Skip to content

Painted Prints: The Revelation of Color in Northern Renaissance and Baroque
Stock Photo: Cover May Be Different

Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts Hardcover - 2002

by Dackerman, Susan


From the publisher

An old master print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of old master prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning.

Published in conjunction with an exhibition at The Baltimore Museum of Art and St. Louis Art Museum, Painted Prints reproduces and discusses a rich variety of hand-colored prints from Northern Europe of the Renaissance and Baroque periods. Anonymous woodcuts are juxtaposed with masterworks by such famed artists as Drer, Holbein, and Goltzius. These prints, secular as well as religious, muted as well as vibrant in tonality, make it clear that hand coloring was a widespread, enduring practice, developed to satisfy the demands of both elite and popular audiences.

Painted Prints presents new research into the men and women who specialized in hand coloring and offers numerous insights into the social and economic organization of Renaissance and Baroque printmaking. It also draws on scientific analyses of the materials and techniques of hand coloring to address important questions of authenticity, chronology, and condition. With a catalogue and color illustrations of all the hand-colored prints in the exhibition, this book makes a groundbreaking contribution to the study of old master prints and their pivotal place in the visual culture of early modern Europe.

The exhibition, Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts, will be at The Baltimore Museum of Art from October 6, 2002, to January 5, 2003 and St. Louis Art Museum from February 14 to May 18, 2003.

Details

  • Title Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts
  • Author Dackerman, Susan
  • Binding Hardcover
  • Edition First edition
  • Language ENG
  • Publisher Pennsylvania State Univ Pr (Txt), Baltimore
  • Date 2002
  • ISBN 9780271022345

About the author

Susan Dackerman is Curator of the Department of Prints, Drawings, and Photographs at The Baltimore Museum of Art.

Thomas Primeau is Associate Paper Conservator at The Baltimore Museum of Art.

Back to Top

More Copies for Sale

Painted Prints : The Revelation of Color in Northern Renaissance and Baroque Engravings,...
Stock Photo: Cover May Be Different

Painted Prints : The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts

by Dackerman, Susan

  • Used
Condition
Used - Very Good
ISBN 10 / ISBN 13
9780271022345 / 0271022345
Quantity Available
1
Seller
Mishawaka, Indiana, United States
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
£47.75
FREE shipping to USA

Show Details

Description:
Pennsylvania State University Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Item Price
£47.75
FREE shipping to USA
Painted Prints: The Revelation of Color in Northern Renaissance & Baroque Engravings Etchings &...

Painted Prints: The Revelation of Color in Northern Renaissance & Baroque Engravings Etchings & Woodcuts

by Dackerman, Susan with an essay by Thomas Primeau

  • Used
  • very good
  • Hardcover
  • first
Condition
Used - Very Good
Edition
1st
Binding
Hardcover
ISBN 10 / ISBN 13
9780271022345 / 0271022345
Quantity Available
1
Seller
Middlebury, Vermont, United States
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
£64.76
£4.05 shipping to USA

Show Details

Description:
Baltimore Museum of Art/Pennsylvania State University Press, 2002. 1st. Hardcover. Very Good/Very Good. Hardcover in a bright dust jacket, 297 pages. 119 color illustrations and 10 b&w. With an essay by Thomas Primeau. Catalogue entries by Deborah Carton, Susan Dackerman, Richard S. Field, Katherine Crawford Luber, Elizabeth Mansfield, Walter S. Melion, Thomas Primeau and Robert Wheaton. An old master print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of old master prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning. Clean, bright copy. NOTE: Due to size and weight, DOMESTIC SHIPPING ONLY. Record # 384487
Item Price
£64.76
£4.05 shipping to USA
Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings,...
Stock Photo: Cover May Be Different

Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts

by Susan Dackerman

  • Used
  • good
  • Hardcover
Condition
Used - Good
Binding
Hardcover
ISBN 10 / ISBN 13
9780271022345 / 0271022345
Quantity Available
1
Seller
HOUSTON, Texas, United States
Seller rating:
This seller has earned a 4 of 5 Stars rating from Biblio customers.
Item Price
£99.15
FREE shipping to USA

Show Details

Description:
Pennsylvania State Univ Pr (Txt), 2002-10-11. Hardcover. Good.
Item Price
£99.15
FREE shipping to USA