LE SPECTACLE EST DANS LA RUE by (CASSANDRE, A. M.) CENDRARS, BLAISE - 1933

Spain Arte Ediciones. 1992. Original gilt decorated and lettered green cloth. Thick 4tos. Illustrated with full page colour reproductions. In dustwrapper, As New.

New York: Aperture, 2000. Signed by Salgado and rare thus. First edition / First printing. Black cloth. Very fine in very fine dust jacket.

1717 Life of Saint Bruno Eustache le SUEUR Painting Art HUGE FOLIO Engravings
Eustache le Sueur was a well-known 17th-century French artist known for his paintings of saints and church fathers. His most famous works was his series of paintings on the life of Saint Bruno aptly titled 'La Vie de St. Bruno'. After Sueur completed these paintings, they were sold to Louis XVI and were later placed in the Louvre where they still reside today.
These enormous, elephant-folio sized engravings of 'St. Bruno' were engraved by Francois Chauveau who is known to be one of the most desirable engravers for collectors.
Item number: #14806
Price: $950
Le SUEUR, Eustache
La vie de St. Bruno fondateur de l'ordre des Chartreux peinte au Cloistre de la Chartreuse de Paris
A Paris : Chez la Veuve de F. Chereau, (ca.1660-1717)
Details:
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Collation:
o 18 engravings
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Language: French
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Binding: Leather; tight & secure
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Size: ~18in X 12.75in (45.5cm x 32cm)
Our Guarantee:
Very Fast. Very… Read More

Northhampton, MA; (1980): Pennyroyal. Limited Edition. Oblong Octavo. Limited to 100 copies. Of the one hundred numbered copies this is number 32. Signed by both Paul Smyth and Barry Moser on the limitation page. Seven ottava rima (poems) by Paul Smyth, seven wood engravings by Barry Moser. "This book was printed at Pennyroyal by Harold McGrath and bound at the workshop of Gray Parrot. The paper is Arches. The types are Georg Trump's Medieval and John Peters' Castellar. The work was completed in Northampton during the late summer of 1980. Bound in 1/4 red leather over marbled paper covered boards, spine lettering gilt. A fine copy of a very scarce book.

1803 1ed ART of Raphael Italian Renaissance Painting Landon 4v SET 463 PLATES!
Charles Paul London was an early 19th-century French painter best-known, however, for his writings on art history and eminent painters. One such work was 'Life and Works of Most Famous Painters'
– a collection of impressive tomes on the most famous artists. These four tomes from the early 19th-century first edition focuses on the life and work of Raphael, perhaps the most important Italian painter of the Renaissance. It contains hundreds of illustrations of the sketches and art of Raphael.
Item number: #18778
Price: $950
LANDON, Charles Paul

Vies et œuvres des peintres les plus célèbres de toutes les écoles : recueil classique
Paris : Chez l'auteur, an XI, 1803-1805. First edition.

Details:
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Collation: 4 volumes
o Vol. I – 40, [2]
Plates 1-124
o Vol. II – [4]
Plates 125-236
o Vol. III – [4]
Plates 237-349
o Vol. IV – [4], 34
Plates 351-475
o 463 engravings!
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Language:… Read More

Milano: Giuseppe Bernardoni, 1853. Second Edition. Hardcover. Dark red half-morocco, leather label stamped in gilt to front cover, ornate gilt spine, marbled edges and marbled endpapers. A description of the architecture of the Carthusian monastery of Pavia. Seventy copper engravings, eight of which are double spreads. Heavy wear to corners and along the spine on front panel, stains to fore and top edge (not affecting the plates), scattered foxing throughout. A good copy. ; Folio.

Charlottesville:: Virginia Center for the Book,, 2017.. Edition of 25. 8.9 x 11"; 112 pages. Printed letterpress on Crane's Lettra paper (300 gsm). Body text in Garamond. Labels in Gill Sans. Boards covered in marbled paper crafted by Lindsey Mears with cloth spine. Numbered. Designer and printer -Lucas Czarnecki. Editor and printer - Kevin McFadden. Master printer - Garrett Queen. Consulting compositors - Bonnie Berstein, Richard Cappuccio, and Aurora Nichols. Virginia Center for the Book, Project Background: "The first pages of this volume were printed more than a decade ago in a daunting attempt to produce a complete reference to the entire collection of the movable type available to VABC printers. "Speaking in Faces, a project begun at VABC in 2004 by Johanna Drucker with VABC artists, is a unique specimen book, a creative resource for exploring letterpress printing, typography, and the treasures of our large and unique moveable type collection. VABC holds cases of… Read More

London: W. M. Thompson, 1882. Fifth Edition . Hardcover. Very Good/No Jacket. Folio - over 12" - 15" tall. Walton, Elijah. The illustrations are particularly attractive to alpine enthusiasts since they include mountain backgrounds by the famous alpine artist. Very scarce. 5th edition (same contents & size as first edition but different colored binding), 335mm tall x 241mm, viii + 12 chromolithograph plates each mounted on thick stock paper (blank verso), each followed by a page of descriptive text (blank versos), each chromolithograph page is preceded by a thin blank protective page. Complete with all pages and plates. NOT ex-library, previous owner name penned to the first blank protective page (blank page before first illustrated plate). AEG, original blue cloth covers, rebacked with new navy cloth spine with gilt lettering (Walton's books almost always fall apart and need rebacking), new EPs, highly gilt decorated patterns front cover, matching patterns in blind on rear cover,… Read More

New York: Gotham Book Mart, 1973. Stated First printing. Hardcover. Fine. Gorey. Oblong 24mo. [4.5" X 6"] Lavender cloth, with illustrations on both front and back covers. Lavender end papers. [unpaginated] Limited/signed numbered: 2/100. In publisher's lavender slipcase. Toledano A53b. SIGNED by Edward Gorey on the limitation page.

[Sedro-Woolley, Washington:: Street of Crocodiles Printery,, 1995.. Edition of 195. 6.25 x 8"; 253 unnumbered pages. Front and back matter set in Bodoni Book and printed by Jules Remedios Faye on a Vandercook 4 Proof Press. Type cast by Jim Rimmer at his Pie Tree Press & Type Foundry. Case bound in Japanese cloth over boards. Black pastedowns and endpapers. Some prints signed by the artists. Jules Remedios Faye, Preface: "I sent out an invitation which offered to document present printing history by publishing a sampler of women's work in the relief printing, private press and book arts fields. … Not only was I interested in collecting the work of this disparate group, I also wanted to investigate why they became printers, why they chose letterpress. "The order in which the signatures in this book are placed is entirely a subjective arrangement based on a visual sense of harmony rather than groupings based on thematic content, or arranged alphabetically, for… Read More