FOR JOEL [caption title] by Creeley, Robert - 1966

Concord: William B. Ewert, 1988. First edition, limited issue of 50 unnumbered copies. Broadside. 9 x 14 inches. Designed by John Kristensen. Privately printed at the Firefly Press. This copy inscribed by Carver. "For _ , from Raymond Carver." Reprinted from Where Water Comes Together With Other Water in honor of Carver's induction into the American Academy and Institute of Arts and Letters in May, 1988. Fine condition.. Inscribed by Author. First Edition. Unbound. Broadside.The image is of the broadside described and not a stock photo.

Tempe, Arizona:: Cabbagehead Press,, 2002.. Edition of 24. 15.75" x 14", irregular, single sheet. Woodcut, linoleum cut, polymer relief, and handset letterpress on handmade paper. John Risseeuw: "This print features a map of Cambodia and some of the numerous facts about the mines and victims that I collected. The OK! is in reference to the fact that Cambodia is about the same size as Oklahoma. What would we do if 60 Oklahomans a month were encountering landmine accidents?

Tempe, Arizona:: Cabbagehead Press,, 2003.. Edition of 35. 14" x 11", irregular, single sheet. Woodcut, letterpress, polymer relief, and hand coloring on pulp painted variable handmade paper. John Risseeuw: "Through a victim assistance agency, Nicaraguan landmine victim Agustín Matey Ramos sent me a red t-shirt along with his story of injury. His shirt was beaten and pulp-painted onto the base paper, made from burlap coffee sacks from the region (he was injured while working on a coffee plantation) and shredded Nicaraguan, Soviet, and American currency. Imagery includes coffee plant diagrams and ghostly landmines of American and Soviet manufacture, those used during the Contra War of the 1980s.

London: Printed, and to be sold by most booksellers in London and Westminster, 1704. No Binding. Fair. 1704. Disbound, pp.14. The second reissue of "An Enquiry into Occasional Confirmity (1702), one of a group of pamphlets on the Dissenters which obtained a great deal of trouble for its author. Extremely scarce. In fair condition with one loose leaf and one loose gathering, some occasional spots and other marks but entirely readable

Etched playing board with rules of the game in lower margin of the sheet and publisher's number 221. Sheet-size 407 x 335 mm. Very rare and beautifully illustrated etched sheet for dice game; the centre field of the playing board depicts an outdoor scene with a dressage show of monkeys in various costumes with spectators behind wooden bars, in the corners more or less anthropomorphic images of four species of monkeys. 14 of the 30 fields showing monkeys in various costumes doing acrobatic stunts, and if you enter one of these fields you have to according to the rules restart from the beginning or pay a penalty. - Georg Nikolaus Renner (1803-1854) was an art dealer and publisher in Nuremberg since 1826. From 1837 Friedrich Schuster became his partner, from then on the company was called "Renner & Co" – therefore the present game must have been published before. An almost perfect copy of a finely illustrated example of a monkey theatre dice game, a subject which became very popular in the 19th century.

Concord: William B. Ewert, 1988. First edition, limited issue of 50 unnumbered copies. Broadside. 9 x 14 inches. Designed by John Kristensen. Privately printed at the Firefly Press. This copy inscribed by Carver. "For _ , from Raymond Carver." Reprinted from Where Water Comes Together With Other Water in honor of Carver's induction into the American Academy and Institute of Arts and Letters in May, 1988. Fine condition.. Inscribed by Author. First Edition. Unbound. Broadside.The image is of the broadside described and not a stock photo.

Tuscaloosa, Alabama:: Red Hydra Press,, 2009.. Edition of 30. 16 x 24" single sheet. Letterpress printed in two colors on dampened Somerset printmaking paper. Text in English and Spanish. Illustrations by Pollyanna Fernández Fernández. The lively translation is by Maria Vargas. This broadside combines a poem by Wisconsin poet, Mary Wehner, a colored lithograph print by Cuban artist, Pollyanna Fernández Fernández, and the printing and typographic design of Steve Miller. Red Hydra Press: "[Broken Shells at Dusk] with evocative words by the Wisconsin poet Mary Wehner, was designed and letterpress-printed in two colors by Steve Miller in both English and Spanish.  "After words and titles were printed, the sheets were hand-carried to Havana, Cuba. At Taller Experimental de Gráfica a multi-colored stone lithograph was printed by the artist Pollyanna Fernández Fernández. This striking image partly invades the typography. The… Read More

Tempe, Arizona:: Cabbagehead Press,, 2002.. Edition of 24. 15.75" x 14", irregular, single sheet. Woodcut, linoleum cut, polymer relief, and handset letterpress on handmade paper. John Risseeuw: "This print features a map of Cambodia and some of the numerous facts about the mines and victims that I collected. The OK! is in reference to the fact that Cambodia is about the same size as Oklahoma. What would we do if 60 Oklahomans a month were encountering landmine accidents?

Tempe, Arizona:: Cabbagehead Press,, 2003.. Edition of 35. 14" x 11", irregular, single sheet. Woodcut, letterpress, polymer relief, and hand coloring on pulp painted variable handmade paper. John Risseeuw: "Through a victim assistance agency, Nicaraguan landmine victim Agustín Matey Ramos sent me a red t-shirt along with his story of injury. His shirt was beaten and pulp-painted onto the base paper, made from burlap coffee sacks from the region (he was injured while working on a coffee plantation) and shredded Nicaraguan, Soviet, and American currency. Imagery includes coffee plant diagrams and ghostly landmines of American and Soviet manufacture, those used during the Contra War of the 1980s.

CBAA,, 2016.. Edition of 50 (24 available for sale). 25 printed pieces: 9 x 12" each. Flat prints, broadsides, and folios on a variety of papers using any print medium or combination of media, including letterpress, offset, digital printing, and/or other printmaking techniques. Housed in custom enclosure (10 x 13). CBAA: "CBAA's first print portfolio/exchange to benefit the CBAA academic journal, Openings: Studies in Book Art. This peer-reviewed journal aims to energize artistic practice, stimulate study in the field of book art, and encourage profound and multifaceted thinking in this dynamic arena. By providing open online access to Openings, CBAA seeks to support diverse conversations and an ongoing examination of the continually shifting role of the book in contemporary culture.  "Inspired by the potential for Openings to grow as a platform for critical and theoretical investigation, the theme for this portfolio is folium (plural foliums or folia). Folium, in Latin,… Read More