Search Results: Authors starting with H from Edward T. Pollack Fine Arts

Haak, Ken. (Haak, Ken). SLEEPING BEAUTIES by Ken Haak. St, Martins Press, 1984. Folio, cloth, DJ, photos. Fine in Fine DJ.

Habben, Franz-Jurgen. Habben, Franz-Jurgen. STRANDGUT (FLOTSAM AND JETSAM; WAIF). Etching in colors, 1970s. Artist's Proof (edition size not known). Titled, inscribed "Probe" and signed in pencil. 16 1/2 x 11 1/2 inches, 419 x 293 mm. In excellent condition.

Habben, Franz-Jurgen. Habben, Franz-Jurgen (Genrman, born 1943). GEVOLLEWINE. Lithograph in colors, 1973. Artist's proof (edition size not known). 13 1/2 x 15 inches, 342 x 381 mm. (image), 17 x 24 inches, 432 x 610 mm. (sheet). Titled, inscribed "EA," dated, and signed in pencil. In excellent condition.

Habben, Franz-Jurgen. Habben, Franz-Jurgen. DAS KARUSELL NEPTUNS (NEPTUNE'S CAROUSEL). Etching, 1970s. Artist's Proof (edition size not known). Titled, inscribed "EA" and signed in pencil. 15 3/8 x 12 7/8 inches, 391 x 328 mm. In excellent condition.

Habben, Franz-Jurgen. Habben, Franz-Jurgen. DER MORGEN (MORNING). Etching with handcoloring, 1970s. Artist's Proof (edition size not known). Titled, inscribed "Probe/Handkoloriert" and signed in pencil. In excellent condition. 12 x 18 3/4 inches, 305 x 475 mm. (image) 20 5/8 x 30 3/4 inches, 525 x 782 mm. (sheet). A small tear and some wrinkling at the extreme left edge, and a few light foxing spots in the margin, else in Excellent condition.

Habben, Franz-Jurgen. Habben, Franz-Jurgen. STRAUSSENLIEBE (OSTRICH LOVE). Etching with handcoloring, 1970s. Artist's Proof (edition size not known). Titled, inscribed "Probe" and signed in pencil. 20 3/8 x 11 1/2 inches, 520 x 293 mm. (image), 30 3/4 x 20 3/4 inches, 781 x 528 mm. (sheet). In excellent condition.

Habben, Franz-Jurgen. Habben, Franz-Jurgen. IST DAS HELDENTUM? (IS THIS HEROISM?). Etching, 1970s. Artist's Proof (edition size not known). Titled, inscribed "EA" and signed in pencil. 19 3/4 x 11 1/2 inches, 503 x 293 mm. (image), 30 3/4 x 20 3/4 inches, 781 x 527 mm. (sheet). In excellent condition.

Habben, Franz-Jurgen. Habben, Franz-Jurgen. ALLES IST VERGANGLICH (EVERYTHING IS TRANSITORY). Etching, 1970s. Artist's Proof (edition size not known). Titled, inscribed "EA" and signed in pencil. 15 3/8 x 11 1/8 inches, 391 x 283 mm. In excellent condition.

Habben, Franz-Jurgen. Habben, Franz-Jurgen. STILLEBEN (STILL LIFE). Etching in colorsa, 1970s. Artist's Proof (edition size not known). Titled, inscribed "EA" and signed in pencil. 13 x 8 3/8 inches, 355 x 212 mm. In excellent condition.

1932. Hackin et al, J. ASIATIC MYTHOLOGY. Harrap, London, 1932. Lg. 4to., cloth, 460pp., profusely illustrated in b/w. VG

Haden, Framcis Seymour. SHERE MILL POND, NO. II. Schneiderman 37. Etching and dryoint, 1860. The Sixth state of Nine. Signed and dated in the plate. 7 x 12 7/8 inches, 177 x325 mm. (plate).

Haden, Francis Seymour. THE MOAT HOUSE, SONNING. S.93, H.114. Etching and drypoint, 1865. The published state, used as the frontispiece for Haden's "About Etching," 1879. Signed in pencil, and with the collector's stamps of Neal Green. 5 1/2 x 8 3/8 inches, 138 x 213 mm. (image); 9 1/4 x 12 inches (sheet). In excellent condition.

Haden, Francis Seymour. Haden, Francis Seymour. BATTERSEA REACH. Etching and drypoint, 1863. S.48, H.52. Sate ix of xii, with the monkey holding a sword, and the dedication to Burty, lower right. Signed and titled in the plate, dedicated "a Burty," near the platemark, lower right, and signed in pencil in the margin, lower right. 5 7/8 x 8 3/4 inches. A strong, sharp impression on laid paper. In very good condition.

Hadzi, Dimitri (American, 1921-2006). SCULPTURE STUDY. Woodcut, 1976. Edition of 75, titled, signed, dated, and numbered 57/75, all in pencil. 4 3/4 x 18 1/2 inches (image), plus margins. Framed to 11 1/2 x 24 1/2 inches. Provenance: Barney and Mim Berliner, Brookline, Massachusetts. In excellent condition.Hadzi was a sculptor whose work might best be described as abstract expressionist. He taught studio arts at Harvard. from 1975 to 1989. His large sculpture "Thermopylae" is the focal artwork outside the Kennedy Federal Office Building in Boston.

1963. Nolde, Emil. (Nolde, Emil). EMIL NOLDE - UNGEMALTE BILDERN by Werner Haftmann. Cologne, 1963. 4to., cloth, DJ, 39pp text plus 40 color plates. VG/VG

Nay, E. W.. (Nay, E. W.). E. W. NAY by Werner Haftmann. Dumont Scauberg, Koln, 1960. Square 4to., pictorial cloth, DJ, publisher's cardboard slipcase, 268pp., text in german, illustrated in color and b/w. Fine/Fine.

1984. Chagall, Marc. Chagall, Marc. MARC CHAGALL - GOUACHES, DRAWINGS, WATERCOLORS by Werner Haftmann. Abrams, NY, 1984. Cloth, DJ, 210pp., 76 plates, 42 in color. F/F

Hague, Michael. HAPPY BIRTHDAY ANNE. Ink and Watercolor, not dated, but likely 1970s. Initialed "M.H." in ink within the image, and inscribed, within the image, upper left, "Happy Birthday Anne! O! I just love your monkey tails." The image is of a naked baby. White paper mounted to card, the image 6 1/2 x 4 inches, the sheet, 10 x 8 inches. A crease, forming a 1 x 2 inch triangle, upper right, well away from the image, else in excellent condition.

Haig, Axel Herman. Haig, Axel Herman. A MOORISH ARCHWAY, TOLEDO. A.38. Etching, 1884. 8 1/2 x 14 inches; 216 x 355 mm. Edition of 300. Signed in pencil. A brilliant impression in excellent condition except for a repaired hole in the margin just outside the platemark.

1888. Haig, Axel Herman. Haig, Axel Herman (Sweden, 1835-1921. STOCKHOLM: THE FLOATING MARKET (Armstrong 61, illustrated following page 106). Etching, 23 3/4 x 15 3/4 inches; 605 x 400 mm. Edition of 350. Signed in pencil lower right. A magnificent impression of this extraordinary print, printed in umber. In excellent condition. Very nicely framed, with new archival matting. "A view of Stockholm Harbour, with the floating market being conducted on rafts and boats in the foreground...and the background is formed by houses rising one above the other on the hillside, while above all is the lofty dome of the Church of St. Catherine. This subject...forms one of the most striking of Mr. Haig's etchings of his native country. It is one in which he has introduced many figures, the busy life of the floating market being in reflective contrast with the tranquil dignity of the background." (Armstrong, Axel Herman Haig and His Work, London, 1905).