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Representing Religion in World Cinema: Filmmaking, Mythmaking, Culture Making
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Representing Religion in World Cinema: Filmmaking, Mythmaking, Culture Making Paperback - 2004

by S. Plate (Editor)


From the publisher

Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism.

First line

Cecil B. Demille's cynical adage, "God is box office," may be applied to Indian popular cinema, the output of the world's largest film industry, albeit with certain adjustments-one must pluralize and sometimes fimenize the subject of the adage.

Details

  • Title Representing Religion in World Cinema: Filmmaking, Mythmaking, Culture Making
  • Author S. Plate (Editor)
  • Binding Paperback
  • Edition First Edition
  • Pages 272
  • Volumes 1
  • Language ENG
  • Publisher Palgrave MacMillan, U.S.A
  • Date 2004-02-17
  • Illustrated Yes
  • ISBN 9781403960511 / 1403960518
  • Weight 0.69 lbs (0.31 kg)
  • Dimensions 8.5 x 5.38 x 0.64 in (21.59 x 13.67 x 1.63 cm)
  • Library of Congress subjects Culture in motion pictures, Motion pictures - Religious aspects
  • Library of Congress Catalog Number 2003051179
  • Dewey Decimal Code 791.436

About the author

S. BRENT PLATE is Assistant Professor of Religion and the Visual Arts at Texas Christian University. His previous publications include Imag(in)ing Otherness: Filmic Visions of Living Together, The Apocalyptic Imagination: Aesthetics and Ethics at the End of the World and Religion, Art, and Visual Culture (Palgrave).
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