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Facture: Conservation, Science, Art History: Volume 2: Art in Context Paperback - 2015
by Daphne S. Barbour (Editor); E. Melanie Gifford (Editor)
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- Title Facture: Conservation, Science, Art History: Volume 2: Art in Context
- Author Daphne S. Barbour (Editor); E. Melanie Gifford (Editor)
- Binding Paperback
- Pages 184
- Volumes 1
- Language ENG
- Publisher National Gallery Washington
- Date 2015
- Illustrated Yes
- Features Bibliography, Illustrated
- ISBN 9780300217087 / 0300217080
- Weight 1.7 lbs (0.77 kg)
- Dimensions 11 x 8 x 0.5 in (27.94 x 20.32 x 1.27 cm)
-
Themes
- Aspects (Academic): Art Aspects
- Chronological Period: Medieval (500-1453) Studies
- Library of Congress subjects Art, Renaissance - Conservation and, Art - 20th century - Conservation and
- Dewey Decimal Code 702.88
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Facture: Conservation, Science, Art History: Volume 2: Art in Context
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Facture: Conservation, Science, Art History – Volume 2: Art in Context
by Barbour, Daphne S. (Editor)/ Gifford, E. Melanie (Editor)
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Facture Volume 2: Conservation, Science, Art History; Art in Context
by Barbour, Daphne; Gifford, E. Melanie (editors)
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National Gallery, 2015. Paperback. Like New. Shrink wrapped. Research on masterpieces from the National Gallery of Art, DC. Seven essays are illustrated with outstandingly detailed photography. Examines works such as Giotto's Madonna and Child, bronze sculptures by Auguste Rodin, watercolors by John Marin, early paintings by Andy Warhol, and Mark Rothkoâs multiforms, which mark the birth of his abstraction. 170p.
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Facture: Conservation, Science, Art History: Volume 2: Art in Context
by Daphne S., Gifford, E. Melanie Barbour
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Facture presents the latest conservation research on masterpieces from the National Gallery of Art, Washington, spanning the early Renaissance through the present and encompassing a range of media. Volume 2 examines great art of two very different eras—the Italian Renaissance and the 20th century—and puts in new contexts works such as Giotto's Madonna and Child, bronze sculptures by Auguste Rodin, watercolors by John Marin, early paintings by Andy Warhol, and Mark Rothko's multiforms, which mark the birth of his abstraction. Seven essays are illustrated with outstandingly detailed photography and share a common approach. They each begin with meticulous material and analytical study of the work and then place the findings in a broader historical context, providing new perspectives on well-known works. A fascinating contribution to interdisciplinary scholarship on art, this publication extends a tradition of fostering dialogue among art historians, scientists, and conservators in the…
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Facture Conservation, Science, Art History: Volume 2: Art in Context
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