Search Results: Sculpture from Bolerium Books Inc., ABAA/ILAB

North Bennington, VT: The Park-McCullough House Association, 1978. Pamphlet. [40]p., stapled wraps, 8.5x11 inches, illus., gift inscription on verso of front wrap else very good exhibition catalog.

New York: Published by the New American Library of World Literature, Inc. by arrangement with UNESCO, 1964. Mass Market Paperback. to p.24, descriptive text; thereafter, 28 individual plates, all in color, some folding, plus Contents and Bibliography. A small softbound, 6.5x4.2 inches, color cover, quite sound and entirely clean and unmarked. A Mentor-UNESCO art book.

Tulsa, OK: University of Tulsa, 1978. Poster. 1 poster, illustration. 20 x 16 in. (folded to 8 x 10 in., as issued, for mailing). Very Good. Poster for Friedman's installation at the Philbrook Art Center at the University of Tulsa, consisting of 26 Greek-themed buildings of various sizes and scales, inscribed with puns and other witty remarks. Friedman was one of the youngest of the Fluxus artists.

Athens Greece: Krene Editions, 1991. Paperback. 120p., profuse color illustrations both photographic and diagrammatic (floorplans, elevations and pictorials), softbound in 9.5x6.5 inch color cardstock wraps. Book itself has a mildly edgeworn front cover, blank back cover a little rubbed, but the folded map (more of a 3-D reconstruction) is fine. Presentable copy of a Library of Congress Duplicate with LC's rubberstamp to half-title. Otherwise unmarked, and entirely sound and clean.

Bombay: National Book Trust, 1975. Paperback. xv, 75, [7]p., wraps, 11x8.5 inches, profusely illus., wraps worn else very good condition in an unclipped and worn dust jacket.

Tampa: College of Fine Arts, University of South Florida, nd. Paperback. 54p., wraps, 11.5x8.25 inches, profusely illus., wraps lightly shelfworn and sunned along edges, else good exhibition catalog. Sculpture and installation art.

Hanover: Nord/LB, 2002. Hardcover. 72 pages, illustrations, boards. 11.25 x 8.75 in. Edition of 1,500. Minor scuffs to boards. Catalog of an exhibition held at NORD/LB (Hanover), September 25. - November 11, 2002. Wood, steel, and bronze sculptures by British pop artist Jones, many accompanied by sketches and prototypes. Includes photographs of commissioned words of public art. Essay by Andrew Lambirth. Text in German. Lacking the accompanying booklet with English translations of texts.

no city: Chartwell Books, Inc, 1975. Hardcover. 238p., coated paperstock throughout illustrated with color and b&w site photography, exhibit photography, architectural and other sorts of diagrams (most in color); superbly done by Flammarion of Paris, here presented by Chartwell books for the English-language market. Huge hardbound in 13x10 inch white boards spine-titled black. Covers have picked up a little soil (item is lacking the dust jacket), a very good tight square copy.

Peiping: H. Vetch, 1937. Hardcover. xii, [2], 78 p. interspersed with black and white photo plates; green cloth boards with gilt title on spine; very good with minor shelfwear; 1949 ownership signature of Lieutenant Colonel S.W. Bogan on half-title page, front endpaper has smaller signature of David B. Burnham. Swallow, the Ningbo-born son of missionary parents, was a teacher and businessman with a wide-ranging career, at one time tutoring the sons of President Yuan Shih-kai.

Budapest: Generalart Studio Gallery, 1987. Paperback. [76]p., illustrations, wraps. 9.25 x 6.5 in. Catalogue of an exhibition, funded in part by the Soros Foundation (later the Open Society Foundation), held at the Budapest hall of art featuring three "young men around thirty, characteristic figures of the Hungarian art scene of the Eighties." Illustrations of prints, paintings, sculpture, and performance, with texts interspersed. Catalog compiled by Marianna Mayer.

Tubingen: Verlag Ernst Wasmuth, 1955. Hardcover. XII, 439p., profulely illustrated with expert sketches both descriptive and explanatory, plus artist's reconstructions (how such & such gate may have looked, &c). Hardbound in openweave blue cloth boards gilt and enclosed in the dust jacket. Nice condition: the book itself has a short bump to tail-rim, the only detraction from crisp squareness, top edge mildly dust-soiled, gilt remains bright, within find a neat small ownership signature. The dj wasn't so lucky; although complete it is very edgeworn with puncturing scratches. All in all a very good copy. Text exclusively in the German language.

New York / Tokyo: Weatherhill, 1985. Hardcover. xxix, 786p, a "most comprehensive study available", hardbound in 10.5x7 inch brown brocade cloth boards gilt and enclosed in the dust jacket. The sole significant flaw we find shows up in part four of text (pages 450-500) which bears occasional pale yellow hi-liting. Book itself is otherwise in fine shape, with top rim of dust jacket worn down an eighth inch. No ownerships or institutional marks. Very good copy pace the hi-lites.

Tokyo: Shufunotomo Co, 1971. Paperback. 20p., wraps, chiefly illus., rear wrap and versos of both wraps heavily foxed, scattered foxing throughout, sticker scar on rear wrap. Text in English, Japanese, and French.

Boston: Museum of Fine Arts, Boston, 1966. Paperback. 185p., b&w and color exhibit photography in a running text, softbound in 8.5x7.5 inch frenchfold colorphoto wraps. Covers are edgeworn, half-titled bears an ownership inscription in ink and a dealer's code in pencil. Clean and sound within, a good copy.

Mexico, D.F.: SEP, 1987. Hardcover. 188p., profusely illustrated with color photography showing sites and exhibits, a rather tame treatment but a nice copy of this hardbound in dark blue leatherette boards decorated in gilt, red and blind-stamp designs.

New York / New Haven: The Metropolitan Museum of Art / Yale University Press, 2008. Hardcover. xxiii, 524p., a splendid large book hardbound in 12.5x9.5 inch blood-orange openweave cloth boards lettered gilt and enclosed in the strong dust jacket. Faintest signs of any handling or age, entirely sound, clean and unmarked. Some images are of objets d'art retrieved from ancient shipwrecks.

Kassel: Edition Cantz, 1992. Pamphlet. 62, [2] pages, illustrations, wraps. 8x6.25 in. Covers show minor signs of handling and are a little dusty along the spine. Catalog for Flatz's installation at the Fridericianum in Kassel for Documentia IX, swinging punching bags hung from the ceiling, each weighing as much as Flatz, meant to obstruct the path of visitors. With an essay by Stuart Morgan and transcript of a conversation between Jan Hoet, Denys Zacharopoulos, Pier Luigi Tazzi, Bart de Baere and Flatz. Known mostly for his performance and action art, Flatz handed out flyers at Documentia VI (1977) announcing he would not be attending Documentia. The Flatz Museum opened in Dornbirn, Austria, the artist's hometown, in 2009.

San Francisco: Bonhams & Butterfields, 2007. Paperback. 181, profuse fullpage and vignette exhibit photos in color on high-gloss paperstock, the usual top-of-the-line format: 10.5x8.5 inch coated grey wraps. The two outer corner-tips are bumped, the lower one also creased, no ownership or other markings, a good copy.

[Milan]: [Mousse Magazine], 2010. Ephemera. Three-panel brochure 12.25 x 8.5 in. (folds out to 33.5 x 24.5 in.) Issued as a supplement to the international edition of Mousse Magazine (Milan, Italy), Issue 24, Summer 2010. Interview between Hans Ulrich Obrist and Enrico Castellani discussing Castellani's relief paintings (canvas stretched over nails to produce texture and shadow), his work on the art journal Azimuth, and the social context of the late 1950s. Text in English and Italian. The brochure folds out into a large poster with text on one side and a captioned list of works by or associated with Castellani on the other side.

Berlin: Volker Diehl, Rilana Vorderwuelbecke, 2000. Paperback. 39p., paperback, 5x7.5 inches. Small stain on rear cover, else very good. Text in English and German. Illustrated profusely with the work of Daniel Coombs, Willie Doherty, Roger Hiorns, Ian Kiaer, Cornelia Parker, Bob & Roberta Smith, and Tomoko Takahashi.