Search Results: Titles starting with F from Sparrow's Bookshop

Signet, 1968. Paperback. Good/N/A. First printing of Signet edition. Binding is firm and pages are unmarked. Cover is discolored and has some smudges, spine has reading creases, wear and chipping along edges.

The Philosophical Research Society, 1977. Hardcover. Near fine/Near fine. Facsimile reprint of the original 1795 edition. With preface by Anthony P. Hall. From Apuleius' Metamorphoses, or The Golden Ass. Jacket is protected in archival sleeve with mild wear to corners and spine ends. Boards are straight and clean save for small white mark to top edge of rear board. Binding is tight, spine is straight and all pages are clean and unmarked.

DAW Books, 1980. Paperback. Good/N/A. No markings. Minor edge wear and a small rip on top front cover. Reading creases on spine. Bottom left corner of back cover creased.

Kestrel Books, 1980. Hardcover. Very good/None. Illustrated by Brian Froud and Alan Lee. Pages are clean and unmarked. All pop-up elements are present and functional, with some creasing and fraying at folds. Penultimate page is torn at join to pop-up fold. Boards are firm and even, with minor shelf wear. Binding is tight and square.

Llewellyn Publications, 1994. First Edition. Paperback. Good/None. First edition. With illustrations, diagrams and charts. Shelf wear around the edges including bumped/curled corners and slight peeling of laminate in places around the edges. Previous owner's embossed personal library stamp on half title page. Small stain to bottom edge of text block and pages are tanned but otherwise clean and unmarked. Slightly split binding between first and second pages, otherwise binding is tight and spine is square.

G. P. Putnam's Sons, 1940. First Edition. Hardcover. Near fine/None. First edition. Boards are solid and the spine is square aside from minor discoloration at the top of the back cover. Binding is firm and the pages are deckled, crisp, and unmarked Beautiful copy, overall.

Grosset & Dunlap, 1945. Hardcover. Good/None. Illustrated by Fritz Kredel & Arthur Szyk. Pages are unmarked and lightly browned. Andersen's front hinge is cracked and one illustration has detached completely. Grimm's binding is firm. Boards have light to moderate surface wear and light edge wear. Spine ends have softened and Grimm's spine is lightly sunned.

Cranston & Curts, 1892. Hardcover. Good/None. Introduction by Rev. Sheridan Baker, D.D. Pages are lightly tanned, with some foxing. Front endpaper bears previous owner's inscription in black ink, and back flyleaf is marked in light pencil. Text block edges are browned and lightly foxed. Boards are scuffed and soiled, with bumped, worn corners. Spine ends are softened and buckram has frayed to reveal material beneath. Gilt lettering on cover is slightly darkened but unfaded. Binding is starting throughout, and front and back hinges are partially cracked.

Cameron & Kahn Publishers, 1955. Paperback. Acceptable/N/A. All pages are clean and unmarked, although heavily tanning. Binding is tight but has a significant lean to spine. Else moderate rubbing and soiling to covers.

Charles Scribner's Sons, 1924. Hardcover. Good/None. Florence Press Edition. Boards are solid and the spine is mostly firm aside from some yielding at the head of the binding. Pages are deckled, bright, and unmarked aside from previous owner’s inscription on front free endpaper and some minor foxing or staining on the front and back pastedowns and free endpapers.

Alfred A. Knopf, 1984. First Edition. Hardcover. Fine/Near fine. First edition. Pages are unmarked with deckled edges and binding is firm. Boards are lightly crushed on spine ends. Jacket is protected in mylar. Very light creasing around top edge and spine is sunned.

Simon and Schuster, 1986. First Edition. Hardcover. Near fine/Near fine. First edition. All pages are clean, but two remainder marks on bottom page edge. Binding firm, corners sharp, spine ends softened. Jacket is bright and crisp with minor shelf wear.

Harper & Row, 1972. Hardcover. Very good/None. Slipcase is mildly soiled, with some wear to corners. Pages are clean and unmarked. Text block fore-edge of Volume I is smudged. Boards are firm and even, aside from softened spine ends. Boards of Volume I are lightly scuffed. Spine of Volume II is dinged across tail area. Silver gilt lettering on front and spine is clear and unfaded. Bindings are tight and square.

Harper & Row Publishers, 1972. Hardcover. Very good/None. First printing of this edition. All pages are clean, very minor shelf wear to slipcase and rubbing to boards. Front hinge is starting to crack on volume 2, but all pages remain securely attached.

Simon and Schuster, 1955. Hardcover. Good/None. The photographic exhibition created by Edward Steichen for the Museum of Modern Art. All pages are clean and unmarked although starting to tan. Binding and hinges secure. Minor rubbing and soiling to boards and spine.

Bantam Books, 1966. Paperback. Good/N/A. No markings. Significant edge wear/scuffing. 1/2 inch rip on right side of front cover. Slight spine lean and reading creases.

Franklin Library, 1979. Hardcover. Near fine/None. Quarter bound in leather with gilt accents on boards and spine, all three edges gilt, marbled endpapers and reading ribbon. Firm binding and unmarked pages, aside from previous owner's bookplate. Some scuffing to boards and spine.

Berkley Medallion, 1971. Paperback. Acceptable/N/A. Name written in blue pen on first free paper. All other pages are unmarked. Significant edge wear and creasing. Spine lean. Significant reading creases on spine and chipping/peeling at top and bottom.

Berkley Books, 1964. Paperback. Acceptable/N/A. Heavy edge wear and creasing on covers. Leaning spine with reading creases. Spine ends bumped and chipping.

Bantam Books, 1984. Paperback. Very good/N/A. 17th printing of this edition. Mild creases and bumps to fore corners of front cover. Spine is crease-free and slightly twisted. Binding is strong. All pages tanned and clean and unmarked other than small black mark on top edge of first page.