Search Results: Authors starting with R from David Brass Rare Books, Inc.

London: George Harrap & Co., 1932. One of 575 Copies Signed by Arthur Rackham [RACKHAM, Arthur, illustrator]. RUSKIN, John. The King of the Golden River. Illustrated by Arthur Rackham. London: George Harrap & Co., [1932]. One of 575 copies signed by Arthur Rackham, this being copy No. 472. Octavo (8 3/4 x 5 3/4 inches; 222 x 146 mm.). 47, [1] pp. Four color plates and fifteen drawings in black and white. Original limp vellum. Pictorial endpapers in green and white. Top edge gilt, others uncut. A few text leaves roughly opened, small inoffensive stains on endpapers. A very good copy. Housed in a green cloth clamshell case. John Ruskin (1819-1900), "English author and artist, whose The King of the Golden River might be regarded as the first English fairy story for children. Though it was not published until 1851, seven years after Francis Paget's The Hope of the Katzekopfs, it was in fact written in 1841 for 12-year-old Effie Gray, whom he later married. It is a story of the three brothers of… Read More

London: George G. Harrap & Co., 1931. I Envy No Body But Him, And Him Only, That Catches More Fish Than I Do" [RACKHAM, Arthur, illustrator]. WALTON, Izaak. The Compleat Angler or The Contemplative Man's Recreation. Being a Discourse of Rivers, Fishponds, Fish and Fishing not unworthy the Perusal of most Anglers. Illustrated by Arthur Rackham. London: George G. Harrap & Co., [1931]. Limited to 775 numbered copies (this copy being No. 265), signed by the artist. Quarto (10 5/16 x 7 13/16 inches; 263 x 198 mm.). 223, [1] pp. Twelve color plates, with descriptive tissue guards, and twenty-five drawings in black and white. Title printed in green and black. Original full vellum over boards. Front cover lettered in gilt within a gilt triple-rule border, spine pictorially stamped and lettered in gilt with three gilt rules at top and bottom of spine. Top edge gilt, others uncut. Pictorial endpapers in reddish brown and white. In the original publisher's? white cardboard box. Spine very slightly creased… Read More

New York: The Limited Editions Club, 1939. The Final Book Published During Rackham's Lifetime [RACKHAM, Arthur, illustrator]. SHAKESPEARE, William. A Midsummer-Night's Dream. The Text of the First Folio, with Quarto Insertions, Edited and Amended Where Obscure by Herbert Farjeon. Illustrated from Water-colors by Arthur Rackham. New York: The Limited Editions Club, 1939. Deluxe edition limited to 1,950 copies of which this is no. 1306. Folio (12 7/8 x 8 3/4 inches; 328 x 223 mm.). Six color lithographed plates. With LEC Subscriber's Letter for this volume laid-in at front. Designed by Bruce Rogers. Publishers quarter tan buckram over decorative paper boards. Top edge gilt, others untrimmed. A near fine copy. "The illustrations for this play were made by one of the world's most famous illustrators, that Englishman Mr. Arthur Rackham. He has been for years one of the most prolific of the world's illustrators, and one of the most admired. He is now seventy-two years old, having being born in… Read More

London: Chapman and Hall, 1904. Tell it to the Marines" A Near Fine Copy in the Original Pictorial Dust Jacket With Eight Half-Tone Plates by Arthur Rackham [RACKHAM, Arthur]. DRURY, Major W.P. The Peradventures of Private Pagett. With Eight Illustrations by Arthur Rackham. London: Chapman and Hall, 1904. First edition. Octavo. (7 5/16 x 4 13/16 inches; 185 x 122 mm). [12], 242, [2] pp. Eight half-tone plates by Rackham. Publisher's orange-red cloth pictorially stamped and lettered in black on front cover and spine. Minimal rubbing to extremities, light marginal foxing throughout. Complete with the very scarce publisher's light gray pictorial dust jacket. A near fine copy - the first in dust jacket that we have ever seen. "There is nothing serious about the stories of Mr. Pagett, ex-private of Marines, and some of them are very amusing. The most entertaining in the book is the account of "The Lower-Deck Tantum Club," (pp. 97-127) which spread confusion through the whole of Malta by driving a "… Read More

London: George G. Harrap & Co., 1931. Bound By Birdsall "I Envy No Body But Him, and Him Only, That Catches More Fish Than I Do" [RACKHAM, Arthur, illustrator]. Walton, Izaak. [BIRDSALL of Northampton, Bindery]. The Compleat Angler or The Contemplative Man's Recreation. Being a Discourse of Rivers, Fishponds, Fish and Fishing not unworthy the Perusal of most Anglers. Illustrated by Arthur Rackham. London: George G. Harrap & Co., [1931]. First trade edition. Octavo (9 3/4 x 7 1/2 in; 247 x 190 mm). 223, (1) pp. Twelve color plates, and twenty-five black and white illustrations. Title printed in green and black. Bound c. 1931 by Birdsall of Northhampton for Charles Scribner's Sons in full forest green morocco with triples fillets border and central varicolored portrait onlay of Izaak Walton. Gilt framed and ornamented compartments. Top edge gilt, others untrimmed. Broad turn-ins with gilt rolls. Original endpapers preserved. A fine copy. In the binder's green cloth dust jacket, lettered in gilt on… Read More

London: George Harrap & Co., 1932. The First English Fairy Story for Children" The First Trade Edition Illustrated by Arthur Rackham [RACKHAM, Arthur, illustrator]. RUSKIN, John. The King of the Golden River. Illustrated by Arthur Rackham. London: George Harrap & Co., [1932]. First trade edition. Octavo (8 3/4 x 5 3/4 inches; 222 x 146 mm.). 47, [1] pp. Four color plates and fifteen drawings in black and white. Original color pictorial wrappers. Pictorial endpapers in green and white. Covers a little bit foxed. A very good copy. In the original color pictorial dust jacket with spine mildly soiled. John Ruskin (1819-1900), "English author and artist, whose The King of the Golden River might be regarded as the first English fairy story for children. Though it was not published until 1851, seven years after Francis Paget's The Hope of the Katzekopfs, it was in fact written in 1841 for 12-year-old Effie Gray, whom he later married. It is a story of the three brothers of tradition, two bad, the… Read More

London & New York: Hodder & Stoughton, 1921. Amongst "Rackham's Best Book Illustrations" In the Scarce Dust Jacket [RACKHAM, Arthur, illustrator]. PHILLPOTTS, Eden. A Dish of Apples. With Illustrations by Arthur Rackham. London & New York: Hodder & Stoughton, [1921]. First trade edition. Octavo (6 1/2 x 8 1/4 in; 205 x 170 mm). 75, (3) pp. Illustrated with three full-page mounted illustrations in color with tissue guards and twenty-three drawings in black and white. Publisher's original rose-gray cloth pictorially stamped in brown. Gray pictorial end papers. Former owners bookplate on front paste-down. A very good copy. Original pictorial dust jacket reproducing in three colors the design on the front cover. Top of spine and small piece chipped away from top panel of jacket with loss of the "A" and the "D" in A Dish of Apples. In his chapter "Rackham's Best Book Illustrations 2," Getttings discusses work found within this book as reflective of the artist's maturity and confidence, Rackham's… Read More

Philadephia: David McKay Company, 1929. First American Trade Edition in The Original Pictorial Dust Jacket [RACKHAM, Arthur, illustrator]. GOLDSMITH, Oliver. The Vicar of Wakefield. Philadelphia: David McKay Company [1929]. First American trade edition. Quarto (9 1/2 x 7 1/8 inches; 242 x 182 mm.). 231, [1] pp. Twelve full page color plates, twenty-two black and white line drawings. Publishers dark blue ribbed cloth over boards, front cover and spine decoratively stamped in gilt. Pictorial endpapers, top edge gilt. Tiny and inconsequential split on lower edge of spine, otherwise a very fine copy with the original color pictorial dust jacket with a 'titled' version of the color plate "A Favourite Song of Dryden's" (facing p.36) on the front panel. Small piece missing from lower spine of jacket, a few small closed tears, otherwise excellent. "In the England of jazz and Noel Coward the whimsical and fantastic had grown increasingly out of fashion. With The Vicar of Wakefield of 1929 ... Rackham… Read More

London: William Heinemann Ltd., 1960. The Most Beautifully Produced of all the Rackham Bibliographies [RACKHAM, Arthur]. HUDSON, Derek. Arthur Rackham. His Life and Work. London: William Heinemann Ltd., [1960]. First edition. Large quarto (11 x 8 1/2 inches; 280 x 216 mm.). [1]-181, [3 blank] pp. Seventy illustrations including 41 mounted plates, the majority in full color. Publisher's maroon buckram, front cover decoratively stamped in black, spine with black label lettered in gilt decorative endpapers, top edge stained blue. A near fine copy in a very good pictorial dust jacket with a couple of closed tears. "For more than half a century Arthur Rackham's illustrations have cast their spell on adults and children alike. They possess qualities which make a work live: faultless draughtsmanship allied to an imagination which may be delicate or grotesque, but is always original and illuminating. Derek Hudson introduces us to the man behind the work and comments on his technique and achievements,… Read More

London: William Heinemann, 1921. First Trade Edition of Rackham's Comus In the Original Color Pictorial Dust Jacket [RACKHAM, Arthur, illustrator]. MILTON, John. Comus. London: William Heinemann, [1921]. First trade edition. Quarto (9 7/8 x 7 1/4 inches; 251 x 183 mm.). xviii, 76, [2] pp. Twenty-four color plates mounted on brown paper with captioned tissue guards. Thirty-seven drawings in black and white. Two color plates (nos. XIV & XVI) with very light corner creases. Publishers green cloth over boards, front cover and spine pictorially stamped and lettered in gilt, blue and white pictorial endpapers. Some sporadic light foxing but still a very good copy in the scarce original color pictorial dust jacket. lightly chipped at spine ends and extremities. Latimore and Haskell, pp. 54-55. Riall, p. 143.

Philadelphia: , 1932. The First American Trade Edition [RACKHAM, Arthur, illustrator]. RUSKIN, John. The King of the Golden River. Illustrated by Arthur Rackham. Philadelphia: J.B. Lippincott & Co., n.d. [1932]. First American trade edition. Octavo. 47, [1] pp. With four color plates and fifteen black and white drawings. Original reddish orange cloth with color pictorial label to front cover. Pictorial end-papers. Small postage stamp with ink inscription on half-title. An excellent copy in the original slightly chipped color pictorial dust jacket. John Ruskin (1819-1900), "English author and artist, whose The King of the Golden River might be regarded as the first English fairy story for children. Though it was not published until 1851, seven years after Francis Paget's The Hope of the Katzekopfs, it was in fact written in 1841 for 12-year-old Effie Gray, whom he later married. It is a story of the three brothers of tradition, two bad, the youngest good, and their reception of a supernatural… Read More

Paris: Hachette et Cie, 1909. One of Only Thirty Signed Copies Printed on Papier Imperial Du Japon [RACKHAM, Arthur, illustrator]. SHAKESPEARE, William. Le Songe D'Une Nuit D'Ete. Paris: Hachette et Cie, 1909. First edition in French of Shakespeare's A Midsummer Night's Dream illustrated by Arthur Rackham. Limited to thirty numbered copies on Papier Imperial du Japon signed by Arthur Rackham, this being copy no. 19, of a total edition of 330. Quarto (11 1/2 x 9 inches; 292 x 228 mm). [6], 134 pp. Forty mounted color plates with captioned tissue guards, thirty drawings in black and white. Publisher's full vellum, gilt decorated. Top edge gilt, others untrimmed. Later silk ties. Small rectangular bookplate on front fly-leaf. A fine copy. The black & white illustrations have far more definition here printed on 'Papier Imperial du Japon' than those in the English Limited Edition. "The most splendid illustrated work of the century, so far" (William de Morgan). "The illustrations for a… Read More

London: William Heinemann, 1918. Signed Limited Edition [RACKHAM, Arthur, Illustrator]. SWINBURNE, Algernon Charles. The Springtide of Life. Poems of Childhood by Algernon Charles Swinburne. With a Preface by Edmund Gosse. London: William Heinemann, [1918]. Edition Deluxe limited to 765 numbered copies signed by Arthur Rackham (this copy being no. 752). Large quarto (11 3/16 x 9 1/8 inches; 284 x 230 mm.). ix, [1], 132, [2] pp. Nine full color tipped-in plates with captioned tissue guards and fifty-two black and white text illustrations. Publisher's quarter vellum over parchment boards. Front cover and spine lettered and decorated in gilt. Original plain white endpapers. Publisher's ink presentation on front free end-paper "For Sylvia Henley - Their guardian of the 'Springtide' With all good wishes from the Publishers of this book. Xmas 1918." Three of the tipped-in color plates (frontispiece and facing pp. 2 and 132) have slight creases, the original binding is somewhat soiled and the spine… Read More

New York: Dodd Mead & Co., 1919. First American Trade Edition RACKHAM, Arthur. Some British Ballads. Illustrated by Arthur Rackham. New York: Dodd Mead & Co. n.d. [1919]. First American trade edition. Quarto (10 x 7 1/2 inches; 254 x 190 mm.). x, 170, [1, imprint], [1, blank] pp. Partially uncut. Sixteen full color tipped-in plates and twenty-four black and white drawings. Publisher's dark blue cloth, covers and spine pictorially stamped and lettered in gilt. Gray pictorial endpapers. Gilt on spine dull. Minimal rubbing to corners. A very good copy. "Several of the Ballads in this book are based on the great work of Francis James Child..." (Note) "Few of Mr Rackham's work have been more consistently impressed with charm and beauty than his illustrations in colour to Some British Ballads. In them he pictures a succession of fascinating heroines habited in quaint and picturesque costumes, amid surroundings which, though belonging to no definite place or period, are always appropriate and… Read More

Paris: Librairie Hachette, 1919. The First of Arthur Rackham's Two Great Silhouette Books The French Edition de Luxe [RACKHAM, Arthur, illustrator]. PERRAULT, Charles. Cendrillon. D'Apres Ch. Perrault avec illustrations par Arthur Rackham. Paris: Librairie Hachette, [1919]. French Edition de Luxe. Limited to 500 copies signed by the illustrator, of which this is no. 96. Large quarto (11 1/4 x 8 7/8 inches; 286 x 226 mm.). 110, [2, blank] pp. Mounted color frontispiece with color pictorial border and tissue guard. Three double-page silhouette drawings with color, one single-page silhouette drawing with color (not included in the trade edition), thirteen single-page silhouette drawings without color, and thirty-six silhouette drawings in the text. Title with color pictorial border. Title-page slightly browned from frontispiece tissue-guard. Some very light occasional offsetting from illustrations to text. Original cream parchment over boards, pictorially stamped and lettered in gilt on front cover… Read More

Philadelphia: J.B. Lippincott Co. , 1934. First American Trade Edition of Arthur Rackham's "Pied Piper of Hamelin" [RACKHAM, Arthur, illustrator]. BROWNING, Robert. The Pied Piper of Hamelin. Illustrated by Arthur Rackham. Philadelphia: J.B. Lippincott Co. ,[n.d., 1934]. First American trade edition. Octavo (8 5/8 x 5 5/8 inches; 219 x 142 mm.). 44, [1], [3, blank] pp. Four color plates and fourteen drawings in black and white (including one double-page). Original red sand-grain cloth. Front cover with white pictorial label printed in black, red, and olive green. A near fine copy. In the original color pictorial dust jacket (jacket very slightly chipped at head of spine). The Pied Piper of Hamelin was a magician in German folklore. According to legend, the town of Hamelin was plagued by rats. A mysterious stranger in varicolored clothes appeared and offered to rid the town of the destructive vermin for a specified sum of money. The leaders of the town agreed to the contract, and the stranger… Read More

1921. G. Guggenheim. Stealing the Lunch" [RACKHAM, ARTHUR], (In the style of). G. Guggenheim. "Stealing the lunch". Original pen, ink and watercolor. Signed on the lower left corner "G. Guggenheim 1921" and on the right lower corner "Arthur Rackham 09". Image size: 10 1/2" x 14 7/8"; 267 x 368 mm. Matted framed and glazed. Frame size: 20 1/4" x 24 1/4"; 515 x 616 mm. This lovely watercolor depicts a vivid pastoral picnic scene. There are five elves/goblins, a baby, a large mouse and a squirrel (?) together with a large white bird, who is the culprit... stealing the lunch. The bird has a striped bundle in his beak and is in full flight - one of the elves/goblins who tried to catch the bird has two white feathers in his grasp and is lying on his stomach on the ground. Another goblin wearing a tall, round hat with a shocked look on his face is in pursuit. A third goblin wearing a tall pointed hat and with a white beard is kneeling on one knee. Another goblin is pointing to the bird with one hand and… Read More

London : Hodder & Stoughton, 1912. The Largest Rackham Plates Ever Printed [RACKHAM, Arthur]. BARRIE, J.M. "Peter screamed out, 'Do it again!' and with great good-nature they did it several times" A single plate from The Peter Pan Portfolio, by Arthur Rackham, from "Peter Pan in Kensington Gardens," by J.M. Barrie. London: Hodder & Stoughton, [n.d., 1912]. Handsomely framed and glazed in the original mount. Image size 10 1/2 x 7 3/8 inches; 267 x 188 mm. Frame size 21 x 17 1/4 inches; 535 x 438 mm. The Peter Pan Portfolio was limited to 600 copies published in 1912, and contained 12 of Rackham's favorite drawings from his 1906 edition of Peter pan in Kensington Gardens, which had 50 color plates. The Portfolio plates are approximately 60% larger than their 1906 counterparts. Greatly enlarged from their earlier appearance, these plates are considered to be Rackham's personal favorites from the fifty that appeared in his 1906 illustrated trade edition of Peter Pan in Kensington Gardens.… Read More

London: Hodder & Stoughton, 1912. The Largest Rackham Plates Ever Printed [RACKHAM, Arthur]. BARRIE, J.M. "A chrysanthemum heard her, and said pointedly, 'Hoity-tioty, what is this?'" A single plate from The Peter Pan Portfolio, by Arthur Rackham, from "Peter Pan in Kensington Gardens," by J.M. Barrie. London: Hodder & Stoughton, [n.d., 1912]. Handsomely framed and glazed in the original mount. Image size 9 1/2 x 7 1/8 inches; 241 x 181 mm. Frame size 21 x 17 1/4 inches; 535 x 438 mm. The Peter Pan Portfolio was limited to 600 copies published in 1912, and contained 12 of Rackham's favorite drawings from his 1906 edition of Peter pan in Kensington Gardens, which had 50 color plates. The Portfolio plates are approximately 60% larger than their 1906 counterparts. Greatly enlarged from their earlier appearance, these plates are considered to be Rackham's personal favorites from the fifty that appeared in his 1906 illustrated trade edition of Peter Pan in Kensington Gardens. Latimore and… Read More

London: Hodder & Stoughton, 1912. The Largest Rackham Plates Ever Printed [RACKHAM, Arthur]. BARRIE, J.M. "The fairies sit round on mushrooms, and at first they are well behaved" A single plate from The Peter Pan Portfolio, by Arthur Rackham, from "Peter Pan in Kensington Gardens," by J.M. Barrie. London: Hodder & Stoughton, [n.d., 1912]. Handsomely framed and glazed in the original mount. Image size 12 5/8 x 9 inches; 321 x 229 mm. Frame size 21 x 17 1/4 inches; 535 x 438 mm. The Peter Pan Portfolio was limited to 600 copies published in 1912, and contained 12 of Rackham's favorite drawings from his 1906 edition of Peter pan in Kensington Gardens, which had 50 color plates. The Portfolio plates are approximately 60% larger than their 1906 counterparts. Greatly enlarged from their earlier appearance, these plates are considered to be Rackham's personal favorites from the fifty that appeared in his 1906 illustrated trade edition of Peter Pan in Kensington Gardens. Latimore and Haskell, p.… Read More