History of a Pleasure Seeker Hardback - 2012

Excerpt

The adventures of adolescence had taught Piet Barol that he was extremely attractive to most women and to many men. He was old enough to be pragmatic about this advantage, young enough to be immodest, and experienced enough to suspect that it might be decisive in this, as in other instances.

As he stepped from the Leiden train into the whirling hustle of the Central Station, several passers-by turned dis- creetly to look at him. He had an open face with amused blue eyes, a confident nose and thick black hair that curled around his ears. He was not much above middling height but he was muscular and well fashioned, with enormous gentle hands that made people wonder how it felt to be caressed by them.

In one of these hands on this cold February morning was an envelope too large for the pockets of his English suit. It contained a copy of his degree certificate and a letter of recommendation from a professor who owed his father a favor. As Piet crossed the traffic on the Prins Hendrikkade, he reaffirmed the decision he had made immediately on receiving Jacobina Vermeulen-Sickerts’ invitation to inter- view: that he would knock at the front door of the house, like an equal, and not at the servants’ entrance.

The family lived on the grandest stretch of the grandest canal in Amsterdam. Piet knew from the newspapers that Maarten Vermeulen-Sickerts dispensed bread to the slum dwellers and had been instrumental in bringing clean drinking water to the city’s poorest districts. He knew he owned the country’s most lavish hotel and a number of similar establishments across Europe. His daughters, Con- stance and Louisa, were familiar to Piet, too, as was their leadership of the “smart young set” and the rumor that they alarmed their mother, Jacobina. Taken together, the family had a reputation for being colorful and modern and very rich: three qualities Piet felt sure would ease the tedium of teaching a spoiled little boy.

He sauntered down the Blauwbergwal and crossed onto the Herengracht Canal. On both sides of the water, houses built for the magnates of the seventeenth century surveyed the world with the serenity that comes from surviving the upheavals of three hundred years unscathed. They were tall but slender, with none of the grandiloquence of the rich men’s houses his mother had shown him in Paris, and yet the fact that they were rich men’s houses was indisputable, and subtly advertised by the profusion of their windows.

Piet turned left, and in his head he was walking away from Leiden, from Herman Barol’s dark little house on the Pieterskerkhof and the life of the university clerk that went with it. For four years Piet had been assisting his father in sanctioning undergraduates who had omitted to pay their library fines or cheated in their exams or been caught in the company of women of ill repute. From these young men he had learned to affect the nonchalant swagger of the rich, but he had no intention of chasing them up forever.

He put a freshly laundered handkerchief over his mouth and inhaled deeply. The canal stank with a virulence for which life in the comparative simplicity of a country town had not prepared him. Within the odor’s complex depths lurked cheese rinds, rotting shoes, rats’ urine, human def- ecation, oil, tar, and a consignment of industrial chemicals that had leaked from a ship in the harbor. The combined effect was choking, but the people who passed him paid no attention to it. He was sure that he, too, would get used to it in time.

He continued more briskly. As the house numbers increased, so did the emphasis of the architecture’s whis- pered message: that people of wealth and distinction lived here. The narrower dwellings, two or three windows across, that dominated the earlier stretches of the canal grew rarer. As he crossed the Nieuwe Spiegelstraat, they all but disap- peared. Soon the narrowest house was four windows wide. Which one was theirs? He looked at his watch. He was still twenty minutes early. To avoid being seen, he crossed the canal and continued his walk up the farther side.

The appearance of a house with six windows on its ground floor signaled a further elevation of status and the beginning of the Gilded Curve. He felt a pricking of panic. He had not always been a diligent student and there was little sincerity in the recommendation his professor had given him, a fact that would reveal itself to a sensitive reader. Piet was far cleverer than many who had more to show for their clever- ness, but this was hardly an argument he could advance. He did speak perfect French—his mother Nina had been a Parisienne and his English and German were adequate; but his piano playing was only competent, and the adver- tisement had stressed Egbert Vermeulen-Sickerts’ musical genius and the desirability of a tutor who could match and extend it.

He sat down on a wrought-iron bench between two trees and collected himself. He did not have the best credentials but was wise enough to understand—even at twenty-four— that symbols on paper are not the only grounds on which people make up their minds. A tutor, after all, was more than a servant. The successful candidate would dine with the family, not wait on them, and though the Vermeulen- Sickertses had not specified this requirement, he was sure that people so à la mode would prize amusing conversation. This he was very good at making, having learned the arts of charm at his mother’s knee.

He took out Jacobina’s letter and began to sketch on the back of the envelope the austere, imposing façade of a house opposite him. When he had captured the tricky perspec- tive of water and bricks, he felt calmer and more optimistic. He stood up and walked on; and as the canal curved again he saw the house at number 605.

The possibility that he might soon sleep in one of the rooms on its upper stories made Piet Barol shiver beneath his cashmere coat with its velvet collar, bought secondhand from a well-off student with urgent debts. The house was five windows wide and five stories high, with hundreds of panes of glass that glittered with reflections of canal and sky. The front door was on the first floor, achieved by a handsome double staircase of gray stone, and the façade of small rectangular bricks was relieved of sternness by pretty white stucco scrolls. Despite its size there was nothing showy about it, nothing over-ornamented or insecure.

Piet approved wholeheartedly.

He was crossing the bridge towards it when a man in his late twenties emerged from the servants’ entrance beneath the staircase. He was not well dressed and his suit, which had been bought in slimmer days, was too obviously “Sun- day best.” He looked a little like a young man who had pur- sued Piet doggedly the summer before: dark and slouched, with a drooping chin and an oily nose. Piet had not let that chap have his way, and he did not intend to let this one prevail either. As his competitor made off in the direction of the station, Piet saw that he was slightly out of breath by the time he had gone a hundred yards. The spectacle cheered him.

He straightened his tie and crossed the bridge. As he pre- pared to mount the steps to the front door, the servants’ door opened, and a woman with a severe chin said: “Mr. Barol? We are expecting you. If you’d be so good as to step inside.”

Media reviews

“The book charms as much as its main character does, and should have readers eagerly awaiting the sequel.”
—The Gay and Lesbian Review

“Beautifully observed, perfectly paced, genuinely sexy, and in the end, a terrifically fun read. Mason’s ability to inhabit the inner voices of the servants and those they serve lends the book a rich realism.”
 —The Boston Globe
 
“An engaging picaresque romp . . . funny, touching, and arousing . . . Mason does a stellar job of creating a particular time and place.” 
—Edmonton Journal

“A masterpiece. Like Henry James on Viagra. Not only gripping, but brilliantly arranges that the imagined world of Maarten and Jacobina’s household sits entirely within Amsterdam of the belle epoque. Piet was wonderfully drawn—rogueish and yet wholly sympathetic.”
—Alex Preston, author of This Bleeding City
 
“A ripping literary romp about the adventures of a dashing, athletic and sexually ambiguous young man.”
—The Evening Standard
 
“Hugely accomplished . . . Rich with period detail and characterised by pitch-perfect dialogue and a cast of carefully drawn characters, it explores themes of ambition, fidelity and class, and ratchets up the tension as our young hero walks a knife-edge between social and financial success and total ruin.”
—Waterstones.com
 
“This bildrungsroman is as smart as it is seductive . . . Readers will savor final scenes aboard the gilded ocean-liner Eugenie and welcome the undercurrent that perhaps Piet’s good fortune isn’t luck at all but a lesson that pleasure exists for those who seek it.”
 —Booklist 
 
"As if plucked from a patisserie display case, Mr. Mason’s novel is a gorgeous confection."
—The New York Times

History of a Pleasure Seeker “is the best new work of fiction to cross my desk in many moons. Mason . . . has written an unabashed romance, a classic . . . There is an almost magical quality to it that had me thoroughly engaged from first page to last . . . Mason has an appealingly playful quality that has never been more evident than it is here; he likes all of his characters and mostly gives them what they deserve; he conjures up early-20th-century Amsterdam and, more briefly, New York, with confidence and exceptional descriptive powers.”
—The Washington Post
 
“Mason writes in a beautifully turned, classical style that yields pleasing phrases and psychological complexity…  Genuinely moving.”
—The New York Times Book Review
 
“It’s hard to imagine a better connoisseur of late 19th-century Europe’s gilded delights than Piet Barol, the bisexual hero at the heart of Richard Mason’s witty fourth novel, History of a Pleasure Seeker . . . Think Balzac, but lighter and sexier – an exquisitely laced corset of a novel with a sleek, modern zipper down the side.”
—Marie Claire
 
“Richard Mason is the rare novelist who can write a very sexy book that never quite turns prurient . . . This book about pleasure is a provocative joy.”
—O, The Oprah Magazine. Find of the Month.
 
“Highly recommended as an engaging portrait of an individual, a family, and time . . . At once windswept historical romance and focused social commentary.”
—Library Journal, starred review
 
“Some of the month’s best fiction . . . An alluring stranger liberates a wealthy Dutch family’s libido in Richard Mason’s Belle Époque Valentine, History of a Pleasure Seeker.”
—Vogue
 
“Delicious . . . as polished as the Vermeulen-Sickerts' silver, a literary guilty pleasure.”
—Los Angeles Times
 
“Mason displays a sharp eye and a wit to rival Oscar Wilde.”
—Kirkus Reviews
 
“The operative word . . . is pleasure, which comes in abundance to both the reader and the seductively handsome Piet Barol. Mason evokes . . . delightful period detail . . . [and] writes with sensuality and humor.”
—Publishers Weekly