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Facture: Conservation, Science, Art History: Volume 2: Art in Context
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Facture: Conservation, Science, Art History: Volume 2: Art in Context Paperback - 2015

by Daphne S. Barbour (Editor); E. Melanie Gifford (Editor)


From the publisher

Facture presents the latest conservation research on masterpieces from the National Gallery of Art, Washington, spanning the early Renaissance through the present and encompassing a range of media. Volume 2 examines great art of two very different eras--the Italian Renaissance and the 20th century--and puts in new contexts works such as Giotto's Madonna and Child, bronze sculptures by Auguste Rodin, watercolors by John Marin, early paintings by Andy Warhol, and Mark Rothko's multiforms, which mark the birth of his abstraction. Seven essays are illustrated with outstandingly detailed photography and share a common approach. They each begin with meticulous material and analytical study of the work and then place the findings in a broader historical context, providing new perspectives on well-known works. A fascinating contribution to interdisciplinary scholarship on art, this publication extends a tradition of fostering dialogue among art historians, scientists, and conservators in the international community. Published by the National Gallery of Art, Washington/Distributed by Yale University Press

Details

  • Title Facture: Conservation, Science, Art History: Volume 2: Art in Context
  • Author Daphne S. Barbour (Editor); E. Melanie Gifford (Editor)
  • Binding Paperback
  • Pages 184
  • Volumes 1
  • Language ENG
  • Publisher National Gallery Washington
  • Date 2015
  • Illustrated Yes
  • Features Bibliography, Illustrated
  • ISBN 9780300217087 / 0300217080
  • Weight 1.7 lbs (0.77 kg)
  • Dimensions 11 x 8 x 0.5 in (27.94 x 20.32 x 1.27 cm)
  • Themes
    • Aspects (Academic): Art Aspects
    • Chronological Period: Medieval (500-1453) Studies
  • Library of Congress subjects Art, Renaissance - Conservation and, Art - 20th century - Conservation and
  • Dewey Decimal Code 702.88

About the author

Daphne Barbour is senior object conservator and E. Melanie Gifford is research conservator for paintings technology, both at the National Gallery of Art, Washington.
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Facture: Conservation, Science, Art History: Volume 2: Art in Context
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Facture: Conservation, Science, Art History: Volume 2: Art in Context

by Barbour, Daphne S. [Editor]; Gifford, E. Melanie [Editor];

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Facture: Conservation, Science, Art History: Volume 2: Art in Context

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Facture: Conservation, Science, Art History – Volume 2: Art in Context

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Facture Volume 2: Conservation, Science, Art History; Art in Context
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National Gallery, 2015. Paperback. Like New. Shrink wrapped. Research on masterpieces from the National Gallery of Art, DC. Seven essays are illustrated with outstandingly detailed photography. Examines works such as Giotto's Madonna and Child, bronze sculptures by Auguste Rodin, watercolors by John Marin, early paintings by Andy Warhol, and Mark Rothko’s multiforms, which mark the birth of his abstraction. 170p.
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Facture presents the latest conservation research on masterpieces from the National Gallery of Art, Washington, spanning the early Renaissance through the present and encompassing a range of media. Volume 2 examines great art of two very different eras—the Italian Renaissance and the 20th century—and puts in new contexts works such as Giotto's Madonna and Child, bronze sculptures by Auguste Rodin, watercolors by John Marin, early paintings by Andy Warhol, and Mark Rothko's multiforms, which mark the birth of his abstraction. Seven essays are illustrated with outstandingly detailed photography and share a common approach. They each begin with meticulous material and analytical study of the work and then place the findings in a broader historical context, providing new perspectives on well-known works. A fascinating contribution to interdisciplinary scholarship on art, this publication extends a tradition of fostering dialogue among art historians, scientists, and conservators in the… Read More
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Facture Conservation, Science, Art History: Volume 2: Art in Context

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