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Bologna: Presso gli heredi di Euangelista Dozza, 1647. THIRD EDITION (1st ed. 1550) and the SECOND ILLUSTRATED EDITION (1st 1568) of Vasari's "Lives". Hardcover. Fine. Bound in three uniform bindings of contemporary stiff vellum, somewhat soiled. The text is in overall fine condition, with some light browning, occasional foxing, and a few marginal damp-stains. The three volumes are illustrated throughout with the well-known woodcut portraits of the artists set within ornate frames. For this edition the editor, Carlo Monalessi, acquired the original woodblocks used for the 1568 edition, and had several new portraits added. All three volumes feature an added engraved frontispiece by Bloemaert after a drawing by the celebrated Roman painter and engraver, Giovanni Angelo Canini (1617-1666). "Giorgio Vasari invented Renaissance art. In 1550, he published a collection of one hundred and forty-two biographies, his 'Lives of the Most Excellent Italian Architects, Painters, and Sculptors from Cimabue to our…
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Le vite de' più eccellenti pittori, scultori et architetti di Giorgio Vasari, pittore & architetto aretino; parte prima e seconda [-terza] ; in questa nuoua edizione diligentemente riviste, ricorrette, accresciute d'alcuni ritratti, & arricchite di postille nel margine
by Vasari, Giorgio (1511-1574)
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- THIRD EDITION (1st ed. 1550) and the SECOND ILLUSTRATED EDITION
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Indicazione Antiquaria del Pontificio Museo Pio-Clementino in Vaticano, stesa da Pasquale Mass Cesenate Custode del Museo Stesso/ Catalogue Indicatif des Antiquitès Composant Le Musèe Pie-Clèmentin au Vatican par Paschal Massi de Cesèns Garde du dit Musèe
by VATICAN MUSEUMS [Clement XIV, Pope (reg. 1769-1774); Pius VI, Pope (reg. 1775-1799)] Massi, Pasquale, da Cesena
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Rome: Presso Lazzarini, 1792. FIRST EDITION. Hardcover. Fine. Printed on blue paper. In contemporary mottled calf, the spine and boards tooled in gold. A very fine copy of the very rare first catalogue of the Museo Pio-Clementino - founded by Pope Clement XIV in 1771 and greatly expanded his successor by Pius VI-, written for the use of visitors by the keeper of the museum, Pasquale Massi of Cesena. Rare. The Museo Pio-Clementino was the first major curatorial museum within what are known today collectively as the Vatican Museums. In 1771, Pope Clement XIV had Michelangelo Simonetti adapt the Belvedere Pavilion to accommodate the papal collection of ancient art. When Clement's successor, the avid art collector Pius VI, was elevated to the pontificate in 1775, the pace of acquisition increased dramatically and very soon the collections outgrew the rooms arranged for them by Simonetti. In 1776, Pius VI called for a radical restructuring of the existing museum and the construction of new, grand spaces…
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The most excelent worckes of chirurgery, made and set forth by maister Iohn Vigon, head chirurgien of oure tyme in Italy, traunslated into Englishe. Wherunto is added an exposition of straunge termes and vnknowen symples, belongynge vnto the arte
by Vigo, Giovanni da (1450?-1525)
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- SECOND EDITION IN ENGLISH (1st ed. 1543) of Vigo's "Practica in
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London: Imprynted by Edwarde Whytchurch, wyth the Kynges moste graciouse priuelege for seuen yeres. Cum priuilegio ad imprimendum solum, 1550. SECOND EDITION IN ENGLISH (1st ed. 1543) of Vigo's "Practica in arte chirurgica copiosa"(1514) and "Practica in arte chirurgica compendiosa"(1517), translated by Bartholomew Traheron (?1510-?1558). Hardcover. Fine. Bound in contemporary blind-ruled and tooled English calfskin over wooden boards, lacking the clasps but with the original catches present. The binding has been rebacked with sheepskin, preserving the original calfskin spine, with some wear and flaking to the sheep at the hinges. A small section of the leather on the lower board has also been underlaid with sheep. The leather of the boards is a little crackled and there is wear at the corners. Modern endpapers with the original 16th c. endpaper (with 16th c. inscriptions) pasted inside the upper board. The final blank, with further 16th c. inscriptions, is also preserved. Rare. 7 copies in the…
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P. Virgilii Maronis Opera interpretatione et notis illustravit Carolus Ruaeus Soc. Iesu... ad usum Serenissimi Delphini. Editio Secunda
by Virgil (Vergilius Maro, Publius) (70-19 B.C.)
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- SECOND EDITION of the Delphin Vergil; this issue was printed "Ex
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Paris: Apud Simonem Benard, Ex Typographia Dionysii Thierry, 1682. SECOND EDITION of the Delphin Vergil; this issue was printed "Ex Typographia David Roger 1689.". Hardcover. Fine. A very fine copy, bound in contemporary mottled calfskin, the spine elaborately and richly tooled in gold. The spine is separated into compartments by raised sewing supports. The second compartment bears a large red morocco label beautifully tooled in Roman capitals: "RUAEI VIRGILIUS". The boards are framed by two decorative rules. The binding is in excellent condition with only light wear, the corners lightly bumped. Internally, the text is in very good condition, with occasional light foxing and toning. There is a small dampstain in the gutter in the first two signatures of the Aeneid. The engraved frontispiece, with a central scene showing Arion and the dolphin (an allusion to the Dauphin) and a medallion portrait of Vergil, is just a trifle foxed. Engraved vignettes introduce the Bucolics, Georgics & Aeneid. A pleasing…
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Opera. Phi. Melanchthonis & aliorum ... scholijs, annotationibus & novis argumentis illustrata ... partim nunc primum publicatis. Adiectis etiam figuris egregiem depictis
by Virgil. Virgilius Maro, Publius (70-19 B.C.)
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- THIRD EDITION with these woodcuts. The first edition with these
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Zürich: Christoph Froschauer the younger, 1563. THIRD EDITION with these woodcuts. The first edition with these illustrations was printed in 1561 at Zürich, also by Froschauer. A second edition was printed in 1563 at Frankfurt by Sigmund Feyerabend. This 1564 Froschauer edition was already underway in 1563 (the date of the colophon.). Hardcover. Fine. Illustrated with 18 full-page woodcuts attributed to Jos Murer (1530-1580). Bound in contemporary blind-stamped pigskin over wooden boards, 1 of 2 clasps preserved, binding worn and soiled, with small losses to the pigskin at the extremities. Internally a very fresh copy; ink blot in text on leaf f1; upper outer corners of central gatherings with minor dog-earing; a few contemporary notes in Bk. III of the Aeneid. 16th c. ownership entry on front paste-down. With the contemporary inscription: "ex libris Guberti à Salicibus nec non amicorum"("Guibert (or Gilberto?) of Asturias? and friends"). This edition of Vergil's works, with notes by Philip…
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THE WORKS OF VIRGIL: Containing His PASTORALS , GEORGICS, AND ÆNEIS. Translated into English Verse; By Mr. Dryden. Adorn'd with a Hundred Sculptures
by Virgil (Vergilius Maro, Publius) (70-19 B.C.); Dryden, John (1631-1700)
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London: Printed for Jacob Tonson, 1697. FIRST EDITION. Hardcover. Fine. An exceptional, and exceptionally large, "large paper" copy. This copy is complete with the engraved frontispiece, the extra plate depicting Vergil reading the Aeneid to Augustus, and all 101 of the magnificent engraved plates by W. Hollar called for in this edition: ten in the Bucolics, twenty in the Georgics, and seventy-one in the Aeneid. Bound in 17th-century paneled calf, very nicely rebacked in the 18th-century. The spine is separated into eight compartments, ruled and tooled in gold, by raised bands. There are two spine labels, one in red and one in green morocco, tooled in gold. The boards are framed by a single gold fillet. Internally, this copy is in superb condition with very little of the browning associated with this edition. The great majority of leaves are crisp, lily-white and wide margined. In fact, this is the largest, and cleanest copy that we have had the pleasure to handle. There are a few incidental…
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The Thirteene Bookes of Aeneidos. The first twelve beeing the worke of the diuine poet, Virgil Maro, and the thirteenth, the supplement of Maphæus Vegius. Translated into English verse, to the first third part of the tenth booke, by Thomas Phaer Esquier: and the residue finished, and now newly set forth for the delight of such as are studious in poetrie: By Thomas Twyne, Doctor in Physicke
by Virgil (Vergilius Maro, Publius) (70-19 B.C.); Phaer, Thomas (1510?-1560), translator
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London: Printed by Thomas Creede, 1607. FOURTH COMPLETE EDITION (1st 1584). The first seven books were printed in 1558, and the first nine in 1562. The first complete edition, completed by Thomas Twyne, was printed in 1573. Hardcover. Fine. Bound in an exquisite binding of eighteenth-century mottled calf, highly polished and beautifully tooled in gold along the edges of the boards. The spine is separated into six compartments by the raised sewing supports, each of which, aside from that bearing the citron morocco label, is decorated with attractive floral tools. The large gilt armorial crest consisting of a Pegasus head and wings "LTHD" on upper cover, earl's coronet and "EDDE" on lower cover. The edges of the text block are stained a solid red. The binding is in exceptional condition, with only the slightest bit of wear. The text itself is in excellent condition. The text of the poem is set in Black Letter and is adorned with attractive woodcut initials and head- and tail-pieces throughout.…
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The xiii. Bukes of Eneados of the Famose Poete Virgill Translatet out of Latyne verses into Scottish metir
by Virgilius Maro, Publius (70-19 B.C.); Gawin Douglas (c. 1476-1522), translator
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London: William Copland, 1553. FIRST EDITION. Hardcover. Fine. Bound in 18th century diced russia, boards and spine ornately tooled in gold, housed in a modern full dark blue morocco folding case by Sangorski & Sutcliffe. Title page printed with an elaborate woodcut compartment (McKerrow & Ferguson 49a), text in black letter, with the inserted leaf in signature X and the leaf with "Ane exclamacion against detractouris" (Bb7) present; lacking the final blank; small hole in i8 and t4, each with a slight loss of text; blank corners torn from M8 and g1; outer margin of the title slightly stained and the inner margin with some holes (abrasions), lli-2 with minor ink stains; some marginal damp-stains at end; marginal notes to title; S7-8 spotting in margins; C5 with small tears in outer margin; final leaf with small marginal holes. All defects listed are slight, overall a very pleasing copy. Ex libris Sir Thomas Phillipps, sold at auction 26 November 1974; sold again as part of the collection of the…
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