Search Results: Titles starting with H from Foldvaribooks

Budapest: Tolnai, 1938. In original paper. In very good conditon. Cover by Sandor Bortnyik. Cover by Sandor Bortnyik. In original paper. 19, 12 p. Cover by Sandor Bortnyik.

Tel-Aviv: Lev-Ḥadash, 1931. First fourteen issues. First twelve issue with the original belly bands. Complete. In publisher's illustrated wrappers. Issue 13-14 former collection copies. Occasional foxing throughout issue 1-12. First pages discolored at edges of issue 5. Belly bands opened, first issue's torn. Overall in very good condition.. Cover by Pesach Ir-Shay (István Irsai). Modernist layout. With small illustrations, and geometrical patterns, with 2 photographical portraits.. Cover by Pesach Ir-Shay (István Irsai). Modernist layout. With small illustrations, and geometrical patterns, with 2 photographical portraits. First fourteen issues. First twelve issue with the original belly bands. Complete. In publisher's illustrated wrappers. Issue 1-12: 32 p. No. 13: 39, (1); No. 14.: 47, (1) p. Scarce political and social magazine, with the motto on cover "Freedom of Speech is not an option, it is an obligation". Edited by Avigdor Hameiri (1890-1970) the Hungarian-Israeli Hebrew writer,… Read More

First edition in Czech. Folio. Signed by all contributors, numbered, this copy holds number 1 of 93 (of 99), printed on Italian hand made paper. In original, ochre, illustrated wrappers. The gatherings are unstapled as customary for Czech books of the time. Housed in publisher's hard paper box which is slightly worn. The book is in fine condition.. First edition in Czech. Folio. Signed by all contributors, numbered, this copy holds number 1 of 93 (of 99), printed on Italian hand made paper. In original, ochre, illustrated wrappers. The gatherings are unstapled as customary for Czech books of the time. Housed in publisher's hard paper box which is slightly worn. A beautiful bibliophile edition of Valéry's poem with a full page etching, beside the cover and colophon ornaments. Signed by Valéry, Karel Svolinský (illustrator) and Josef Palivec (translator). Number one of 93 copies.

(Budapest): OMIKE" Műbarátok Köre megbízásából Stemmer Ödön (Athenaeum Irodalmi és Nyomdai R.-T.), 1924. First edition. One of the 300 numbered copy. Signed by the illustrator Istvan Zador. The text is surrounded by ornamented printed frame. Text in Hungarian and Hebrew. In publisher's half leather binding. In fine condition.. With eleven full page and numerous text illustrations and initials.. With eleven full page and numerous text illustrations and initials. First edition. One of the 300 numbered copy. Signed by the illustrator Istvan Zador. The text is surrounded by ornamented printed frame. Text in Hungarian and Hebrew. In publisher's half leather binding. 107, (1) p. One of the 300 numbered copy. Signed by the illustrator Istvan Zador. Richly illustrated Haggadah by István Zádor (1882-1963), the Hungarian-Jewish graphic artist and painter. The publication was sponsored by "OMIKE" the "Hungarian Jewish Educational Association" (Országos Magyar Izraelita Közművelődési… Read More

Budapest: Dante, 1932. First Hungarian edition. In publisher's cloth. Title and ornaments in gilt on front panel. With the scarce original dust jacket, designed by Sándor Bortnyik. Overall in very good condition./Chipped at edges.. First Hungarian edition. In publisher's cloth. Title and ornaments in gilt on front panel. With the scarce original dust jacket, designed by Sándor Bortnyik. 208, (2) p. and 8 plates. First Hungarian edition. With the extremely scarce photographically illustrated dust jacket, designed by Sándor Bortnyik. Sándor Bortnyik (1893-1976) was a Hungarian painter and graphic artist. Member of Kassák's artistic circles. Exhibited his activist, cubist and constructivist works at MA's exhibitions in Budapest and in Berlin in Galerie Der Sturm as well. In 1922 Bortnyik went to Weimar where he got connected to Bauhaus. Worked as stage designer for the Hungarian Avant-garde theatre, the "Zöld Szamár" (Green Donkey). Edited the Avant-garde periodical "Új Föld" (New Earth).

Budapest: Táltos (Világosság), 1917. First edition. Title page in red and black. Initials printed in red. In original illustrated hard paper. In fine condition.. With 16 full page illustrations.. With 16 full page illustrations. First edition. Title page in red and black. Initials printed in red. In original illustrated hard paper. Presentation copy. 12 p. and 16 plates. This work of Toroczkai-Wigand starts with a short poem, the national epic of the Székelys (Hungarian people in Transylvania), about Prince Csaba, the youngest son of Attila, the King of the Huns and his mother, Réka. The 16 illustrations are showing the buildings and the interiors related to the story, in the special Transylvanian Art Nouveau style. Ede Toroczkai-Wigand (1869-1945) was a Hungarian architect and designer of decorative art. The thoughts of John Ruskin and the Arts and Crafts Movement had a major influence on him. Toroczkai-Wigand had the idea that art, architecture, folk customs and language is a complex… Read More

Madrid: En la imprenta de la Viuda de Ibarra, 1800. First edition. In modern red moiré. Title vignette on front panel. Marbled endpapers. Old collection stamp on title page. Inside clean and firm. Overall in fine condition.. First edition. In modern red moiré. Title vignette on front panel. Marbled endpapers. Old collection stamp on title page. (6), LXXV, (3) p. The first critic of the 1798, first Spanish translation of Shakespeare's Hamlet. In his fierce critic, Christóbal Cladera proves that the first Spanish translation of Shakespeare' Hamlet by Leandro Fernandez de Moratín was not translated from the original English text, but from Pierre Le Tourneur's 1776 French translation. Cladera also suggests several improvements and corrections. Christóbal Cladera (1760-1816) was a Spanish writer, historian, and journalist. Bibl.: Zaro, J. J.: Moratín's Translation of Hamlet (1798).In Boase-Beier, J.; Holman, M. (ed.): The Practices of Literary Translation. Constraints and Creativity.… Read More

1920. Folded, small tears. In very good condition. 1 p. Futurist letter by F.T. Marinetti, handwritten by the avant-garde theoretician of Futurism, on official paper of the Movement with the lithographed "Pugno di Boccioni" by Giacomo Balla, reproduced on the original 1915 sketch, which described the body physiognomy of the painter Umberto Boccioni. The letter is sent to the founder of. periodical Ça ira! Paul Neuhuys. Marinetti mentions in the letter his book Les mots en liberte futuristes. what was published in 1919.

Budapest, 1926. Fine condition.. 1 p. The cast include: Leuer Hubert,Sári Sebeők, Mária Basilides,Oszkár Kálmán,

Budapest: Grill, 1935. First edition. Signed by Romola Nijinsky on half title. Limited up to 150, numbered in ink. The numbered copies printed on hand made paper, and bound into leather with gilt figural ornament on front panel and gilt title on spine. In fine condition.. First edition. Signed by Romola Nijinsky on half title. Limited up to 150, numbered in ink. The numbered copies printed on hand made paper, and bound into leather with gilt figural ornament on front panel and gilt title on spine. 223, (1) p. and 8 plates. The famous Russian ballet dancer, Vaslav Fomich Nijinsky's memoir, edited by his wife, the Hungarian countess Romola Nijinsky (born de Pulszky). They lived in Hungary between 1913-1945. With photographic illustrations of Nijinsky and reproductions of his graphics and paintings. .

Budapest: Grill, 1935. First edition. Signed by Romola Nijinsky on half title. In publisher's wrappers, with illustrated dust jacket, designed by Sándor Fenyves. Dust jacket chipped, slightly worn. Paper yellowed. Inside clean. Overall in very good condition.. First edition. Signed by Romola Nijinsky on half title. In publisher's wrappers, with illustrated dust jacket, designed by Sándor Fenyves. 223, (1) p. and 8 plates. An account of the life of Vaslav Fomich Nijinsky (1889-1950), the famous Russian ballet dancer by her wife, the Hungarian countess Romola (born Pulszky). They lived in Hungary between 1913-1945. With photographic illustrations of Nijinsky and reproductions of his graphics and paintings.

Paris: Jouve & Cie, Éditeurs, 1928. An association copy, inscribed to André Salmon. In publisher's printed wrappers, with the original printed bellyband. In fine condition.. Illustrated with 17 reproductions of Branko Ve Poljanski's works.. Illustrated with 17 reproductions of Branko Ve Poljanski's works. An association copy, inscribed to André Salmon. In publisher's printed wrappers, with the original printed bellyband. 5 preliminary leaves, 13-154, [6] pages including plates. An association copy of this scarce book, inscribed to André Salmon by Ljubomir Mitsitch. With the original bellyband. Ljubomir Mitsitch (1895-1971) was a Serbian avant-garde artist, co-founder of the movement Zenitism and its magazine Zenit, together with his brother Branko ve Polianksi (Branislav Micić; 1898-1947) the illustrator of this book. Inscribed to André Salmon: Après que je vous connais mon grand poète André Salmon ce livre signé de mon sang Lioubomir Mitsitch Paris, a 12 mars 1929..

1973. Bound with two clamps. In nice condition.. Bound with two clamps. 40 p. 40 paper collage . Klaus Groh studied art education and art history and received his doctorate as Dr. phil. at the Carl von Ossietzky University of Oldenburg with the topic "The new DaDaism on the American west coast" (Maro-Verlag, Augsburg) Groh headed the Micro Hall Art Center and the Kleinkunstbühne Literaturium from 1971 to 2006 and the IAC (International Artists' Cooperation) from 1969 to 1990. He was the editor of the IAC information sheet "IAC-INFO", a forerunner of many Mail Art Letters and today's network.

Moscow: Kinopechat, 1926. First edition. In publisher's illustrated wrappers. Old price in ink to rear. Brown stain on cover. Spine slightly damaged. Overall in very good condition.. With five photographic illustrations.. With five photographic illustrations. First edition. In publisher's illustrated wrappers. 15, (1) p. Early Soviet-Russian, illustrated biographical pamphlet on Harry Liedtke, in constructivist cover. In the 1920s Kinopechat, the Soviet state publishing house for cinema, published a series of booklets focusing on the popular foreign film actors of the day. Each pamphlet was published with striking constructivist cover, designed by different artists, the cover of this brochure was created by Mikhail Getmanski. .

Budapest: Farkas Béla (Tolnai-nyomda), 1938. First edition. With numerous text illustrations. In original, illustrated paper, designed by Sándor Bortnyik. Cover little bit worn and stains. Still a very good copy.. First edition. With numerous text illustrations. In original, illustrated paper, designed by Sándor Bortnyik. 94, (2) p. Price list of the company "Hatschek és Farkas" the most prestigious store for photography, radio and electronics in the prewar Hungary. Front cover printed in red and black, modernist typography and a simplified image of a camera in the background. Back cover also in red and black with a montage of a photograph of a Contax camera. Cover designed by Sándor Bortnyik (1893-1976) was one of the most outstanding Hungarian avant-garde graphic artists and painters, who was tightly associated with Lajos Kassák's avant-garde circle and magazine the "MA". .

Budapest: Löbl Dávid, 1937. First edition. In origianl paper. Fine condition. Illustrated by Endre Vadasz. Illustrated by Endre Vadasz. First edition. In origianl paper. 2 p. and 10 woodcut. Portfolio of 10 woodcuts about the emigration of Hungarian Jews to Palestine.

Budapest, 1820. First Hungarian edition. In contemporary halfcloth. Binding little bit worn. In very good condition. First Hungarian edition. In contemporary halfcloth. 680, 589, 606 p. First Hungarian edition.

New York: Alfred A. Knopf, 1959. Frist edition. Presentation copy. In original cloth with dust jacket. The book is in fine condition./Dust jacket slightly worn. Snodgrass' autograph on rear dust jacket, his address in Detroit in red pen.. Frist edition. Presentation copy. In original cloth with dust jacket. 62 p. First edition of the Snodgrass' first book. He won the Pulitzer Prize in 1960 for this collection of poems. Inscribed to Iván Boldizsár (1912-1988) the Hungarian poet and writer, president of the Hungarian PEN Club from 1970 and President of the International PEN Club in 1984 and one of the first people from the former Soviet bloc who received Honorary Degree in the United States. .

Basileae [Basel]: Henricum Petri, 1556. First edition. Printer's device on last page. In contemporary vellum. Title on spine lettered in ink. Binding stained. Title page restored. Foxing and waterstain throughout.. First edition. Printer's device on last page. In contemporary vellum. Title on spine lettered in ink. (6°; A1-Ss6), [8] p., 2 folding plates, 980 col., [2] p. Isaac Nathan ben Kalonymus was a French philospher and contraversialist of the 15th century. Came from the renowned Nathan family, which claimed it's descent from King David. He is the author of the first Bible concordance and the division of the Old Testament into verses is attributed to him. [Adams I. 188.] .

17 pages with Heidegger's autograph notes in black, red, and yellow ink; 7 larger pages with Gadamer's typed text, with Heidegger's notes in black, red, and yellow ink. In a folder titled also in Heidegger's hand. Dated: July 1965. In fine condition. An extensive file of Heidegger's notes on Gadamer's 1965 lecture Von Hegel bis Heidegger. "In the summer semester of 1965 I offered a lecture course titled 'Von Hegel bis Heidegger' [...]. Heidegger attended its final session and offered some remarks after my lecture. Basically, in those remarks Heidegger continued to emphasize the fact that Hegel's thought culminates in a form of absolute knowledge." - remembers Gadamer of his 1965 summer course at the Heidelberg University and Heidegger's comments on it (Hahn, 1997). The present papers are evidently related to this memory of Gadamer. They either served as preparatory notes for Heidegger's above-mentioned remarks, or they are a draft for a more extensive posterior response to the ideas Gadamer's… Read More