Search Results: Authors starting with U from Sims Reed Rare Books

Münster Landesmuseum, 1975.. Original wrappers, stapled.. With 27 black and white illustrations. Exhibition catalogue.

Hannover.: Self published., 1978.. Original printed wrappers, stapled.. With six black and white illustrations.

Hannover.: Published by the artist., 1968.. Original publisher's black stapled wrappers, with printed typewriter keyboard printed motif to front and rear covers.. 4to. (303 x 212 mm).. Mimeographed typed text recto only throughout, inserted leaves of glossy paper with monochrome illustration, leaves with works by Ulrichs, inserted printed ephemera A compendium of original printed work by Ulrichs - typed works, posters, exhibition promotional material, letters, stamps, stickers, collages.Complete with the signed works: - 'Malvorlagen 'Farbkasten'', the printed sheet with hand-coloured orange sample, signed by Ulrichs in blue ink. - 'signierte signatur (stempel-schriftbild)', the print of ulrichs' signature, signed by Ulrichs in black ink.Other works - unsigned - are also included.

Hannover - Berlin - Bremen.: Werbezentrale fur totalkunst / banalismus / extemporismus., c. 1965.. Small flyer (300 x 210 mm).. Printed single side on pink stock. An early piece of Ulrichs ephemera, declaring God firmly on the side of the 'Total Artist'.

London.: Whitefriars Press Ltd., 1958.. Original printed wrappers, rear cover detached, otherwise good.. 8vo.. Between 1953 and 1962, while establishing his own architectural practice, Theo Crosby acted as Technical Editor of Architectural Design magazine, which was seeking to bring a more youthful, vital and progressive approach to the subject than the previously dominant Architectural Review. Whilst at Architectural Design, Crosby attached himself to the Institute of Contemporary Arts (ICA) in London, attended meetings of the Independent Group there, and was particularly impressed by the group's discussions of the impact of mass communication and information theory on architecture and design. It was Crosby who suggested, and steered to completion, what would be the Independent Group's swansong - the watershed exhibition This Is Tomorrow at London's Whitechapel Gallery. In Architectural Design Crosby wrote that the exhibition was "evidence of attempts towards a new sort of order, a way towards that… Read More