Search Results: Titles starting with J from Edward T. Pollack Fine Arts

1966. Levine, Jack. (Levine, Jack). Getlein, Frank. JACK LEVINE. Abrams, NY, 1966. Obl. 4to., cloth, 26pp. text, plus 169 plates, many mounted and in color. Glassine DJ very heavily scotch taped, cloth a bit faded. VG

Clark, Roland. Clark, Roland (American 1874-1957). JACK SNIPE. Etching, 1928. Edition of 70. Signed in pencil. 8 1/2 x 12 inches. In excellent condition.

Pollock, Jackson. Pollock, Jackson. JACKSON POLLOCK by Bryan Robertson. Abrams, NY, 1960. Sq. 4to., cloth, DJ, 215pp., tipped-on plates. Fine, DJ shows light wear, with small losses at the spine ends

Jackson, W(illiam) H(enry). Jackson, (W)illiam (H)enry. JACKSON'S FAMOUS PICTURES (THE WHITE CITY - AS IT WAS). Text by Stanley Wood. White City Art Co., Chicago and Denver, 1896. This edition was published in parts subsequent to the edition issued as "The White City - As it Was." This copy is a bound edition comprising the introduction by Wood, 80 plates printed on one side only, and four pages of text at the end. Oblong Folio, 3/4 black leather with gold tooled and lettered spine, over gold-lettered black cloth, text and 80 black and white plates, after photographs by Jackson of the buildings and grounds of The White City - the Columbian Exposition held in Chicago in 1892 to commemorate the 400th anniversary of Columbus's discover of America. A magisterial production. Some scuffing to the leather, the front free endpaper with wrinkling, some foxing to the endpapers; The internals are Fine. The following is quoted from the website of Brigham Young University: "William Henry Jackson, 1843-1942, was… Read More

Eichholtz, Jacob. (Eichholtz, Jacob). JACOB EICHHOLTZ - PORTRAIT PAINTER OF PENNSYLVANIA by E. P. Richardson. Phila., 1969. 4to., cloth, DJ, 402pp., illustrated. Catalogue of the artist's works. F/F

Villon, Jacques. (Villon, Jacques). JACQUES VILLON by Daniel Robbins. Fogg Art Museum, Harvard Univ., Cambridge, 1976. Issued in conjunction with a centennial retrospective of the artist's work. 4to., cloth, DJ, 223pp., profusely illustrated. Ink inscription on fly-leaf, DJ has a few small tears, thus Very Good in Very Good DJ.

Vonnegut, Kurt. JAILBIRD. Delacorte Press, NY, 1979 (1st trade edition after the limited edition). 8vo., cloth, unclipped DJ, 246pp. Fine, DJ has a nick at the top of its spine.

1905. Sloan, John. Sloan, John. JAMES B. MOORE, ESQ. Etching, 1905 (M. 126). 11 1/4 x 9 1/4 in. Annotated "100 proofs" and signed in pencil; only 25 were printed, by Platt. One of Sloan's larger plates. "It represents James B. Moore, who as proprietor The Cafe Francis, Bohemian Rendevous, figures quite importantly in the artistic life of New York. His house, 'the secret lair beyond the moat,' 450 West 23rd Street, was the scene of such gay 'parties' as few of us who participated can hope or wish to see again. He dozed in the chair while I drew the copper. I got a good portrait of his burly body--but the head shows the difficulty I had making a representation of the man awake from the sitter asleep...A typical New York bon vivant Tammany man, a friend and patron of artists. He was keen on enterprising artists and bought some pictures. But he couldn't keep up his restaurant." Sloan quoted by Morse, p. 133.

Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #8. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #8."John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published… Read More

Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #6. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #6."John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published… Read More

Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #1. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #1."John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published… Read More

Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #4. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #4"John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published… Read More

Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #10. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #10."John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.')… Read More

Coignard, James. Coignard, James. JAMES COIGNARD - CATALOGUE RAISONNE DE L'OEUVRE GRAVE (1959-1976) by Gunnar Bergstrom. Sonet, Sweden, 1976. Small square 4to., cloth, 109pp., 280 works pictured and described. Edition of 2000 copies. Lacks DJ, else Very Good.

Ensor, James. (Ensor, James). JAMES ENSOR - A COLLECTION OF PRINTS by Eric Gillis. C. G. Boerner, 2002. 4to., wraps, 227pp., 118 items pictured and catalogued, price list laid in. Text in English. Fine.

Saudek, Jan. (Saudek, Jan). JAN SAUDEK by Francoise Marquet. Mennour, Paris, 1999. 4to., wraps, unpaginated. Exhibition catalogue, with text and illustrations of the artist's photos. Fine.

Saudek, Jan. (Saudek, Jan). JAN SAUDEK by Francoise Marquet. Galerie Mennour, Paris, 1999. 4to., wraps, unpaginated. Exhibition catalogue with high quality reproductions of the artist's work. Some wear at spine, else Near Fine. Uncommon.

Freilicher, Jane. (Freilicher, Jane). JANE FREILICHER - PAINTINGS by Robert Doty. Currier Gallery, Manchester, NH (Taplinger, NY) 1986. Sqaure 4to., cloth, DJ, 122pp., illustrations in color and b/w. Fine/Fine

Marshall, Jim. JANIS JOPLIN BACKSTAGE AT THE WINTERLAND, SAN FRANCISCO. Photograph, 1968, printed later. Gelatin Silver print on glossy paper. Unsigned. 17 7/8 x 12 1/4 inches, 455 x 310 mm. In very good condition.

1897. Japan. JAPAN DESCRIBED AND ILLUSTRATED BY THE JAPANESE - WRITTEN BY EMINENT JAPANESE AUTHORITIES AND SCHOLARS. Edited by Captain F. Brinkley. Millet, Boston, 1897. "Yedo Edition " of 1000 copies, of which this is Number 479. 10 volumes, folio, Cloth, with each volume printed with a different floral pattern, and with a printed title label on the front board of each volume. Bound with Japanese style cord ties at spine with the sheets double-folded, with 182 pages of text plus 10 full page tissue-guarded color frontipieces of flowers, 30 tissue-guarded mounted handcolored albumen photographs (three in each volume), and about 200 in-text b;ack and white photographs. Each volume with the bookplate of A. J. Tullock, who was a Kansas engineer, bridge-designer, and businessman during the late 19th and early 20th Centuries. Spines slightly faded, but overall a Fine set externally and internally; the cloth and the ties are fresh, without wear or other defects.