Description:
Wien: Tobias Haslinger [PN] T.H. 7061, 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. Slightly soiled. First Edition. Weinmann p. 18. Schonherr & Reinöhl pp. 140-142.
Symphony No. 3. "Thirty-Seven Years." Musical manuscript full score in a copyist's hand with extensive annotations, corrections, etc. in the hand of the composer. Signed in pencil at conclusion by EL-DABH, Halim 1921-2017
by EL-DABH, Halim 1921-2017
Symphony No. 3. "Thirty-Seven Years." Musical manuscript full score in a copyist's hand with extensive annotations, corrections, etc. in the hand of the composer. Signed in pencil at conclusion
by EL-DABH, Halim 1921-2017
- Used
- Signed
Full score:
133, [i] (blank) pp. Large folio. Notated in ink. With title ("Symphonie No 3 of 37 years") to head, composer's name and "Cairo 1953" to upper outer corner, and copyright notes to foot of first page. Copyright date of 2008 to right margin whited-out. With autograph annotations, additions, alterations, corrections, and deletions in both pencil and ink throughout. Slightly worn and browned.
Together with:
- Dye-line copy of the full score. 31, [i] pp. Large folio. With numerous autograph annotations in pencil. Signed and dated 1954 in ink at conclusion. Spiral-bound black wrappers.
- Autograph manuscript sketches for the [?]2nd, 3rd, and 4th movements of the work. Large folio. 10; 10; 12 pp.
- Set of 20 manuscript parts, all in stiff light orange wrappers with dark red tape to spine, titled in black ink within decorative border in red pencil: Violon I (I); Violon I (III); 1o Violon (IV); Violon I (V); Violon I (VI); 2nd Violon A (I); 2o Violon B (III); 2nd Violon B (IV); 2nd Violon B (V); Alto (II); Alto (III); Cello (I); Cello (II); Cello I (IV); Cello (V); C. Bass (I); C. Bass (II); C. Bass (IV); 3 Tom-Tom. Tambour; Cassa di lengo. Piatti; and G. Cassa. Timpani. An Egyptian-born American composer, performer, ethnomusicologist, and educator, El-Dabh came to the United States in 1950, becoming a part of the New York music scene that included Cage, Varèse, and Hovhaness. He went on to study composition with Krenek, Copland, Dallapiccola, and others.
"El-Dabh's compositional style is influenced by Egyptian folk and traditional music. Frequently monodic, his works feature complex rhythms and much use of percussion. His career was launched in 1949 with a highly acclaimed performance of It is Dark and Damp on the Front (1948) at All Saints Cathedral, Cairo. In 1950 he made his début as a solo drummer, under the direction of Stokowski, in the first performance of Tahmeela. Other works include Clytemnestra (1958), One More Gaudy Night (1961), A Look at Lightning (1962) and Lucifer (1975), commissioned by Martha Graham; Sound and Light of the Pyramids of Giza (1960), written for the Cultural Ministry of the Egyptian Government and performed daily at the pyramids; and New Pharaoh's Suite, written for the Cleveland Museum of Art to accompany a visiting Ethiopian exhibit from the Louvre (1996). Spectrum no.1 'Symphonies in Sonic Vibration' (1955) and Leiyla and the Poet (1959) have been recorded." Denise A. Seachrist in Grove Music Online.
An early pioneer of electronic music, El-Dabh composed one of the earliest known works of tape music, or "musique concrète," in 1944, The Expression of Zaar.
"El-Dabh is probably the best known composer of Arabic descent and his works are highly regarded in Egypt, where he is considered the foremost living composer among that nation's 'second generation' of contemporary composers." Wikipedia.
133, [i] (blank) pp. Large folio. Notated in ink. With title ("Symphonie No 3 of 37 years") to head, composer's name and "Cairo 1953" to upper outer corner, and copyright notes to foot of first page. Copyright date of 2008 to right margin whited-out. With autograph annotations, additions, alterations, corrections, and deletions in both pencil and ink throughout. Slightly worn and browned.
Together with:
- Dye-line copy of the full score. 31, [i] pp. Large folio. With numerous autograph annotations in pencil. Signed and dated 1954 in ink at conclusion. Spiral-bound black wrappers.
- Autograph manuscript sketches for the [?]2nd, 3rd, and 4th movements of the work. Large folio. 10; 10; 12 pp.
- Set of 20 manuscript parts, all in stiff light orange wrappers with dark red tape to spine, titled in black ink within decorative border in red pencil: Violon I (I); Violon I (III); 1o Violon (IV); Violon I (V); Violon I (VI); 2nd Violon A (I); 2o Violon B (III); 2nd Violon B (IV); 2nd Violon B (V); Alto (II); Alto (III); Cello (I); Cello (II); Cello I (IV); Cello (V); C. Bass (I); C. Bass (II); C. Bass (IV); 3 Tom-Tom. Tambour; Cassa di lengo. Piatti; and G. Cassa. Timpani. An Egyptian-born American composer, performer, ethnomusicologist, and educator, El-Dabh came to the United States in 1950, becoming a part of the New York music scene that included Cage, Varèse, and Hovhaness. He went on to study composition with Krenek, Copland, Dallapiccola, and others.
"El-Dabh's compositional style is influenced by Egyptian folk and traditional music. Frequently monodic, his works feature complex rhythms and much use of percussion. His career was launched in 1949 with a highly acclaimed performance of It is Dark and Damp on the Front (1948) at All Saints Cathedral, Cairo. In 1950 he made his début as a solo drummer, under the direction of Stokowski, in the first performance of Tahmeela. Other works include Clytemnestra (1958), One More Gaudy Night (1961), A Look at Lightning (1962) and Lucifer (1975), commissioned by Martha Graham; Sound and Light of the Pyramids of Giza (1960), written for the Cultural Ministry of the Egyptian Government and performed daily at the pyramids; and New Pharaoh's Suite, written for the Cleveland Museum of Art to accompany a visiting Ethiopian exhibit from the Louvre (1996). Spectrum no.1 'Symphonies in Sonic Vibration' (1955) and Leiyla and the Poet (1959) have been recorded." Denise A. Seachrist in Grove Music Online.
An early pioneer of electronic music, El-Dabh composed one of the earliest known works of tape music, or "musique concrète," in 1944, The Expression of Zaar.
"El-Dabh is probably the best known composer of Arabic descent and his works are highly regarded in Egypt, where he is considered the foremost living composer among that nation's 'second generation' of contemporary composers." Wikipedia.
- Seller J & J Lubrano Music Antiquarians LLC (US)
- Book Condition Used
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- Keywords 20th century American music, autograph musical manuscripts of 20th century Egyptian-American composers, autograph musical manuscripts of 20th century American composers, autographs of 20th century Egyptian composers, autographs of 20th century Americ
- Product_type Sheet Music
[Op. 91]. Kronungs-Walzer für das Piano-Forte
by STRAUSS, Johann, Sr. 1804-1849
- Used
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- Used
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- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
- Item Price
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£130.33
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
- Used
- Signed
- Condition
- Used
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- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
- Item Price
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£1,257.15
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Description:
5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
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Drammaturgia di Lione Allaci accresciuta e continuata fino all' anno MDCCLV
by ALLACCI, Leone 1586-1669
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
- Item Price
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£558.56
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Description:
Venezia: Pasquali, 1755. Small quarto. Quarter vellum with dark orange decorative title label gilt to spine. 4ff., 1,016 columns (= 508 pp.), including the supplement (columns 837-946), additions and corrections (947-950), and an index of authors (951-1016). With a fine woodcut device to title and occasional woodcut head- and tailpieces. A very good, wide-margined, uncut copy, with only occasional minor foxing and staining. Second edition, substantially revised and expanded. Cortot, p. 4. Hirsch I, Anh. 2. Wolffheim II, 908. Gregory-Bartlett I, 12. RISM BVI, p. 81. "A compendious and surprisingly accurate list of dramatic works of all kinds, including opera librettos, published in Italy; it also lists many unpublished works." Thomas Walker in Grove Music Online Allacci's bibliography of plays, operas, and ballets was first published in 1666 and revised by Giovanni Cendoni, Apostolo Zeno, and others for this updated edition of 1755.
Item Price
£558.56
[Op. 58]. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal ... Klavier-Auszug mit Text von Otto Singer. [Piano-vocal score]
by STRAUSS, Richard 1864-1949
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- Used
- Binding
- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
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£93.09
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Description:
Berlin: Adolph Fürstner [PN A.5654F.], 1935. Folio. Original publisher's full gray cloth. [i] (title), [ii] (blank), [iii] ("Dramatis Personae"), [iv] (blank), [5]-250 pp. Text in German. With illustration by Lovis Corinth to page [5]. Binding very slightly worn and rubbed. Trenner 223. Mueller von Asow p. 409. First performed on January 25, 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. "[Elektra] ... marked the beginning of [Strauss's] artistic association with Hugo von Hofmannsthal, whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905, Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies, he nonetheless gave in to Hofmannsthal's pleading and vigorously began composing Elektra in the summer of 1906. As he had with Oscar Wilde's Salome, he set the play to music, which was finished in 1908 and given its première in 1909 as…
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Autograph letter signed to an unidentified male correspondent
by DEBUSSY, Claude 1862-1918
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- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
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£1,861.85
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1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,…
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[Op. 91]. Kronungs-Walzer für das Piano-Forte
by STRAUSS, Johann, Sr. 1804-1849
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
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Syosset, New York, United States
- Item Price
-
£130.33
Show Details
Description:
Wien: Tobias Haslinger [PN] T.H. 7061, 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. Slightly soiled. First Edition. Weinmann p. 18. Schonherr & Reinöhl pp. 140-142.
Item Price
£130.33
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
£1,257.15
Show Details
Description:
5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
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£1,257.15
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Drammaturgia di Lione Allaci accresciuta e continuata fino all' anno MDCCLV
by ALLACCI, Leone 1586-1669
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
£558.56
Show Details
Description:
Venezia: Pasquali, 1755. Small quarto. Quarter vellum with dark orange decorative title label gilt to spine. 4ff., 1,016 columns (= 508 pp.), including the supplement (columns 837-946), additions and corrections (947-950), and an index of authors (951-1016). With a fine woodcut device to title and occasional woodcut head- and tailpieces. A very good, wide-margined, uncut copy, with only occasional minor foxing and staining. Second edition, substantially revised and expanded. Cortot, p. 4. Hirsch I, Anh. 2. Wolffheim II, 908. Gregory-Bartlett I, 12. RISM BVI, p. 81. "A compendious and surprisingly accurate list of dramatic works of all kinds, including opera librettos, published in Italy; it also lists many unpublished works." Thomas Walker in Grove Music Online Allacci's bibliography of plays, operas, and ballets was first published in 1666 and revised by Giovanni Cendoni, Apostolo Zeno, and others for this updated edition of 1755.
Item Price
£558.56
[Op. 58]. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal ... Klavier-Auszug mit Text von Otto Singer. [Piano-vocal score]
by STRAUSS, Richard 1864-1949
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
- Item Price
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£93.09
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Description:
Berlin: Adolph Fürstner [PN A.5654F.], 1935. Folio. Original publisher's full gray cloth. [i] (title), [ii] (blank), [iii] ("Dramatis Personae"), [iv] (blank), [5]-250 pp. Text in German. With illustration by Lovis Corinth to page [5]. Binding very slightly worn and rubbed. Trenner 223. Mueller von Asow p. 409. First performed on January 25, 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. "[Elektra] ... marked the beginning of [Strauss's] artistic association with Hugo von Hofmannsthal, whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905, Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies, he nonetheless gave in to Hofmannsthal's pleading and vigorously began composing Elektra in the summer of 1906. As he had with Oscar Wilde's Salome, he set the play to music, which was finished in 1908 and given its première in 1909 as…
Read More Item Price
£93.09
More Photos
Autograph letter signed to an unidentified male correspondent
by DEBUSSY, Claude 1862-1918
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
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£1,861.85
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Description:
1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,…
Read More Item Price
£1,861.85
Trial by Jury
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
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- Paperback
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Lake Huntington, New York, United States
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£17.81
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69 pp. + ads. Plate 17453. Vocal score, wraps, quarto 8.5 x 11 in. Front cover reattached with Japan paper, some wear to spine and edges, yet very good. Likely a printing from 1992-, given the 62 W. 45th St. address on the wraps. Printed in England. Trial by Jury is a one-act comic opera that could be considered a seminal venture in their partnership. It premiered at the Royalty Theatre in London in March, 1875.
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£17.81
Nijinsky and the Last Years of Nijinsky
by Nijinsky, Romola
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- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- Very Good
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780671411237 / 0671411233
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Salem, Oregon, United States
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£32.38£19.43Save £16.00!
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Nijinsky, Romola. Nijinsky and the Last Years of Nijinsky. The Definitive Biography Copyright 1980. Simon and Schuster stated First Impression Thus. Number line starts with 1. EXLIB. Good Condition/ VG original dust jacket. 260 pages, indexed. ISBN0671411233. PERFORMING ARTS, RUSSIA, BALLET, VASLAV NIJINSKY. Summary: "The life of Vaslav Nijinsky is not merely a record of a great dancer's artistic triumphs; it is one of the strangest stories ever written. There is madness everywhere. From the child's first appearance with a troupe of wandering Russians to that last terrible performance, his "Marriage With God" , it is a growing chaos of madness, abnormality, distortion, genius and beauty." 260 pages, indexed. 5 3/4 X 8 3/4.
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PIOBAIREACHD AND ITS INTERPRETATION: CLASSICAL MUSIC OF THE HIGHLAND BAGPIPE
by MacNEILL, SEUMAS & FRANK RICHARDSON
- Used
- very good
- Paperback
- first
- Condition
- Used - Very Good
- Jacket Condition
- No Jacket, As Issued
- Edition
- 1st Edition
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- Paperback
- ISBN 10 / ISBN 13
- 9780859764407 / 0859764400
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Uxbridge, Ontario, Canada
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£23.71£18.97Save £8.00!
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Edinburgh: John Donald Publishers, 1996. 1st Edition . Soft cover. Very Good/No Jacket, As Issued. 8vo - over 7¾ - 9¾" tall. pp: 130. FIRST PAPERBACK EDITION. The author, an acknowledged authority on the subject, describes the structure and history of Piobaireachd. A very good copy with moderate edge wear on the covers and some fading of the colour on the rear panel.
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SKIFFLE:; The Story of Folk-song with a Jazz Beat. With a Foreword by Lonnie Donegan (The King of Skiffle)
by Bird, Brian
- Used
- very good
- Hardcover
- first
- Condition
- Used - Very Good
- Jacket Condition
- Good +
- Edition
- First Edition
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- Hardcover
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Roosevelt, New Jersey, United States
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£20.24
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Description:
London: Robert Hale, 1958. First Edition. Hardcover. Very Good/Good +. 119pp, index; 13pp illus from photographs. Bound in pictorial boards, dust jacket. 8" x 5.25" This first book on the subject traces the history of skiffle from its slave and jazz roots through the 1950s. The second part of the book is a how-to for forming a skiffle band as well as a look at the "origins, progress and personalities" of Britain's most popular skiffle bands.
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£20.24
The Pirates of Penzance in Full Score: New Edition by Carl Simpson and Ephraim Hammett Jones
by W. S. Gilbert, Sir Arthur Sullivan
- Used
- near fine
- Paperback
- Condition
- Used - Near Fine
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- Paperback
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Lake Huntington, New York, United States
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£22.67
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272 pp. Quarto, 9 x 12 in. Illustrated wraps, near fine, only the slightest wear covers. Full score. New edition by Carl Simpson and Ephraim Hammett Jones. Official Premiere: December 31, 1879, Fifth Avenue Theater, New York, New York, USA; London Premiere: April 3, 1880, The D'Oyly Carte Opera Company, Orchestra and Chorus Opera Comique, Arthur Sullivan, conductor.
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Bob Dylan: From a Hard Rain to a Slow Train
by Barry; Dowley, Tim Dunnage
- Used
- Hardcover
- first
- Condition
- Used - Very Good+
- Jacket Condition
- Very Good+
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780859362597 / 0859362590
- Quantity Available
- 1
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St. Paul, Minnesota, United States
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£25.90
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Turnbridge Wells: Midas Books; New York: Hippocrene Books, [1982], First Edition, 8vo, [11] 176pp [2], photos on 2 plates. Hardcover, red cloth covered boards with dust jacket. Very Good + condition. Pages are unmarked with slight toning and slight foxing to top page edges. Slight shelf wear to dust jacket. Please see photos for specifics. A portion of all book sales from Babcock & 68th are donated to charity.
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£25.90
The Influence Of Music On History And Morals: A Vindication Of Plato
by Scott, Cyril
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- No Jacket
- Edition
- 1st Edition 1st Printing
- Binding
- Hardcover
- Quantity Available
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Pasadena, California, United States
- Item Price
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£24.28
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London: The Theosophical Publishing House Ltd., 1928. 1st Edition 1st Printing. Hardcover. Good/No Jacket. X, 245 Pp. First Printing. Blue Cloth, Gilt, With Blindstamped Border On Front Cover. Lightly Used, Pinpoint Fray At Each Of Two Lower Tips, But Spine Frayed Across Top Down To Edge Of Page Block, 1/2" Fray Along Top Spine Edges And Bottom Rear Spine Edge, Hinges Tight, No Names Or Marks, Very Light Foxing To Endpapers, Title Page, And To Edges Of The Page Block. Quite Scarce In The Trade.
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£24.28
The Sorcerer: An Original Modern Comic Opera
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
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- Paperback
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Lake Huntington, New York, United States
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£28.33
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137 pp. Vocal score, a slight tilt to spine, light wear to wraps, else fine. Quarto, 8.5 x 11 in. "New Edition." An original modern comic opera in two acts, words by W. S. Gilbert, music by Arthur Sullivan. G&S's third production. Based on a story, The Elixir of Love, that Gilbert published in 1876 in The Graphic.
Item Price
£28.33
The Music to Racine's Athalie, with an English adaptation of the lyrics, by W. Barthlomew, Esq. Op. 74 Posth: Work. No.2
by Mendelssohn Bartholdy, Felix, 1809-1847 / Racine, Jean, 1639-1699
- Used
- very good
- Hardcover
- first
- Condition
- Used - Very Good
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- Hardcover
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Cranston, Rhode Island, United States
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£80.95£32.38Save £60.00!
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London, Ewer & Co. [185???] Overstamped in red: Jordens & Martens. New-York 785 Broadway. Hard Cover. 1 p.l., 108 pages; 26.5 cm. Composed in 1843-1845 on commission from the King of Prussia and first performed in December of 1845, Athalie was the last production of Mendelssohn's Berlin period. The first edition was Leipzig, 1849. Jean Racine's (1639-1699) Biblical tragedy was first performed in 1691. This version, with English libretto by William Bartholomew (1793-1867), seems to be the first English edition, and, with its publisher's overstamp, the first American as well. It appears to be earlier than the editions in the NUC (cf. 375: 552-553) or in the Boston or New York Public Libraries catalogs. It certainly dates before 1867 when Ewer merged with Novello. Vg/ bound in 3/4 leather with name label on front cover of Charles F. Leonard (a bass if the pencil markings are his). Stock#OB201.
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OH BOYS, CARRY ME LONG:; A Plantation Melody. Written & Composed by Stephen C. Foster
by Oh Boys...sheet music
- Used
- very good
- Condition
- Used - Very Good
- Edition
- 20th Edition
- Quantity Available
- 1
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Roosevelt, New Jersey, United States
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£32.38
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Description:
NY: Firth, Pond, 1851. 20th Edition. Decorative Wraps. Very Good. 6pp; embellished cover title; spine reinforced. Contains words and music to four verses and a chorus. 13" x 10.25" In part: "Oh! carry me 'long; Der's no more trouble for me: I's gwine to roam In a happy home Where all de niggas am free...." First published in 1851.
Item Price
£32.38