Search Results: Titles starting with A from Stefan Szczelkun

Introduction by Andrew HoptonTitle page has 'Happy Birthday' in red biro by the publisher. Page 112 has a small tea stain drop - otherwise 'as new'!'A Fiery flying roll' was banned by the government when first published in 1649 and the author arrested.

Begins with the role of psychiatry in modern criminal justice. Defining what was normal and abnormal was key.An eleven lecture course by Foucault.Pages browned. Dust jacket as new designed by BRILL.Very good copy. Beautiful edition.First edition in English translated by Graham Burchell.

Very Good. Dust Jacket Condition: Very Good except two 1cm brown spots. First Edition. CLEAN INTERIOR IN SOLID BINDING.
Illustrated with many plans and detail drawings. A final section on gloss paper contains many b/w photographs of details of buildings.
A classic publication on adobe building.

A 1977 reprint of this classic (1930) pamphlet by the New Mexico Publishing company
Printed one side only on coloured now faded papers. Lino cuts and prose by KATE and D.N.S. printed by SPUD
ie Kate Chapman and Dorothy Newkirk Stewart
Reprint of the original printed by Spud (Willard Johnson) in 1930 at The Laughing Horse Press. Taos, N.M. With a new foreward by James Webb Young. Unpaginated. 44pp. Stapled cream wraps lettered and decorated in red. Various coloured pages.

Dark green card covers with a designed 1cm hole in the rear cover for viewing the Rotoreliefs in the exhibition
With 6 beautiful full page colour illutrations to the rear of the book.
Introduction by Richard Hamilton
Bought by me on the occasion of the retrospective exhibition at the Tate Gallery in 1966.

Some printing creases on pages 51 - 62 approx do not effected readability and even add something very Cagean to his twenty mesostic poems. Incorporating 30 quotations.All in very good order.

foreword by Arthur C. Danto"The interests in Disinterestedness"a few light pencil notes but otherwise as new

"This book studies the cultural and economic status of playwriting in the later 17th and early 18th centuries, and argues that the period was a decisive one in the transition from Renaissance conceptions of authorship towards modern ones. In Shakespeare's time, creative originality and independence of voice had been little prized. Playwrights had appropriated materials from earlier writings with little censure, while the practice of collaboration among dramatists had been taken for granted. The book demonstrates that, in the decades following the Restoration, those attitudes were challenged by new conceptions of dramatic art, which required authors to be the sole begetters of their works. This book explores a series of developments in the theatrical marketplace that increased both the rewards and the prestige of the dramatist, and shows the Restoration period to have been one of serious and animated debate about the methods of playwriting. Against that background, the book offers a fresh account of… Read More