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The Matrix of Visual Culture: Working with Deleuze in Film Theory
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The Matrix of Visual Culture: Working with Deleuze in Film Theory Paperback - 2003 - 1st Edition

by Patricia Pisters


From the jacket flap

This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.

Details

  • Title The Matrix of Visual Culture: Working with Deleuze in Film Theory
  • Author Patricia Pisters
  • Binding Paperback
  • Edition number 1st
  • Edition 1
  • Pages 320
  • Volumes 1
  • Language ENG
  • Publisher Stanford University Press, Stanford, CA, U.S.A.
  • Date 2003-07-24
  • Features Bibliography, Index
  • ISBN 9780804740289 / 0804740283
  • Weight 0.93 lbs (0.42 kg)
  • Dimensions 9.62 x 5.58 x 0.69 in (24.43 x 14.17 x 1.75 cm)
  • Library of Congress subjects Culture in motion pictures, Deleuze, Gilles
  • Library of Congress Catalog Number 2002015662
  • Dewey Decimal Code 791.430

About the author

Patricia Pisters is Professor of Film at the University of Amsterdam.
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