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Catlin and His Contemporaries: The Politics of Patronage
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Catlin and His Contemporaries: The Politics of Patronage Hardcover - 1990

by Dippie, Brian W


From the publisher

George Catlin's paintings and the vision behind them have become part of our understanding of a lost America. We see the Indian past through Catlin's eyes, imagine a younger, fresher land in his bright hues. But he spent only a few years in what he considered Indian country. The rest of his long life--more than thirty years--was devoted largely to promoting, repainting, and selling his collection--in short, to seeking patronage.

"Catlin and His Contemporaries" examines how the preeminent painter of western Indians before the Civil War went about the business of making a living from his work. Catlin shared with such artists as Seth Eastman and John Mix Stanley a desire to preserve a visual record of a race seen as doomed and competed with them for federal assistance. In a young republic with little institutional and governmental support available, painters, writers, and scholars became rivals and sometimes bitter adversaries.

Brian W. Dippie untangles the complex web of interrelationships between artists, government officials, members of Congress, businessmen, antiquarians and literati, kings and queens, and the Indians themselves. In this history of the politics of patronage during the nineteenth century, luminaries like Henry Rowe Schoolcraft, Henry H. Sibley, John James Audubon, Alfred Jacob Miller, and Karl Bodmer are linked with Catlin in a contest for the support of the arts, setting a precedent for later generations. That the contenders "produced so much of enduring importance under such trying circumstances," Dippie observes,"was the sought-for miracle that had seemed to elude them in their lives."

Details

  • Title Catlin and His Contemporaries: The Politics of Patronage
  • Author Dippie, Brian W
  • Binding Hardcover
  • Edition First Edition
  • Pages 569
  • Language ENG
  • Publisher University of Nebraska Press, Lincoln, Nebraska
  • Date 1990
  • ISBN 9780803216839

About the author

Brian W. Dippie is a professor of history at the University of Victoria, British Columbia. This book grew out of his earlier work "The Vanishing American: White Attitudes and U. S. Indian Policy" (1983).
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Catlin and His Contemporaries : The Politics of Patronage
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Catlin and His Contemporaries : The Politics of Patronage

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Catlin and His Contemporaries: The Politics of Patronage

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"This book began several years ago as an article. I intended to detail George Catlin's quest as a case study in the history of art patronage in America. I was attracted to Catlin because of his surpassing importance to students of Indian culture. ...Catlin... spent only a few years in what he considered real Indian country. The rest of his long life-- with the exception of his enticingly obscure wanderings in South America in the 1850s-- was devoted to promoting, repainting, and selling his collection. ...As those who intersected with Catlin emerged as individuals, the limited case study I had once contemplated became a series of case studies, all linked by the common themes of patronage and Indians..." xix, 553 pages, 16 color plates, 125 black&white illustrations; Notes, pages 441-526; Bibliographical Notes, 527-533; Index, 535-end; 26 cm.; Very Good in Very Good dust jacket (spine sunned). Stock#ofc0603.
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University of Nebraska Press, 1990-05-01. First Edition. Hardcover. Like New/Very Good. 7x1x10. Black cloth binding with gilt lettering on the spine. The binding is tight, corners sharp. Text and images are unmarked. The illustrated dust jacket shows some mild edge sunning, in a mylar cover.
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Lincoln, NE: University of Nebraska Press, 1990. Cloth, xix, 553 pages, illustrations; 26 cm. Firm binding, clean inside copy. Dust jacket sunned, with light edgewear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. "George Catlin's paintings and the vision behind them have become part of our understanding of a lost America. We see the Indian past through Catlin's eyes, imagine a younger, fresher land in his bright hues. But he spent only a few years in what he considered Indian country. The rest of his long life--more than thirty years--was devoted largely to promoting, repainting, and selling his collection--in short, to seeking patronage. Catlin and His Contemporaries examines how the preeminent painter of western Indians before the Civil War went about the business of making a living from his work. Catlin shared with such artists as Seth Eastman and John Mix Stanley a desire to preserve a visual record of a race seen as… Read More
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