Search Results: Authors starting with M from Lowry-James Rare Prints & Books

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Near Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration,… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

London:: Baldwin, Cradock and Joy,, 1826.. First edition. Fine Condition with original hand-coloring. . A Fine original hand-colored copperplate engraving on watermarked rag paper. Octavo (7 x 8.5 inches). French matted in Ivory rag with single gilt line decoration, sized to 12 x 14 inches and suitable for framing. Established in 1825, The Botanic Garden was written and edited by Benjamin Maund, Fellow of the Linnaean Society and was printed at his own Bromsgrove Press in Worcestershire. This delightful four-to-a-page format of delicately engraved flowers, many of which were cultivated in the Royal Gardens, are included in the collections of Victoria and Albert Museum listed as the finest botanical miniatures produced. Some of the finest British botanical artists of the early 19th Century contributed to the work. Along with Edwin D. Smith, the artists were primarily women; Mrs. Withers, Mrs. Edward Bury, and Miss S. Maund. French matted in Ivory rag with single gilt line decoration, sized to… Read More

Philadelphia:: D. Rice and A.N. Hart,, 1849.. First edition. Fine. Fine condition. Original lithograph; printed and colored by J.T. Bowen, Philadelphia. Octavo (6.75 x 10 .5 inches). Matted in Rag Board. As the oil on canvas portrait of Wat-Che-Mon-Ne: An Ioway Chief known as The Orator, was destroyed by fire in 1865, the original hand-colored lithographs by JT Bowen are the only surviving rendering of this essential chapter of Americana. During the first quarter of the nineteenth century as the Native American people traveled to Washington DC to discuss their plight; the loss of their lands and destruction of their people, they appealed to Thomas McKenney, the then Chief to the Bureau of Indian Affairs in whom they found a sincere advocate in the efforts to improve the welfare of the Native American people. After meeting to discuss the situation, McKenney invited every one of his guests to sit for formal portraits, and included all members; not only the Chiefs, but also the… Read More

Philadelphia:: F.W. Greenough,, 1842.. First edition. Very Good. Very Good condition. Original lithograph, drawn, printed and coloured at J.T. Bowen's Lithographic Establishment No 94 Walnut Street, Philadelphia. Folio (14 x 20 inches). Untrimmed, with light foxing and offset yet with rich original color. Matted in Rag Board. As the oil on canvas portrait of Paddy-Carr by Charles Bird King was destroyed by fire in 1865, this original hand-colored lithograph by JT Bowen is the only surviving rendering of this essential chapter of Americana. During the first quarter of the nineteenth century as the Native American people traveled to Washington DC to discuss their plight; the loss of their lands and destruction of their people, they appealed to Thomas McKenney, the then Chief to the Bureau of Indian Affairs in whom they found a sincere advocate in the efforts to improve the welfare of the Native American people. After meeting to discuss the situation, McKenney invited every… Read More

Philadelphia:: F.W. Greenough,, 1838.. First edition. Fine. Fine condition. Original lithograph, drawn, printed and coloured at J.T. Bowen's Lithographic Establishment No 94 Walnut Street, Philadelphia. Folio (15 x 21.25 inches). Full sheet with minor edge tear on bottom right yet with rich original color. Matted in Rag Board. As the oil on canvas portrait of Chippeway Squaw & Child by Charles Bird King after painting by James Otto Lewis was destroyed by fire in 1865, this original hand-colored lithograph by JT Bowen is the only surviving rendering of this essential chapter of Americana. During the first quarter of the nineteenth century as the Native American people traveled to Washington DC to discuss their plight; the loss of their lands and destruction of their people, they appealed to Thomas McKenney, the then Chief to the Bureau of Indian Affairs in whom they found a sincere advocate in the efforts to improve the welfare of the Native American people. After… Read More