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Ex lib. Spine is clean; cover is wrapped in protective plastic covering; property stamps on fore edges; date due slip and bar code on inside fly leaf. Text is clean
Search Results: Titles starting with E from DLS
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The Early Stuart Masque: Dance, Costume, and Music
by Barbara Ravelhofer
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- Acceptable
- Paperback
- Condition
- Used - acceptable
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780199559251 / 0199559252
- Quantity Available
- 1
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Hillsdale, Michigan, United States
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£24.28£3.24 shipping to USA
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The Eighteenth-Century French Cantata
by David Tunley
- Used
- very good
- Hardcover
- Condition
- Used - Very Good
- Edition
- 2d ed.
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780198164395 / 0198164394
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Hillsdale, Michigan, United States
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£121.42£3.24 shipping to USA
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Very good. Some fading/discoloration on edges of d.j.Description: The first edition of this book has become the classic study of one of the most popular musical forms in early 18th-century France, not only because it documents and examines its considerable repertoire for the first time, but also because it places the genre in the wide context of both French and Italian baroque music styles. This new edition incorporates research by the author and other scholars that has appeared during the twenty years since the first edition, reflecting today's growing interest in French baroque music. It also features a new chapter dealing with the French cantata in performance.
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English dramatick opera, 1661-1706
by Andew R. Walkling
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- Paperback
- Condition
- like new
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780367731076 / 036773107X
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Hillsdale, Michigan, United States
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£32.38£3.24 shipping to USA
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Like newDescription: English Dramatick Opera, 1661-1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden…
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