Macgregor. Royal 8vo, 11 x 7 7/8 in. (280 x 200mm); pp. 41; Two wood engravings by Miriam Macgregor. Number XXXVIII of 50 specially-bound, signed opposite the title-page by each of the 19 contributors, with signed proofs of the two engravings on Zerkall cream wove paper (265 x 190 mm) in a pocket at the back. Set in Goudy Modern and printed in black, the wood-engravings in brown, on Zerkall cream smooth laid paper on the Heidelberg press. Quarter-bound at the Fine Bindery in brown Oasis and Whittington printed paper-covered boards, gilt spine titling, headbands, top edge gilt, mauve Hahnenühle endpapers; matching paper-covered slipcase, reinforced in brown buckram at the head and foot. A fine copy in a fine slipcase. [Butcher 118]. An elegant tribute to Alan Hancox was assembled by Alan Tucker, The introduction is by Melvyn Bragg and the afterword by Michael Foot. It contains sixteen poems (15 of them previously…
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The Chessplayer & Other Essays; with an introduction by R. George Thomas and with two wood-engravings by Hellmuth Weissenborn
by WHITTINGTON PRESS / Thomas, Edward
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- Fine
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- Used - Fine
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- Limited Edition
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Middletown, New York, United States
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Andoversford: Whittington Press, 1981. Limited Edition. Fine. Royal 8vo, 9 7/8 x 6 1/8 in. (250 x 155mm); pp. viii +28 + colophon. Two small wood engravings by Hellmuth Weissenborn on page preceding title page and at colophon. Copy XIV of XXV, NUMBERED AND SIGNED on the colophon page by Mayfanwy Thomas, R. George Thomas and H. Weissenborn. Hand set in 14-point Caslon, printed in black and brown, on Arches cream wove paper. Smith Settle binding in full limp vellum, gilt spine titling, t.e.g.; Whittington marbled endpapers and matching slipcase. A fine copy in a fine slipcase. [Butcher 53]. First appearing circa 1911 in a little-known magazine called "Orpheus," "The Chessplayer" describes a recurring, haunting dream using vivid language and Blake-like imagery. The two other essays, 'The Listener' and 'Penderyn' were hitherto unpublished. Philip Edward Thomas (1878 - 1917) was a British poet, essayist, and novelist. In 1915, he enlisted in the British Army to fight in the First World War and was killed…
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