Search Results: Titles starting with P from Roe and Moore

London: P & D. Colnalghi & Co Ltd., 1974. First edition. Paperback. Very Good. 8vo. Original card covers. 183 item priced catalogue, well illustrated.

London: Institute of Contemporary Arts., 1980. First edition. Folding sheet.. Very Good. 8vo. Original paper covers. Works by John Crossley, Chris Hamer, Janet Nathan, Michael Porter, Harry Snook and Ed Whittaker. Each artist with one b/w plate and short biography.

London: Painter and Sculptor Press., 1959. First edition. Paperback. Very Good. 8vo. Original paper covers. Essays on Ben Shahn, Lionel Miskin, Ensor, Affandi. B/w plates.

New York: The American Federation of Arts., 1980. First edition. Paperback. Good. Quarto [approximately 10-3/4 inches high by 9 inches wide], softcover bound in pictorial wrappers. 248 pp. Profusely illustrated in colour and black & white. With an illustrated catalogue raisonne by Dorothy C. Belknap.In addition to the catalogue raisonne, the text includes a one-page note on collaboration by Robert Motherwell and twelve interviews by Stephanie Terenzio with printers who have collaborated with the artist. Covers rubbed. thumbed.

London: Painter and Sculptor Press., 1960. First edition. Paperback. Very Good. 8vo. Original paper covers. Essay by Josef Herman 'Moods and Opinions', articles on Josef Herman's photographs, Henri Hayden, Sam Rabin and George Grosz

Plymouth.: City Museum and Art Gallery, Plymouth, 1971. First edition. Paperback. Very Good. 8vo. Original card covers. Biographical notes, 74 item catalogue, 8 b/w plates.

London: New Vision Centre., 1963. First edition. Paperback. Fine. 8vo. Two stapled sheets. 38 item catalogue. Includes works by Stephen Gilbert, Giacommetti, Peter Clough, David Hockney, Paul Feiler, Henry Moore, Mary Martin, Henry Mundy, Peter Lanyon, Terry Frost, William Gear, Anthony Hill etc.From the collection of Sir Alan Bowness.

London: Basil Jacobs Fine Art Ltd., 1971. First edition. Paperback. Very Good. 8vo. Three panel folded card. Introduction by Naum Gabo, 20 item catalogue, documentation, 3 colour plates and 2 b/w illusts.

London: Arthur Jeffress Gallery., 1960. First edition. Folding sheet.. Fine. 24mo. Three panel folding card. 2 b/w plates, 18 item catalogue.

New York: Albert Landry Galleries., 1960. First edition. Paperback. Very Good. 12mo. Original card covers. Single sheet insert text by Mellquist.

London: Horizon., 1943. First edition. Paperback. Very Good. 8vo. Original paper covers. Essay by Masson with 2 monochrome plates.

New York: Catherine Viviano., 1959. First edition. Paperback. Very Good. 12mo. Folding card. 16 item catalogue, one b/w plate.

London: The London Magazine., 1961. First edition. Paperback. Very Good. 8vo. Original card covers. Edited by Alan Ross. Texts by Nicholson, Klee, Piper, Richards, Moynihan, Auerbach, Herman, Fry, Heath, Medley. Essays by Butor, Ironside, Russell, Bowness and Rosenberg. 14 b/w illustrations.

Penzance.: Lutterworth Press., 1984. First edition. Paperback. Very Good. 8vo. Original card covers. 208pp. Colour plates. Bibliography.

London: Falcon Press Limited., 1948. Second printing. Hardcover. Very Good. 8vo. Original gilt decorated turquoise cloth. A little rubbed and faded and darkened at spine. 41 colour and b/w plates. With the obituary from the Times July 7th 1994.

London: New Vision Centre., 1959. First edition. Folding sheet.. Very Good. 12mo. Folding sheet. Short biography, one b/w plate.From the library of Sir Alan Bowness.

London: New Vision Centre., 1962. First edition. Folding sheet.. Fine. 4to. Folding sheet. Essay by Edward Wakeford, biography, 2 b/w illustrations.

London: New Vision Centre., 1960. First edition. Folding sheet.. Very Good. 12mo. Folding sheet. Two b/w plates, note by the artist, biography. From the library of Sir Alan Bowness.

Cambridge: Granta., 1959. First edition. Paperback. Very Good. 4to. Original paper wrappers. Good survey of contemporary trends, with emphasis on the I.C.A. and Indepedent Group, notably Eduardo Paolozzi and John McHale. Covers thumbed and mottled. 'Any way I am more than a little suspicious of the eager exultation of paolozzi, for one, at the blessings of technology: the way his images have of turning out to be very primitive totems in spite of their highly sophisticated construction could be intrepreted, as he would like us to, as demonstrating the underlying unity of different ages, bit it could also indicate the familiar desire to escape from the complexity of the machine age; and it is curious that for both he and McHale the only reactions that machinery and electronics can produce are those of horror and fear. Behind every Paolozzi bronze there lurks the noble savage'.

London: New Vision Centre., 1963. First edition. Folding sheet.. Fine. 8vo. Three panel folding sheet. Introduction, one b/w plate. From the library of Sir Alan Bowness.