Search Results: Photographs from Leopolis Volodymyr Dmyterko

Vienna: R. Lechner, 1881 Colored albumen print, 19.5 x 12.5 cm, mounted on a printed board, 31.5 x 22 cm (the board slightly dusted and rubbed at extremities). The photograph features a girl from the Austrian-Hungarian province of Bukowina (now in Western Ukraine) from the "Österreich-Ungarische National-Trachten." Josef Löwy (1834-1902) was an Austrian painter, publisher, and Imperial and Royal court photographer. Bibliographie der Photographie: Deutschsprachige Publikationen der Jahre 1839-1984, 14124-14125.

1880 Albumen print 21 x 26 cm pasted on stiff paper 28 x 35 cm (left upper corner of the paper torn off).

1890 Albumen print measuring 20 x 25.5 cm, mounted on board sized 25.5 x 30.5 cm, dating back to circa 1890, bears the identification number 12527. This artwork originates from the Neapolitan studio of Giorgio Sommer (1834–1914), esteemed as one of Europe’s most significant and prolific photographers of the 19th century.

1880 Albumen print 20 x 25.5 cm mounted on board 26 x 30.5 cm. Ca. 1880. No. 2100 in Sommer' catalog. A view of Castellamare by Giorgio Sommer (1834-1914), recognized as one of Europe’s most significant and prolific photographers of the 19th century.

Routledge, 2007 8vo (23 cm), XX, 310 pp. Laminated wrappers. From the blurb: "Defining photography is impossible. Revealing it is another matter, and that's what The Concise Focal Encyclopedia of Photography does, with each turn of the page. History: The technical origins and evolution of photography are half of the story. The other half consists of the ways that cultural forces have transformed photography into a constellation of practices more diverse than any other mode of representation. Photographers can tell a more in-depth story through a photo like Dorothea Lange's "Migrant Mother” than a journalist ever could with the written word alone. Major themes and practitioners: Over 25 entries, many with supporting illustrations, examine the figures, trends, and ideas that have contributed most heavily to the history and current state of photography. Contemporary issues: The issues influencing photography today are more complex than at any other time in its history. Questions of… Read More

1880 Albumen print 20 x 25.5 cm mounted on board 23 x 29.5 cm (some foxing). Ca. 1880. No. 5231 in Sommer' catalog. Photograph of the cable car on Vesuvius by Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

Vienna, 1933 4to (30 cm), XCIV, 240 pp, 116 col.; LXVI, 200, 90 pp; 172, 240 pp. Publisher's cloth with pasted photographs on the front boards (bindings of the first year are rubbed, corners bumped, minor shelf wear). These volumes encompass the first three years of the Monthly Review of International Artistic Photography, a magazine printed in seven languages. Originally published in Vienna until 1967, the majority of contributions came from Europe (including Eastern Europe), while photographers from the USA, South America, and Japan were also featured. Heidtmann 00682.

1880 Albumen print 25.5 x 20 cm mounted on board 31 x 25.5 cm. Ca. 1880. No. 1889 in Sommer' catalog. Interior of basilica San Miniato in Florence from the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

1880 Albumen print 25.5 x 19.8 cm mounted on board 31 x 25 cm. Ca. 1880. No. 3145 in Sommer' catalog. A view of Uffizi from the river Arno, by Giorgio Sommer (1834-1914), one of the most significant and prolific photographers of 19th-century Europe."

1880 Albumen print 20 x 25.5 cm mounted on board 25.5 x 30.5 cm. Ca. 1880. No. 1807 in Sommer' catalogue. A panorama of Florence from the Neapolitan studio of Giorgio Sommer (1834-1914), recognized as one of the most important and prolific photographers in 19th-century Europe.

1880 Albumen print 20 x 25.5 cm mounted on board 25.5 x 30.5 cm. Ca. 1890. No. 9359 in Sommer' catalog. Interior of Baptistery in Florence from the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

1890 Albumen print 25.5 x 20 cm mounted on board 31 x 25.5 cm. Ca. 1890. No. 8212. Photograph from the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

1890 Albumen print measuring 20 x 25.5 cm, mounted on board sized 25.5 x 30.5 cm, circa 1890, bears the identification number 12127. This piece originates from the Neapolitan studio of Giorgio Sommer (1834–1914), recognized as one of Europe’s most significant and productive photographers of the 19th century.

Lwow: Nakladem Stanislawa Kunasiewicza i Karola Rosadzinskiego, 1869 8vo (22.5 cm), (2), 61 pp, a photograph (10 x 14.5 cm) tipped in as the frontispiece. Publisher's wrappers (wrappers slightly dusted). This is a history of St. John the Baptist Church in L'viv with a preface describing the beginnings of photography in the town, accompanied by a photograph of the church taken by Teodor Szajnok (1833-1894), a Polish photographer, a founding member, and vice-president of the Board of the Club of Lovers of Photographic Art in Lviv. He authored the handbook 'Photographic Guide for Professional Photographers and Enthusiasts.'

New York: Shevchenko Scientific Society, 1984 4to (30 cm), [4], III, 128 pp. Publisher's cloth. In Ukrainian. The album of old Kiev' photographs.

1890 Albumen print 20 x 25.5 cm mounted on board 25.5 x 30.5 cm. Ca. 1890. No. 7071. From the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

1890 Albumen print 20 x 25.5 cm mounted on board 25.5 x 30.5 cm. Ca. 1890. No. 7050. From the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

Biblioteca Nacional de España, 2015 8vo (25 x 22 cm), 230 pp. Laminated wrappers with flaps.

1880 Albumen print 20 x 25.5 cm mounted on board 22.5 x 27 cm. Ca. 1880. No. 1166 in Sommer' catalog.View of Naples from San Martino by Giorgio Sommer (1834–1914), one of the most important and prolific photographers in 19th-century Europe.

Paris: Imprimerie Maréchal, 1931 8vo (25 cm), 31 pp, 33 pp of plates (heliographic engraving). Printed wrappers (wrappers slightly frayed at extremities). A beautifully produced illustrated essay celebrating the splendor of Parisian architecture. This captivating work showcases the timeless beauty and grandeur of the architectural marvels that grace the streets of Paris. Through exquisite illustrations and insightful prose, readers are transported on a visual journey through the city's iconic landmarks, from the majestic cathedrals and palaces to the charming streets and bridges that define its unique charm. Immerse yourself in the glory of Parisian architecture and discover the rich history and cultural heritage that continues to captivate admirers from around the world.