Search Results: Authors starting with H from Division Leap, ABAA

Girard, Kansas: Haldeman-Julius, 1923. First edition. 24mo (5 x 3 1/2"), saddle-stapled wraps. Gibbs 334, first edition, in the first state for both contents and wrapper. Collects two eccentric stories written by the husband and wife team, which first appeared in Atlantic Monthly and here appeared under the authors' own imprint, the Five Cent Pocket Series, which was a predecessor to their Little Blue Books series. Very good with minor toning to extremities.

San Francisco: Hermes Free Press, nd. 5 3/4 x 11 1/2 broadside, letterpress printed in Linotype Aldus with ornamental rule on recycled paper. A powerful poem by the African American poet. This is the variant on light green paper. Fine. [Johnston p. 182].

Memphis, TN: Mid-South Fantasy Association, 1971. 4to, 22 pp. [note: illustration plates are not included in pagination], mimeographed from typescript and drawing and side-stapled. Second issue of the Science Fiction fanzine out of Memphis, of 3 issues published. The zine would be followed by Ptah. This issue notable for including the article "The Negro in Science Fiction", by Dr. John Beifuss, as well as fiction, poetry, and artwork by the editors and Tom Foster, Mary Ann Banker, Pamela Caruthers, John Williamson et al. Very good with some minor toning and some unnecessary cellotape reinforcement at spine.

London: Night Scene Publications, 1965. First edition. 4to, 40 pp, mimeographed from typescript and side-stapled in illustrated wrappers by Nick Tydnam. With errata sheet laid in. One of 200 copies. Debut issue of one of the best little mags of the decades, which included not only work from the New York School, but also from the artists around Warhol's Factory, musicians, and literature in translation This issue is notable for printing John Ashbery's poem The Ecclesiast, before it appeared in Rivers & Mountains later that year. It also includes work by Tristan Tzara in translation by Harwood, Barry Miles. John Newlove, Gerard Malanga, Peter Ruppell, Michel Couturier, Max Jacob, Dom Huédard, Brian Patten, Christ Torrance, Dave Cunliffe, Ken Weaver (of the Fugs), George Dowden, Paulm Evans, and Lionel Kearns. Bumping to tips, with some short tears at spine, and a closed 1 1/2 " tear to back cover, else a very good, sturdy example.

San Francisco: Ahab Press of Jackson Square West, 1963. First edition. Oblong 8vo, unpaginated, mimeographed from typescript and side-stapled into printed wrappers, with a leaf of handmade paper with a hole burned into it so the title can be read through, as issued. "Since this work will express the notion that jack green and William Gaddis are the same person, and that Job and Jehovah are two renderings of the same name and therefore represent two aspects of the same reality, and other such hopeful corrections of intellectual double vision, it should be made clear at the beginning that the common muse of the famous writers Henry Miller and Lawrence Durrell is not to be understood as one ordinary woman named 'Eve...'" From the prolog (sic). A clean, near fine example bumped at the tips, with some offsetting to title and dedication pages and inside front cover from the leaves found in the handmade paper.

[Groningen]: Artistiek Bureau, 2021. First edition. One of an edition of 250 copies. 12mo, 24 pages, printed in two colors, and bound in sewn wraps illustrated by Natalia Simal. Book design by Martien Frijns. New from the publisher. 'When I first came to Amsterdam, it was beautiful but dead. All these beautiful people, with nothing to do.' New from our friends at Artistiek Bureau comes this gorgeously designed, first publication of a lost text by Piero Heliczer, discovered in the correspondence of the Dutch poet Harry Hoogstraten. The text was writtin in the summer of 1977, when Heliczer was forced to leave his houseboat and Amsterdam and return to Paris. In this uncertain time this short, beautiful text was born, both a a farewell to Amsterdam and a brave greeting to the unknown, with passing reference to Hugo Bart Huges, Ted Joans, Allen Ginsberg, Provo, and the Kabouters. Recommended.

np: rif Press, 1972. First edition. 8vo, saddle-stapled wraps. One of a limited edition of 125 copies, printed by Wesley Tanner and distributed privately as a Christian greeting. The text consists of fragments from the poem cycle of the same name, here printed with permission of Norman Holmes Pearson. Toning and soiling to wraps, with some minor indenting, else very good.

Toronto: Spider Plots in Rat-Holes, 1985. 3 1/2 x 4 1/4" booklet, [4] pp, stapled into rubberstamped wraps with an illustrated pastedown to cover. One of a limited edition of 100 copies. Concrete poetry. Fine.

np: Finger Printing Inkoperated, nd. Single card, folded once to 3 x 4". One of a limited edition of 50 copies, published as Feetprints #3. fibne.

Baltimore: The Hopkins Science Fiction Association, 1975. 4to, 11 pp, photo-mechanically reproduced on rectos only. Side-stapled. A collection of songs published on the occasion of Balticon 9, with a nicely designed, minimalist cover. An early publication from HopSFA, which was charted the year prior, and which grew out of the Amber Society, which included Roger Zelazny. Includes a superb computer poem about an IBM 360/85 by Robert Osband. OCLC locates no holdings. Very good with some light toning and foxing.

Leipzig: Johann Ambrosius Barth, 1910. Leipzig: Johann Ambrosius Barth, 1910. The third, expanded, and first public edition. 8vo, vii, 234 pp. Bound in violet paper covered boards with titles stamped in white. Foreward by Ernst Mach. With the ownership signature of Wely v. Döring to title page, and on the fep a full page inscription to him from his uncle, with reference to Schopenhauer. On the title page a quote from Benjamin is written in red ink in a different, unknown hand. The Benjamin passage written on the title page is from his letter to Carla Seligsohn on September 15, 1913. Boards faded at extremities, with a bump to upper tip of front board. Very good.

London: Kropotkin's Lighthouse, 1973. 4to, dittoed in various colors entirely from holograph. Side-stapled in wras along top edge, backed with wrapping tape. Second, enlarged edition. One of 200 numbered copies. A collection of poetry, many of them on anarchist themes, published by Kropotkin's Lighthouse, care of Housmans' book shop. A light horizontal bend to front cover, tape backnig lifitng a bit, but very good.

Berkeley: Ecology Action Educational Institute, 1969. 4to, saddle-stapled wraps. Profusely illustrated. The debut issue, and only issue published under this title of the early ecological journal, which would soon rename itself as Ecology Action and cease shortly thereafter with Vol. 2, No. 2. Stephen Kimmel was the art director, and rthe journal is well-designed and illustrated, with some super photography from Jerry Takigawa, Charles Carter,Jr., and Chris Knowles. It includes poems by Mimi Akers and d. mondenshein, Three essays by Eugene Anderson entitled Notes from the Bio-Sphere, illustrated with photographs, an essay on Pelicans and their struggles with pesticides by Mimi Akers, An Open Letter to Gulf Oil by E. N. Anderson, Catherine Shaw, Clifford C. Humphrey, Otis Dudley Duncan, et al. A couple faint traces of soiling to wraps else fine. OCLC locates only a single holding under this title, and scattered holdings of Ecology Action.