Search Results: Authors starting with L from Sims Reed Rare Books

Paris.: Camille Bloch., 1921.. Publisher's wrappers.. 8vo.. With 6 etchings by Laboureur. Edition limited to 575 copies.

Brussels.: La Société de la Gravure Originale Belge., 1928.. Original publisher's printed paper wrappers with titles in black to front cover.. Oblong 4to. (225 x 285 mm).. Original engraved frontispiece by Laboureur, signed in pencil at lower right, inserted loose, half-title with presentation, title, engraved plate and engraved tail-piece by Emile-H. Tielemans, opening three-line initial printed in red to Laboureur's text and final leaf with justification. A fine copy of Laboureur's privately published essay on original engraving with a presentation to Camille Bloch.From the edition limited to 115 numbered copies on Arches, with this one of 15 lettered copies for the author and collaborators on the publication and with a presentation in pencil on the half-title: 'à Camille-Bloch, cordial / hommage de l'auteur / J. E. Laboureur'.'Bien des vues erronées, bien des idées fausses se perpétuent touchant le caractère de la gravure d'interprétation, ou de reproduction, comme on voudra. Nous… Read More

Paris.: Camille Bloch., 1919.. Original publisher's glossy purple wrappers, front cover faded to blue, minor spotting throughout.. 8vo.. Engraved frontispiece and five full-page engraved plates by Laboureur (gravés sur cuivre au burin). From the edition limited to 575 copies (including five hors commerce), with this one of 500 on papier rose, vergé, à la forme.

Paris.: Collection des Arts., 1926.. Publisher's wrappers.. 8vo.. With 30 illustrations by Lacoste executed in pochoir by J. Saudé. From the edition limited to 365 copies, with this one of 5 édition de tête examples with a suite of the 11 full-page plates in colour.

Albuquerque, New Mexico.: Tamarind Lithography Workshop., 1973.. Full blue cloth, title gilt to upper board (see below).. 4to.. Contents: Lithograph title, lithograph colophon, both with the blindstamp of the Tamarind Workshop and the printer and 20 original colour handprinted lithographs printed recto only on smooth white paper with the discreet stamps of the Tamarind Workshop and the printer on verso of each leaf. From the edition limited to 27 copies signed and numbered in pencil by Laing, with this one of two copies bound in full blue cloth for Laing by the bindery at H. M Prison Barlinnie, Scotland.[Ingram & Halliwell 49].

New York / Stuttgart.: Edition Domberger., 1969.. Bound in stiff white card wrappers with black dust-jacket with title printed in white, housed in magenta cloth drop-back box with white silkscreen title, white perspex sides and lined with cream paper, additional colophon printed on interior recto and numbered in pencil, matching slipcase.. Folio. (431 x 340 mm). . Contents: Title with additional silkscreen colour, 23 leaves of text illuminated with colour silkscreens, colophon. From the standard edition limited to 130 copies, signed in pencil on the colophon by the artist and author.

New York / Stuttgart.: Edition Domberger., 1969.. Loose as issued in original silver wrappers with title printed in white, housed in claret corduroy covered book box with white perspex sides and lined with cream paper, colophon printed on interior recto and numbered in pencil, housed in plexiglas slipcase with title printed in white.. Folio. (431 x 340 mm). . Contents: Title with additional silkscreen colour, 23 leaves of text illuminated with colour silkscreens, colophon. From the deluxe edition limited to 80 copies, signed and numbered in pencil on the verso of each folded sheet by the artist.

London.: Sims Reed Ltd., 2006.. Wrappers.. Square 4to.. Illustrated throughout in colour. A catalogue raisonné of the Pop artist Gerald Laing's prints and multiples.

London.: Sims Reed Ltd., 2006.. Cloth-bound, dust jacket.. Square 4to.. Illustrated throughout in colour. A catalogue raisonné of the Pop artist Gerald Laing's prints and multiples.

Paris.: G[uy]. L[évis]. M[ano]., (1966).. Original publisher's printed wrappers with titles to front cover and spine in black.. 8vo. (194 x 146 mm).. Half-title with publisher's copyright verso, leaf with original signed etching by Wifredo Lam as frontispiece verso, printed title, leaf with dedication to René Char and Fourcade's verse, 'Table' and final leaf with achevé d'imprimer and justification. Dominique Fourcade's 'Lessive du Loup' with Wifredo Lam's original signed etching.From the edition limited to 523 copies, with this unopened copy from the édition de tête of 55 copies on vélin d'Arches with the original etching by Lam signed in pencil as frontispiece; the remaining 460 copies (apart from 8 hors commerce) were issued without the signed frontispiece.Lam's etching was printed in Paris by Georges Leblanc.

Geneva.: Galerie Krugier & Co., 1963.. Loose as issued in original wrappers with colour lithograph illustration by Lam to front and rear covers.. Folio. (325 x 246 mm).. Introductory text and list of 'Principales expositions' to inner front wrapper, bifolium of crystal paper with printed text concerning the edition and list of 'Ouevres exposées', double-page lithograph recto only and two bifolia with double-page colour lithographs recto and monochrome lithographs verso, rear inner wrapper with details of the publication; six original lithographs in total including that for the wrapper. Sheet size: 325 x 490 mm. A single issue of 'Suites' with original lithographs by Wifredo Lam.'Ces lithographies originales de Wifredo Lam, composées à l'occasion de son exposition à la Galerie Krugier & Cie à Genève, ont été mises sur pierre par l'artiste et tirées sous sa direction dans l'atelier de Emile Matthieu à Zurich.' (From the text).

London.: Karsten Schubert., 1991.. Wrappers, staple-bound.. 4to.. Colour illustrations. Published in an edition of 1,000 copies.

San Francisco.: William Doxey., 1895 – 1897.. Original publisher's pictorial brown cloth, and brown, titles in black to front boards and spines and with colour vignettes (by Gelett Burgess for vol. I & Florence Lundborg for vol. II) to front covers.. 25 issues in 2 vols. 8vo. (206 x 144 mm). (Book I, Nos. 1 - 12; Book II, Nos. 13 - 24 + Epilark issue).. Titles, contents leaves and printed text in English and illustration on newsprint stock throughout, illustration including woodcuts mostly by Gellett Burgess, but also some by Florence Lundberg, Ernest Peixotto, Willis Polk & Reginald Rix, tipped-in plates on smooth glossy stock, occasional deckle edges; issue 4 printed in green, issue 7 on thick, fibrous paper, issue 8 onward printed recto or verso only, all issues in vol. II with prospectus bound before issue, many in colour. A complete series of the humorous, innovative and occasionally proto-Surreal 'The Lark' in the publisher's cloth bindings.The first edition, second issue with the Doxey… Read More

Paris.: Editions M.-P. Tremois., 1928.. Loose as issued in publisher's wrappers, patterned paper board chemise and slipcase.. Folio.. With 5 coloured lithographs mounted in passepartout. Marie Laurencin's charming illustrations for this 17th-century fairy tale.From the edition limited to 480 copies.The illustration consists of five superb large format colour lithographs printed on chine paper, after crayon drawings by Marie Laurencin.

Paris., 1942.. Original publisher's printed wrappers.. Large 12mo.. Frontispiece engraving, designed and engraved by Henri Laurens and signed 'HL' in the plate, printed in 5 different colours. An exceptional copy of Eluard's 'La Derniere Nuit' with illustrations by Laurens. From the edition limited to 65 numbered copies signed by the artist and poet, with this one of 53 on vélin d'Arches.An excellent copy with the suite by Laurens printed in 4 different colours: Blue, brown, grey / black and ochre.A clandestinely printed edition, intended for the trusted friends of the artist, Henri Laurens, and the poet, Paul Eluard. La Dernière Nuit consists of seven 'poèmes de résistance' denouncing oppression allied with Laurens' powerful frontispiece.

Provincetown, Mass.: Paul Smith., 1935.. Original publisher's stapled wrappers, titles and decoration in blue to covers.. 8vo. (216 x 146 mm).. Foreword and 11 original linocuts by various artists, each printed recto only and with facing descriptive text. An exceptional copy, inscribed by Blanche Lazzell and with her original contribution signed in ink.The foreword by Mrs Harold Haven Brown (the artist Florence Bradshaw) and Paul Smith (the publisher of the present volume) states 'the impressions you hold in your hands were made directly from the artist's block without any interference from modern photo-engraving'.The artists represented in the catalogue are: Tod Lindenmuth; Kal Knaths; Chas. Kaeselau; Oliver Chaffee; Blanche Lazzell; Agnes Weinrich; V. B. Rann; Saul Yalkeert; Shelby Shackelford; E. R. Eeuler; and Ada Gilmore.This exceptional copy with a presentation in blue ink at the foot of the first leaf: 'To Martha Frances Sellers / from Aunt Pet (Blanche Lazzell) / Happy Birthday in… Read More

Paris.: Chez le Sieur le Rouge., 1776 - 1787.. Later calf-backed marbled boards, spines with gilt decoration and original black morocco and calf title labels retained, all edges speckled red, cahier V in original blue marbled paper-backed marbled boards.. 3 vols. 20 parts in 2 vols. Folio. (435 x 290 mm). + 1 part in 1 vol. 4to. (279 x 234 mm).. (Cahier V, issued separately - see below); vol. II: Cahiers XIII - XXI; vol. III: Cahier V. Cahiers I - IV - 109 engraved plates (including engraved index leaves). Cahier V: pp. 20 + 20 plates. Printed title with publisher's vignette, 'Table' verso, 2 leaves with 'Préface' and Chambers' text in French, final leaf with 'Approbation' and 'Privilège' at conclusion of text, with 20 double-page engraved plates, text and plates mounted on tabs throughout. Cahiers VI - XXI - 357 engraved plates (including engraved index leaves), cahier X with 11 plates as issued plus the additional 2 large folding plates. Various sheet sizes, numerous folding plates. Cahier II… Read More

London.: Richard Bentley., 1851.. Original blind-stamped blue cloth, rebacked, with the original rubbed and faded backstrip laid down. Some minor foxing throughout, generally not affecting image.. 8vo.. Frontispiece map and 20 tinted lithographic plates printed by Hullmandel and Walton. William Holman Hunt.'s copy of the first edition with a from Lear.The inscription is dated August 30th 1852 and was written at Clive Vale Farm in Hastings. Lear was in fact living with Hunt at Clive Vale during the second half of 1852, during which time he was to meet other members of the Pre-Raphaelite brotherhood.The notes for this volume were collected during two journeys through Northern and Western Greece, Albania, and Macedonia in 1848 and 1849. Lear visited Corfu in 1848 then travelled to Constantinople with Sir Stafford and Lady Canning, and on his return overland from Salonica he visited Macedonia and Albania. The second journey saw Lear return to Albania, as well as taking in Epirus and Thessaly. The… Read More

(Paris)., 1897.. Single sheet. (240 x 310 mm).. Monochrome lithograph by Henri Lebasque with printed text in black. Original lithograph program by Henri Lebasque for the Théâtre de L'Oeuvre, published in the journal 'La Critique.'

Paris.: Galerie 1900 2000 Marcel Fleiss., 1991.. Invitation card (140 x 147 mm).. Invitation card to the opening of the exhibition Jean Jacques Lebel Oeuvres Des Années 60 à 90 at Galerie 1900 2000 Marcel Fleiss on the 6th of June 1991. The exhibition ran from the 6th of June to the 25th of July 1991.