Search Results: Authors starting with I from Foldvaribooks

En Madrid: en la Imprenta Real de la Gazeta, 1768. First edition. In 19th century, printed, yellow paper. Untrimmed, thus pages chipped. Stains occasionally. Corners bumped. Binding worn, torn. Overall in very good condition.. First edition. In 19th century, printed, yellow paper. [8] XXVIII, 172 p. Scarce first edition of this important text related to the suppression of the Jesuits in South America, a collection of documents illustrating the history of the last years of the Jesuit missions in Paraguay and Marañon. A thorough and important compilation of documents related to the effects of the Treaty of Madrid of 1750, and the Guaraní War, which events later proved to be the beginning of the Jesuit's debacle in the Spanish colonies. The Treaty of Madrid was an agreement between Spain and Portugal which, besides other aspects, was an attempt of the Spanish Crown to eliminate the economic threat of the contraband trade around the Ríó de la Plata area by exchanging lands and establishing new… Read More

Paris: Galerie graphique Thésée, 1949. In very good conditions. 4 p. 11x 15 cm. With an invitation to Georges Ribemont Dessaignes for Boustrophédon au miroir (1971).

[Budapest]: [MKKE sokszorosító üzem], 1981. First edition. Mimeographed, illustrated pamphlet. Paper yellowed, otherwise in fine condition.. First edition. Mimeographed, illustrated pamphlet. 8 p. Illustrated concert program of the first reunion concert of the Illés-band. Illés-band was the most popular Hungarian beat band, founded in 1960 and was active until 1973. This 1981 live show was their first reunion concert, accompanied by Zsuzsa Koncz, and the bands Fonográf and the Tolcsvay & Trió. .

Paris and Moscow: Zorna (Union; J. Povolotzki & Cie), 1920. First edition. One of 150 copies, printed on Vieux Chine paper (this an unnumbered, out-of-series copy) of a total edition of 1150. In publisher's decorated wrappers. Mikhail Larionov's collection stamp on front cover. Foxing to wrappers and on some pages, effects mostly only the edges. Untrimmed. Overall in very good condition.. Cover, title-page, initials, headings, endpieces and the 2 full page woodcut illustrations by Natalia Goncharova, each printed in red and black.. Cover, title-page, initials, headings, endpieces and the 2 full page woodcut illustrations by Natalia Goncharova, each printed in red and black. First edition. One of 150 copies, printed on Vieux Chine paper (this an unnumbered, out-of-series copy) of a total edition of 1150. In publisher's decorated wrappers. 69, (7) p. First edition of Mikhail Tsetlin's poems, with Natalia Goncharova's woodcut illustrations. This copy belonged to Goncharova's lifetime companion,… Read More

1976. In very nice original leather, in original box. In mint condition. In very nice original leather, in original box. 3 blank, 1 p.m 3 plate, 3 blank. We couldn't find other copy of this private edition. Illustrated with signed cuts by Vieira Da Silva, Camille Bryen, Jean Hugo. All are numbered (9/13). Published probably for an event.

[Nymburk]: [M. Hrádek], 1945. First edition. In publisher's colored, illustrated portfolio, with the list of the titles of the 12 illustrated plates. Portfolio artistically restored. Leaf of introduction yellowed due to aging. The portfolio and plates are moderately dusted, light stains here and there. Plates slightly bumped, dog-eared. Otherwise in very good condition.. First edition. In publisher's colored, illustrated portfolio, with the list of the titles of the 12 illustrated plates. 1 sheet of one page printed foreword. 12 plates of which five are printed in red and black. Scarce Czech portfolio with twelve anti-fascist cartoons. Published in 1945, after the liberation of Prague. Contains twelve political cartoons, mocking Adolf Hitler and the leaders of Nazi Germany and the Axis powers. Scarce, we could trace only two copies in institutional holdings worldwide. (Czech National Library; Drew University, Madison NJ.) .

Paris: Éditions des Chroniques du jour, 1929. First edition. Signed copy. Limited, numbered (1/185/200). In later cloth-covered folder, with printed title vignette on the front panel. Each plate numbered in the verso. Browning to outside of first and last pages. ALmost condition.. First edition. Signed copy. Limited, numbered (1/185/200). In later cloth-covered folder, with printed title vignette on the front panel. (4) p., and 20 plates (10 coloured pochoir plates and 10 plates of poems). Page size: ca. 305 × 420 mm. Composition size varies, approx. 220 × 290 mm. István Farkas' scarce modernist portfolio which he created together with the French art critic and poet, André Salmon. The portfolio, which was titled after Baudelaire's poem of the same title, contains the reproductions of ten tempera paintings by the Hungarian painter, István Farkas, (1887-1944) along with the reproductions of the manuscripts of André Salmon's poems, which he wrote for Farkas's pictures. Farkas created the… Read More

Budapest: Foto Optika, 1970. First edition. In original paper. In fine condition.. First edition. In original paper. 32 p. Rare exhibition catalogue of , the two important Hungarian artist Bak and Konkoly. Printed in 500 copy.

Budapest: Emich, 1863. In bit later half leather binding. Binding is worn. 54 / 5000 Fordítási találatok With contemporary inscriptions, underscores, comments.. In bit later half leather binding. 218 p. Second edition. Perhaps the most significant piece of Hungarian drama literature, it first appeared in January 1862 (on the title page dating back to 1861). János Arany, asked Károly Szász to make a detailed analysis and critique of the drama after the first edition was published. As a result, Madách made further improvements to the text and the second edition had already come to light with these changes. This, the last version published in the poet's life, has served as the basis for all subsequent communications ever since.

1976. First edition of the first number (all published). Black and white xeroxed fanzine, printed only on versos. Barely visible damage to title page, brown stain to last page verso. Overall in fine condition.. First edition of the first number (all published). Black and white xeroxed fanzine, printed only on versos. 29 × 20,5 cm. Scarce punk fanzine named after The Clash's song "London's Burning" from their debut album. Edited and written by John Ingham music journalist, known as one of the first journalist to champion the punk music movement, and writing the first interview with the Sex Pistols and the first review of The Clash.

Berlin: Phoebus-Film A.-G, 1923. First edition. Text in German. In publisher's black buckram, printed in red. Contemporary bookseller's stamp on the inner front panel. Cover very slightly rubbed at extremities, inside in near mint condition.. Each leaf with a mounted photographic (11) or textual (5) printed sheet.. Each leaf with a mounted photographic (11) or textual (5) printed sheet. First edition. Text in German. In publisher's black buckram, printed in red. (16) cardboard leaves. Official movie scrapbook of the 1923 silent film Scaramouche, illustrated with 11 stills from the movie. Scaramouche is a costume adventure silent film of 1923, directed by Rex Ingram and starred by Ramón Novarro, Alice Terry, Lewis Stone, and Lloyd Ingraham. Its story based upon Rafael Sabatini's 1921 historical novel under the same title, about a young lawyer's romantic adventures during the French Revolution. .

[Paris]: [Imp. Pillet], 1867. First edition. In publisher's half cloth, with printed title on front panel. Endpaper and first leaves discolored due to the acidic paper. Notes in ink on front panel, by a contemporary neat hand. Prices added by the same hand in ink to each item. In fine condition.. First edition. In publisher's half cloth, with printed title on front panel. [3] IV-V [4] 10-23 [1] p. Scarce catalogue of on of the earliest posthumous sale of Ingres's works. The sale was held on April 27, 1867, and included sixteen works belonging to Ingres's widow, as well as the Odalisque with a Slave, owned by Charles Marcotte d'Argenteuil's heirs. All prices indicated in ink by a contemporary hand. .

Paris: Gallimard, 1959. Presentation copy, inscribed by Ionesco to Madame Armand Carlier. In publisher's printed wrappers. With bookplate on half title. In fine condition.. Presentation copy, inscribed by Ionesco to Madame Armand Carlier. In publisher's printed wrappers. 256, (8) p. Inscribed copy of Ionesco's absurd dramas. Beside other pieces it contains "L'Impromptu de l'Alma", "Tueur sans gages" (The Killer) the first of Ionesco's Berenger play, "Le nouveau locataire" (The New Tenant). .

[S. l.]: [S.n] (Révai-Kunossy), 1934. Lithograph poster. Traces of mounting on recto. Otherwise in fine condition.. Lithograph poster. Ca. 175 × 235 mm. Advertisement poster for Lampart, a brand of domestic appliances, made by István Irsai.

Budapest: Magyar Zsidók Pro Palesztin Szövetségének Kolonizációs Keren Kayemeth Leisrael Szakosztálya, 1941. First edition. In publisher's photographically illustrated wrappers. Illustrated with photographs and photomontages throughout. Cover design and illustrations by István Irsai. Bumped at corners. Small tears to pages and wrappers. Overall in very good condition.. First edition. In publisher's photographically illustrated wrappers. Illustrated with photographs and photomontages throughout. Cover design and illustrations by István Irsai. (16) p. Scarce photographic Zionist propaganda pamphlet from the early 1940s. Zionist propaganda publication, designed and illustrated by István Irsai (Pesach Ir-Shay; 1896-1968), the Hungarian born modernist graphic artist and designer. Irsai made aliyah in 1944 and became famous in Israel for his modernist-constructivist graphic designs and posters.

[Tel-Aviv]: [Tel Aviv Municipality], 1952. Original, vintage poster. Text in Hebrew. Color lithograph printed by A Kofman and Co. Artistically restored. Barely noticeable traces of folding. In fine condition.. Original, vintage poster. Text in Hebrew. Color lithograph printed by A Kofman and Co. 625 × 468 mm. Original, vintage advertising poster of the Tel Aviv Municipality, designed by Pesach Irsai. István Irsai (Pesach Ir-Shay or Pesach Irsai; 1896-1968) was a Hungarian-born modernist graphic artist, architect and designer. He made aliyah in 1944 and became famous in Israel for his modernist-constructivist graphic designs and posters. Irsai also designed stage sets in theatres as well as Bauhaus style houses and is also known as the designer of the sans serif Hebrew typeface Haim named after Bialik. .

Budapest: Nepszava, 1919. First Hungarian edition. In original wrappers. In fine condition, uncut. Small tear on the back cover.. First Hungarian edition. In original wrappers. 80 p.

Troyes: Chez Baudot, Imprimieur-Libraire, 1832. First edition in French. Title page with a woodcut illustration. In publisher's illustrated wrappers. Edges chipped. Rear wrapper and last page slightly damaged. Overall in good condition.. First edition in French. Title page with a woodcut illustration. In publisher's illustrated wrappers. 32 p. First French edition of the story of the "Legend of the Moor's Legacy" that was published first in 1832 in Washington Irving's collection of essays the "Tales of the Alhambra". The book was concurrently published in London, Philadelphia and Paris, and this story most likely have been pirated from the latter edition, translated into French and published in such format. The unrecognizable title and the lack of the author's name on the wrappers and the title page also implies this, however the author's name could be found at the end of the book, with a typo "Wasington Irving". Scarce book, WorldCat locates no copies in institutional holdings, however we could… Read More

Krakow: [Krakowska Spólka Wydawnicza.] Krakowska Spółka Wydawnicza, 1924. First edition. In publisher's illustrated wrappers, designed by Lucjan Kobierski. Unopened. Pages yellowed due to acidic paper. In fine condition.. First edition. In publisher's illustrated wrappers, designed by Lucjan Kobierski. 238, [2] p. The leading piece of Polish 1920s film criticism, featuring Lucjan Kobierski's expressionist cover design. Karol Irzykowski's Dziesiąta Muza is considered as the "first original work and the crowning accomplishment of prewar Polish film theory" (Haltof, 2002). Irzykowski (1873-1944) was one of the most important figures in the Polish literary scene as a critic and writer. Haltof, M.: New York; Oxford: Berhahn Books, 2002. Polish National Cinema. p. 17. .

Brno: Privately published (printed by Zár), 1946. First edition. Printed in only 100 copies. In publisher's photographically illustrated wrappers by Milos Korecek. In fine condition.. Typographical design by Vilém Reichmann. Illustrated with 5 reproductions.. Typographical design by Vilém Reichmann. Illustrated with 5 reproductions. First edition. Printed in only 100 copies. In publisher's photographically illustrated wrappers by Milos Korecek. 16 p. Illustrated brochure of the Czech surrealist RA Group with five full page reproductions. The RA Group evolved from the circle of the younger surrealist artists around Karel Teige in the pre-war Czechoslovakia and after the war, in 1948 it was banned by the Communist authorities. This brochure "p. f. 1947" is the fifth publication of RA and one of the scarcest, as it was printed in only a hundred copies. It contains texts by Ludvik Kundera and Zdenek Lorenc, and illustrations byJosef Istler, Václav Zykmund, Bohdan Lacina, Vilém Reichmann and… Read More