The Bull-Jean Stories.

Austin, TX RedBone Press, 1998. Paperback First Edition Thus (1998), First Printing indicated by a complete numerical sequence. First Edition Thus (1998), First Printing indicated by a complete numerical sequence. Near Fine in Wraps: shows only the most minute indications of use: just a hint of a crease and bit of bend to the upper front corner tip and which affects the first dozen pages slightly; else flawless; the binding is square and secure; the text is clean. Free of creases to the backstrip. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, very nearly-new copy, structurally sound and tightly bound, showing a single imperfection. Bright and Clean. Corners sharp. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.5 x 5 x 0.3 inches). 109 pages. Language: English. Weight: 6.4 ounces. Trade Paperback. Poetry describing the life of black women in the south during the 1920s, by the African American poet and AIDS activist. Sharon Bridgforth has been a resident playwright at New Dramatists since 2009, and is a 2016 Doris Duke Artist. She is producer, founder and curator of the Theatrical Jazz Institute, produced by The Theatre School at DePaul and Links Hall in Chicago, 2011-2012. Bridgforth is author of two performance novels, LOVE CONJURE/BLUES (RedBone Press, 2004) and the Lambda Literary Award-winning THE BULL-JEAN STORIES (RedBone Press, 1998). Her performance script delta dandi is published in solo/black/woman (Northwestern University Press). Bridgforth, Omi Osun Joni L. Jones and Lisa L. Moore are co-editors of Experiments in a Jazz Aesthetic: Art, Activism, Academia, and the Austin Project (University of Texas Press).