Search Results: the jolly beggars a cantata by burns robert

Thomas B. Mosher, 1914. Thomas B. Mosher, 1914, First Edition, 8vo., 106 pages. Book bound in a decorated cloth, no dust jacket, green spine, paper labels on spine and front board. Limited to 750 copies on hand made paper. No slip case. Considered by many critics to be Burn's most accomplished work. Book very good.. First Edition. Hard Cover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall.

Portland, Maine: Thomas Mosher, 1914. First edition thus. Hardcover. Very Good. 1914. First edition thus. Hardcover, 8vo. in patterned paper boards, lacks slipcase. 106pp. frontis of Burns. Very good. Lacks slipcase, board extremities toned. Contents unmarked.

Northampton, Ma.: The Gehenna Press, 1963. No Binding. Fine. Broadside 4 1/2 by 7 1/2 inches, with a trial title-page printed in red and black on Amalfi paper, folded once to 9 by 11 inches. A fine copy.

Paperback / softback. New.

Toronto: The Musson Book Company Ltd. Book. Illus. by Portrait Cover and Colour Front. By Joseph Simpson. Good Plus. Original Wraps. 16mo - over 5¾" - 6¾" tall. Original card covers in attached wraps. Second in the series, with no further titles listed (Lists to itself). Composed first in 1785, the scene is Mauchline, where Poosie Nancy had her change-house. 27 pp. with glossary, plus ad..

Portland: Thomas Bird Mosher, 1914. First printing. Hardcover. Near Fine/good. One of 750 unnumbered copies. First edition thus, 1914. Hardcover with dust jacket and slipcase, 106 pp., clean unmarked copy, Near Fine copy in Good dust jacket in Fair slipcase, soiling to the book's page-edges, soil and discoloration to the dust jacket, wear to the tips and edges of the dust jacket including chipping and tearning, slipcase with heavy wear including some splitting along edges.

Portland, Maine: Thomas Bird Mosher, 1914. Hardcover. Fine/Near Fine. First edition by this publisher. Introduction by William Marion Reedy. Fine in attractive about very good dustwrapper with modest loss at and near the crown. One of 750 copies.

Northhampton: The Gehenna Press, 1963. Limited Edition. Quarto. Limited to 300 un-numbered copies edited by John C. Weston which is preceded by 300 copies bound in cloth backed marbled covered boards. This copy bound in full gray cloth, spine lettering gilt, text printed in red and black. small bump with split to foot of spine otherwise a very good copy.

Amherst, Massachusetts: University of Massachusetts Press, 1963. Hardcover. Near Fine. First edition. A little wear at the spine ends and corners else fine. One of 300 unnumbered copies printed on Warren's Oldstyle paper.

Northampton: Gehenna Press, 1963. Limited Edition. Hardcover. fine. Edited by John c. Weston. Wood engraved portrait by Gillian Lewis. one of 300 unnumbered copies. Fine condition in torn glassine.

Northampton, MA: The Ghenna Press, 1963. Printed on Amalfi hand-made Italian paper. Wood engraving portrait by Gillian Lewis. Marbled paper boards with paper label on front and spine. 2 small illustrations by Leonard Baskin, one, printed in red, at the end of the colophon and other other on the following page. Edited by John C. Weston and inscribed by him on the front flyleaf preceding the half-title page. "For A and L, whose warmth kindles my own. John C. Weston, 1963". Very slight wear only to binding, slipcase has light-moderate wear, but wholely intact. Photos on request. Size: 4to - over 9¾" - 12" tall. 1 of 300 Copies.. Hardcover. Fine-.

Gehenna Press, Northampton, 1963. First Edition. Hardcover (in Slipcase). Fine Condition/No Dust Jacket. ROBERT BURNS. The Jolly Beggars, A Cantata, Northampton: Gehenna Press, 1963.Quarto, copy No. 58 of an edition limited to 300, unpaginated, sheet music laid in, marbled boards quarter-bound in brown cloth with paper labels on spine and front, in matching slipcase. Frontispiece is a woodblock print of Gillian Lewis's portrait of Burns. An attractive private-press effort presenting a work that is believed to have first appeared in 1799.Condition of this book: Fine in lightly worn case. Special Limited Edition, first issue in this format. Size: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; 18th century; Music. Pictures of this item not already displayed… Read More

Northampton, Massachusetts: The Gehenna Press, 1963. Hardcover. Fine. Limited edition. With a woodblock illustration by Gillian Lewis. Fine in a near fine slipcase with just a bit of wear along the edges. Numbered 215 of 300 copies printed on Amalfi, a hand-made Italian paper.

Northampton: Gehenna Press, 1963.. Quarto. Cloth backed marbled paper over boards, paper labels. Portrait. Fine in lightly edgeworn slipcase, with the original prospectus laid in. First edition, first printing. Edited by John C. Weston. The wood engraved portrait is by Gillian Lewis. One of three hundred numbered copies printed on handmade Amalfi. A second printing was produced in 1967 and bound in gray cloth. It retains the original date on the title-page. BASKIN 34. BROOK 32a,

Portland, ME: Thomas Bird Mosher, 1914. Number 22 of only 25 copies printed in Japan vellum. Off-white hardcover printed in green and orange, frontis portrait of the author, title page printed in black and vemilion, publisher's cartouche in vermilion on limitations page. Very good with some typical cover soil, edgewear, spine darkened but legible, good hinges, firm text block, clean pages, bookplate of Elisha Rhodes Brown inside front cover, no other names or markings.. Limited Edition. Hard Cover. Very Good. 12mo - over 6¾" - 7¾" tall.

The Gehenna Press: Northampton, MA 1963. Limited edition to 300 numbered copies, this is #22. Not to be confused with the subsequent unnumbered trade edition. Colophon illustrated by Press Founder Leonard Baskin. A presentation copy from Baskin, signed and inscribed "for Louis". Though not certain, it seems likely that the recipient is Baskin's close friend Louis Smith. Smith (known as Smitty) ran a framing, glazing and art supply store in Northampton, and between 1955 and 1974, Baskin engraved a series of rooster illustrations for Smith's shop. In 1999, this series was printed under the title "Smitty's Cocks" in a limited signed edition, noting "The friendship between the Smiths and Baskin was legendary and fruitful. These special labels adorned the letterheads, billheads and...backs of pictures framed at Smith Glass & Mirror."Illustrator Barry Moser also credits Smith with introducing him to Baskin, a collaboration that would inspire Moser to found the Pennyroyal Press.31 pp, brown cloth spine… Read More