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The Impressionist Print
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The Impressionist Print Hardcover - 1996

by Michel Melot; Caroline Beamish (Translator)


From the publisher

Degas, Pissarro, Cassatt, Renoir, Morisot, Bracquemond, Manet, Whistler--these and other Impressionist painters often experimented with printmaking techniques, producing black and white etchings, aquatints, dry points, and color lithographs that exhibited the same easy yet subtle attraction that makes their oil paintings so beloved. In this beautiful book, an eminent authority examines the prints of these painter-printmakers, providing a new understanding of Impressionism and of contemporary printmaking. Drawing on discoveries of the last two decades and on his own research, Michel Melot locates the sources and influences of the prints and analyzes their techniques--particularly in monotypes and embossed prints. In so doing he reveals the close ties between the Impressionist movement and the rebirth of artists' prints in the second half of the nineteenth century. His analysis of the relations among artists, the art market, art criticism, collectors, and political institutions makes Impressionism appear less like a miracle and more a response to the social and economic upheavals of the nineteenth century.

From the rear cover

A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.

Details

  • Title The Impressionist Print
  • Author Michel Melot; Caroline Beamish (Translator)
  • Binding Hardcover
  • Edition First English-la
  • Pages 296
  • Volumes 1
  • Language ENG
  • Publisher Yale University Press, New Haven
  • Date 1996
  • ISBN 9780300067927 / 0300067925
  • Weight 4.8 lbs (2.18 kg)
  • Dimensions 12.47 x 9.59 x 1.38 in (31.67 x 24.36 x 3.51 cm)
  • Library of Congress subjects Impressionism (Art) - France, Art and society - France - History - 19th
  • Library of Congress Catalog Number 95050606
  • Dewey Decimal Code 769.944

Media reviews

Citations

  • Library Journal, 03/15/1997, Page 60

About the author

Michel Melot was director of the Prints and Photography Department of the Bibliothque Nationale, where in 1974 he organized the major exhibition L'Estampe Impressioniste and wrote the catalogue that accompanied it. He later became director of the Public Library at the Centre Georges Pompidou in Paris, and he is now president of the National Council of Libraries. He is the author of some fifty articles and a dozen works on archaeology and art history.
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The Impressionist Print
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The Impressionist Print

by Melot, Michel & Caroline Beamish

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New Haven & London: Yale University Press. Fine in Fine dust jacket. 1996. First American Edition. Hardcover. 0300067925 . Translated from the French by Caroline Beamish. New Haven & London: Yale University Press, (1996). First American Edition. 12.25" x 9.75". 296pp, Index, Notes, Bibliography. Hardcover. Fine condition in fine dj. From dj: "Thanks to the daring fusion of printmaking techniques with the techniques of painting and drawing - the author discusses monotypes and retouched prints in detail - the impressionists were the inventors of the 'original print' and of many new printmaking practices...This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval". With 313 illustrations mostly in b&w. ISBN 0300067925; 12.25 x 9.75 inches; 296 pages .
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The impressionist print / Michel Melot ; translated from the French by Caroline Beamish

The impressionist print / Michel Melot ; translated from the French by Caroline Beamish

by Melot, Michel

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New Haven : Yale University Press, 1996. 1st edition. Hardcover. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 296 pages : illustrations (some color) ; 32 cm. Notes; Originally published: Paris : Flammarion, 1994. Includes bibliographical references (pages 288-292) and index. English translation from the French of: L'estampe impressionniste. Contents; pt. 1. On the eve, 1850-70. Introduction ; The impetus of industry ; The persistence of the print ; A painter between two worlds: Charles-Fran�ois Daubigny ; Mechanical reproduction ; 1850-2: Del�tre and Meryon ; 1852-7: Bracquemond, Millet, Legros ; Whistler and Seymour Haden ; Degas's self portrait ; 1859: the new art market ; 1861: the Society of Etchers ; Manet and the etching ; 1862: the artist's lithograph ; Manet and the lithographer ; 1863: the Salon des Refus�s ; Jongkind ; Appian… Read More
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Impressionist Print
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Impressionist Print

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New Haven: Yale University Press. Near Fine in Near Fine dust jacket. 1996. Hardcover. 0300067925 . Color and black and white illustrations throughout. Translated from the French by Caroline Beamish. First edition thus. Near fine in a near fine (short closed edge tear in the lower corner of the front panel) dust jacket. .
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The Impressionist Print
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The Impressionist Print

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The Impressionist Print
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The Impressionist Print

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New Haven: Yale University Press, 1996. Translated from the French by Caroline Beamish; Black & white and color; 296pp. A beautiful copy in bright dust jacket. . First U.S. Edition. Hard Cover. Fine/Fine. 4to - over 9¾" - 12" tall.
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The Impressionist Print

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THE IMPRESSIONIST PRINT

THE IMPRESSIONIST PRINT

by Melot, Michel & Caroline Beamish

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