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1833. Mezzotint. 570mm by 445mm (frame). Field Marshal Henry Hardinge, 1st Viscount Hardinge, GCB, PC was a British Army officer and politician. After serving in the Peninsula War and the Waterloo Campaign he became Secretary at War in Wellington's ministry. After a tour as Chief Secretary for Ireland in 1830 he became Secretary at War again in Sir Robert Peel's cabinet. He went on to be Governor-general of India at the time of the First Anglo-Sikh War and then Commander-in-Chief of the Forces during the Crimean War. Framed in an antique black and gilt frame with old glass. Remounted at a later stage. Some overall toning, one faint mark in background.
Search Results: Authors starting with E from Sebra Prints
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Henry Hardinge, 1st Viscount Hardinge of Lahore
by Charles Turner (1773-1857) after Eden Upton Eddis
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Mungo Park
by William Ridley after H Ederidge
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1799. Stipple engraving. 160mm by 110mm (platemark). Mungo Park (1771-1806) was a Scottish explorer of the African continent. He was the first Westerner known to have travelled to the central portion of the Niger River. From the 'European Magazine'.A few small spots within the platemark.
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The Discovery, Convict Ship (Lying at Deptford)
by Edward William Cooke, R.A. (1811 -1880)
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1829. Wood-engraving with original hand-colouring. 425mm by 335mm (sheet). 'The Discovery, Convict Ship (Lying at Deptford), The Vessell, which accompanied Capt. Cook, on his last voyage.' Cooke was an English landscape and marine painter. In 1829 he produced a series of etchings on copper of ships, boats, yachts and barges of the early 1800s.
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The Bull & The Cow and Calf
by J Scott after Sydenham Edwards
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1807. Copper-line engraving. 270mm by 210mm (sheet). Early 19th century engraving from Ree's Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic Garden 1805-7, New Flora Britannica 1812, and The Botanical Register 1815-19. He also provided drawings for encyclopaedias such as Pantologia and Rees's Cyclopaedia.
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Long-Horned or Lancashire Breed
by J Scott after Sydenham Edwards
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1807. Copper-line engraving. 270mm by 210mm (sheet). Early 19th century engraving from Ree's Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic Garden 1805-7, New Flora Britannica 1812, and The Botanical Register 1815-19. He also provided drawings for encyclopaedias such as Pantologia and Rees's Cyclopaedia.
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Charles, Earl of Liverpool (Lord Hawkesbury)
by Ridley and Blood after Eldridge
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1808. Stipple engraving. 165mm by 110mm (platemark). Charles Jenkinson, 1st Earl of Liverpool PC (1729 - 1808), known as Lord Hawkesbury between 1786 and 1796, was a British statesman. Portrait engraving from 'The European Magazine'.Faint indentation in image. Faint foxing outside platemark.
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Vanity Fair Doctor - Bones
by Elf
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1909. Chromolithograph. 380mm by 260mm (sheet). Vanity Fair medical portrait of HA Barker, who was recognized for his 'admirable methods of dealing with injured and deformed joints'. Accompanied by original descriptive text.
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Vanity Fair - The Hon. Stephen Coleridge
by ELF
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1910. Hentschel-Colourtype. 400mm by 265mm (sheet). Anti-Vivisection'. Stephen William Buchanan Coleridge (1854-1936) was an English author, barrister, opponent of vivisection, and co-founder of the National Society for the Prevention of Cruelty to Children.
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Vanity Fair Doctor - A Great Surgeon
by ELF
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1910. Chromolithograph. Vanity Fair medical portrait of Sir John Bland-Sutton FRCS (1855-1936). He was a surgeon at Middlesex Hospital, London, and devoted himself especially to pelvic operations upon women. In 1886 he became assistant surgeon to the hospital for women. At the Royal College of Surgeons he won the Jacksonian prize in 1892 with his essay on diseases of the ovaries and the uterine appendages, their pathology, diagnosis and treatment. Short tear at the bottom of the sheet.
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India - Benares
by Heath after T Boys after Capt. R Elliot
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1835. Steel engraving. 170mm by 245mm (platemark). From 'Views in India, China, and the Shores of the Red Sea; Drawn by Prout, Stanfield, Cattermole, Purser, Cox, Austen, &c. From Original Sketches by Commander Robert Elliott, R.N.' Some foxing, mainly outside the image area.
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Macropus Parryi (Whiptail Wallaby)
by William Home Lizars (1788-1859) (engraver)
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1841. Engraving with original hand-colouring. 100mm by 165mm (sheet). From G. R. Waterhouse's Natural History of Marsupialia, or Pouched Animals, a volume in Sir William Jardine's "Naturalist's Library," published by Lizars, Edinburgh, 1841.
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Abitatori della Nuova Olanda
by Rosaspina (engraver)
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1830. Aquatint with hand-colouring. 135mm by 220mm (sheet). An Italian composite of three of Petit's engravings from Peron and Freycinet's account of Baudin's voyage in Voyage de couvertes aux Terres Australis: atlas. From Giulio Ferrario's "Il costume antico e moderno, o, storia del governo, della milizia, della religione, delle arti, scienze ed usanze di tutti i popoli antichi e moderni", vol. VIII (Asia), edited by Vincenzo Batelli, Florence.A couple of light waterstains.
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Richard Earl Howe
by Orme (engraver)
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1795. Stipple engraving. 185mm by 120mm (platemark). Engraving from the 'European Magazine'. Admiral of the Fleet Richard Howe (1726-1799), 1st Earl Howe, KG was a British naval officer, notable in particular for his service during the American War of Independence and French Revolutionary Wars. Cape Howe and Lord Island are named after him.One foxing spot, some light toning.
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Albrecht von Haller
by Ryder (engraver)
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1780. Copper-line engraving. 195mm by 140mm. Albrecht von Haller (1708 - 1777) was a Swiss anatomist, physiologist, naturalist and poet. He is often referred to as "the father of modern physiology.
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Mongolian, Chinese Fur-Dealer
by Moses Griffith (1747-1819) (engraver)
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1827. Copper-line engraving with original hand-colouring. 215mm by 125mm (sheet). From Edward Griffiths 'Animal Kingdom'. Faint waviness to paper and some very slight soiling.
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Horlogerie (Clock-making)
by Robert Benard (1734-1785) (engraver)
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1780. Copper-line engraving. 245mm by 180mm. 'Horlogerie, Machine pour Tailler les Fusees par le Sieur le Lievre' (Machine to Carve Fusees by Sir Le Lievre)From a smaller size edition of Diderot and d'Alembert's Encyclopedie (1751-80).One small spot on right hand platemark edge.
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George I.
by Pierre Francois Basan (1723-1797) (engraver)
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1780. Copper-line engraving. 105mm by 145mm (platemark) 245mm by 185mm (sheet). George I (1660-1727) was King of Great Britain and Ireland from 1 August 1714 until his death, and ruler of Hanover in the Holy Roman Empire from 1698. Pierre Francois Basan (1723-1797) who was a French engraver and publisher.
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Cider (2)
by Innocente Alessandri and Pietro Scattaglia (engravers)
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1800. Copper-line engraving. 240mm by 170mm (platemark). A pair of engravings depicting the making of cider. From a smaller size edition of Diderot and d'Alembert's Encyclopedie (1751-80). Innocente Alessandri and Pietro Scattaglia were Italian engravers and publishers who worked together in Venice. Faint waterstain to the left hand margin.
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Chateau of Irrois in Champagne
by Matthaeus Merian (artist and engraver)
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1655. Copper-line engraving. 190mm by 290mm (platemark). 'Prosp. du Chasteau de Irrois en Champagne' From Topographia Galliae , a fine series of engravings of 17th-century French landscapes, gardens, buildings and cities.Matthaeus Merian (1593-1650) was one of the most prominent members of the leading print publishing family of 17th-century Germany.
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Ebeniste et Marqueterie (Cabinet-making and marquetery)
by Robert Benard (1734-1785) (engraver)
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1780. Copper-line engraving. 235mm by 180mm (platemark). From a smaller size edition of Diderot and d'Alembert's Encyclopedie (1751-1780). Depicts examples of cabinet-making and marquetery. Sequence of examples of workmanship.Trimmed just within platemark on left hand side. Some very light printer's creases.
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