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The Philosophical Disenfranchisement of Art
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The Philosophical Disenfranchisement of Art Paperback - 2004

by Arthur C. Danto; Foreword by Jonathan Gilmore


From the publisher

In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, The Philosophical Disenfranchisement of Art continues to be of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians.

First line

IN HIS GREAT poem on the death of William Butler Yeats, Auden wrote: "Ireland has her madness and her weather still/ For poetry makes nothing happen.

Details

  • Title The Philosophical Disenfranchisement of Art
  • Author Arthur C. Danto; Foreword by Jonathan Gilmore
  • Binding Paperback
  • Edition Revised
  • Pages 248
  • Volumes 1
  • Language ENG
  • Publisher Columbia University Press, New York
  • Date 2004-12-14
  • Features Bibliography, Index
  • ISBN 9780231132275 / 0231132271
  • Weight 0.76 lbs (0.34 kg)
  • Dimensions 9 x 6.08 x 0.51 in (22.86 x 15.44 x 1.30 cm)
  • Library of Congress Catalog Number 2004051912
  • Dewey Decimal Code 700.1

Media reviews

Citations

  • Library Journal, 02/01/2006, Page 120

About the author

Arthur C. Danto is professor emeritus of philosophy at Columbia University. He is the art critic for the Nation and has served as president of the American Philosophical Association. His many books include After the End of Art, Nietzsche as Philosopher, and Art in the Historical Present, which won the National Book Critics Circle Award. In 2003, he was awarded the coveted Prix Philosophe.Jonathan Gilmore is assistant professor of philosophy at Yale University. He is the author of The Life of a Style: Beginnings and Endings in the Narrative History of Art.
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