Images Of Myths In Classical Antiquity

Cambridge University Press. Very Good with no dust jacket. 2002. Hardcover. 0521782678 . Minor pencil marginalia to some pages (by Jenifer Neils). ; Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it? How could they ensure that their scenes would be recognized? What problems… Read more about this item

Cambridge University Press, 2003. Signed by author on title page. Tall 8vo. Original pictorial card covers (softback) (VG). Pp. xxvi + 305, illus with b&w photos (no other inscriptions).

Cambridge University Press, 2002. Paperback. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Cambridge University Press, 2002. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Cambridge: Cambridge University Press, 2002. Paperback (No Dust Wrapper.). Very Good. Lightly rubbed at the tips of the wrappers. Text complete, clean and tight. . Paperback. Physically 10” x 7” (1 kg); (xxvi) 305pp; Index; Contains: Further reading list; Black & white photographs; Glossary; Appendices [3]; ISBN: 0-521-78809-9 || The book is on my shelves and will be… Read more about this item

Cambridge University Press, 2002. First Edition. Paperback. Like New. 7x0x9. In nearly new condition: bright, crisp and clean with no creases, strong joints and sharp corners. Looks and feels unread. Just a small publisher 'damaged' stamp at the prelims. Nonetheless not showing any defects. Thus a very nice copy, firm, square and tight, now offered for sale at… Read more about this item

Cambridge University Press, Cambridge, 2003. 1st Edition. SOFTCOVER. Heavy, large 8vo. in colour printed stiff card covers, 305pp, illustrations in text, index etc. This copy signed by the author on the title-page (no other inscriptions) __CONDITION : NEW unread copy. ... __We always ship in PROTECTIVE CARD PARCELS

Cambridge University Press. Very Good. 2002. Paperback. 0521788099 .

Paperback. Very Good.

Cambridge University Press, December 2002. Trade Paperback. Very Good. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Cambridge University Press. Very Good. 2003. Softcover. 0521788099 . Minor wear to upper corners of wraps. ; Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it? How could they ensure that their scenes would be recognized? What problems did they have? How did they… Read more about this item

Cambridge University Press. Very Good. 2002. Paperback. 0521788099 . Fine copy, as new. ; 9.9 X 7.0 X 0.7 inches; 332 pages .

like new pb

Cambridge University Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Cambridge: Cambridge University Press. 332pp paperback, illustrated, very good . Very Good. Soft cover. 1st Edition. 2003.

Cambridge University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Cambridge University Press. Used - Good. Used book that is in clean, average condition without any missing pages.

Cambridge University Press. New. Special order direct from the distributor

Paperback / softback. New. Myths mightily inspired Greek and Roman painters of vases and walls, sculptors and mosaicists and challenged them to invent imaginative ways to convey flowing narratives through static images. This book examines many aspects of the problems they faced and the ingenious and often surprising solutions they found.

Cambridge University Press, Cambridge 2003. 25.5 x 18.0cms, 306pp, b/w illusts, very good+ paperback & cover This boo describes the different ways that painters, sculptors & other artists explored & exploited the dense forest Greek myth. It explains how they devised formulas for certain stories;and adapted & developed these for other situations etc.