L'Art D'Aimer by Ovid; Joseph Griveaud (trans.) - 1962

Portland, Maine:: Rebecca Goodale,, 2002.. Edition of 10. 11 x 16.5" with three section compound binding. Hand colored silk-screen prints with collage. This book's pages are composed of portraits of the fifteen birds listed by the state of Maine as Threatened or Endangered.

London: G.G. Harrap & Co., 1911. First Edition. . Limp Leather. See Description. Willy Pogany. First regular edition. 4to. 223 unnumbered pages printed on stiff gray paper with numerous illustrations in black and red. Includes 16 tipped in color plates. The colophon states: "The letterpress and fine illustrations lithographed by Vincent Brooks, Day and Sons Ltd. London, the four-colour plates printed by Henry Stone and Son Ltd. Banbury. A.D. MCMXI." Pages are clean Bound in limp gray suede binding with gilt illustration on front cover - in a superb state of preservation. Illustrations by Willy Pogany.

Nattali and Bond. London. No Date.,Circa 1850. THREE VOLUMES. Tall 8vo (10.2 x 6.6 inches). Text and plates taken from the Ninth edition. Complete set of this famous trilogy, with 80 fine hand-coloured, full page, aquatint plates, the colouring still strong and bright, by Thomas Rowlandson. Some minor spots of foxing to a few leaves in each volume but generally clean and bright copies in the scarce original publisher's brown cloth bindings, with gilt lettering and decoration on spines. Decorative blind stamped panels on boards. Original yellow coated endpapers. Previous owners bookplates to front paste downe endpapers. Some rubbing to top and tail of spines and fore-edges, and a couple of the hinges with neatly repaired splits (about 1.5 inches) but generally these are very good examples. Slight uniform fading to spines but overall a very attractive set of this classic work with Rowlandson's humourous plates. Uncommon in the publishers original decorative cloth bindings.:

Hodder and Stoughton. London. -- No date. 1913. FIRST THOMSON EDITION. 4to.(10.5 x 8.4 inches). 22 mounted colour plates, each with a printed paper guard. A fine and clean copy in an early fine binding of half green morocco. The spine has two raised bands, each with decorative gilt tooling. Tan title label, gilt. Gilt ruled box designs. There is an illustrated multi coloured leather onlay design to the middle of the spine showing a couple walking in the rain, under an umbrella. Blue cloth on boards. Marbled endpapers. Top edge gilt. Previous owners colour bookplate to the front paste down. A fine copy in a fine binding. The binding is unsigned but certainly the work of a master bookbinder.

Macmillan & Co. New York. 1889. New edition. 12mo. (7.5 x 5.2 inches). xii, 192, 12 pp publishers catalogue. Also an extra gathering bound in so that pages 117 to 124 appear twice. One gathering slightly sprung. Publishers dark green cloth with gilt and black decorative band across the top of the front board and the top and bottom of the spine. Black decorative roll to the bottom of the front board. Title on gilt to the middle of the front board. Spine lettered and decorated in gilt. Rear board with blind stamped floral roll to the top and bottom. Floral decorative endpapers. Neat two line inscription to the front free endpaper. The rear endpapers have an early previous owner's name and address written in red crayon to the free endpaper and a few short lines to the pastedown. Cloth a bit rubbed to the edges and a couple of small marks to the boards but overall a very good copy. An uncommon and attractive nineteenth century edition, printed in New York by J. J. Little and Co. This 1889 new edition was… Read More

(Hamburg), Raamin-Presse, 1980. . Spindler 71, 11. - Nr. 93 von 120 num. und von der Künstlerin signiert. Exemplaren. Gestaltung, Handsatz und Druck auf Fabriano Bütten v. Roswitha Quadflieg. Einband von Christian Zwang. Decke in silbergrauem Richard de Bas-Bütten mit ganzflächiger, sich wiederholender Dreieck-Blindprägung auf beiden Deckeln. Blindgeprägter Rückentitel: "Georg Trakl Aus Sebastian im Traum". Schuber in hellgrauem Merian-Ingres-Bütten. - Frisches, sauberes Exemplar

Paris: Devambez, editeur. First edition. First edition. n.d. (ca. 1918). Huge folio (13 x 17 inches) suite of ten superbly colored full-page illustrations loose, as issued, and a full-color illustrated title page by noted French illustrator Guy Arnoux. Original color pictorial folding covers with ribbon ties. Limited to 475 numbered copies (#218), printed on laid paper, watermarked. Each plate in very good condition, but contains remnants of plastic tape on verso of image not affecting images. Some minor marginal tearing of fragile paper. Binding spine sl. frayed and covers a little soiled. A remarkable survival. Printed on handmade paper watermarked, "Ingres, 1871." Exceedingly scarce and desirable graphic art by this exemplary French artist.

Hardcover. Condition: Very Good. New York: Harper & Brothers, 1877. 2nd edition. Elephant folio (15 by 18-1/2 inches), original pictorial cloth gilt, beveled boards, all edges gilt. Complete with 39 full-page plates with tissue guards, engraved title page vignette and engraved vignette headpiece at beginning of text. Square and solid binding. Rare in collectible condition. Wear to tips, edges, and spine. Half-inch surface tear to cloth at foot of spine. Gift inscription on first blank end paper. Cloth has some spotting and fading.
Samuel Taylor Coleridge was one of the most notable 19th-century English romance poets. Coleridge's longest poem was 'The Rime of the Ancient Mariner'. This poem was one of the most important poems written at the end of the 18th-century.
It was illustrated by famous French artist, Gustave Doré, known for his incredible woodcut engravings. Doré's illustrations are unparalleled and richly detailed. May require extra postage due to its size. Additional shipping costs for… Read More

1767 Clock Making Antoine Thiout Horology Illustrated Watches 50 Engravings RARE
Clock-making treatise with 50 impressive engravings!
Antoine Thiout was an 18th-century French horologist whose treatise on clock-making was one of the best and most referenced book throughout the late 1700s. First published in 1741, "Traité de l'horlogerie mechanique et Pratique" describes the parts of a watch or clock, the reliance of compasses, mechanics, pendulum construction, and more. However, the draw of this work is the exquisite, folding plates – views of watch and clock parts and illustrated direction on making time-pieces!
Item number: #20311
Price: $950
THIOUT, Antoine
Traité de l'horlogerie, mécanique et pratique
Paris : Chez Samson, 1767.

Details:

· Collation: Complete with all pages;
o [26], 175, [1]
o 50 engravings!
· Language: French
· Binding: Leather; tight and secure
·
Size: ~10.25in X 8in (26cm x 20cm)
Our Guarantee:
Very Fast. Very Safe. Free Shipping… Read More

1925 1st ed Knave of Hearts Maxfield Parrish Illustrated ART Fable L. Saunders
Louise Saunders, wife of editor Max Perkins, editor of Scribner's publishing, teamed with one of the most popular illustrators, Maxwell Perkins to create this unforgettable fable. Parrish worked for three years on the paintings for 'Knave of Hearts.' He built an elaborate castle model in his workroom for the illustrations of the book.
"Not until 1920 did [Parrish] agree to illustrate what was to become one of the most valuable children's books ever published, Louise Saunders's Knave of Hearts." (Alma Gilbert, Maxfield Parrish: The Masterworks, pp. 49-52)
This 1925 edition is filled with colorful illustrations and decorative painting cover boards.
Item number: #19965
Price: $950
SAUNDERS. Louise
The Knave of Hearts
New York: Charles Scribner Sons, MCMXXV [1925]. TRUE First Edition.Details:
· Collation:
o [14], 9-46
o Full paged colored illustrations throughout
· Language: English
· Binding:… Read More