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Paris: Editions Polyglottes, 1956. First edition. 8vo, [4] pp, single sheet printed in two colors and folded once. Illustrated with a reproduction of portrait of Trotsky by Annenkoff. Surrealist broadside issued to denounce the Stalinist betrayal of Trotsky and the French communists. The recto is beautifully designed with a text border printed in red surround the text, which prints the entirety of Eluard's poem "Joseph Staline" at the center. The manifesto bears the printed signatures of Anne Bedouin, Robert Benayoun, Andre Breton, Jacques B. Brunius, Adrien Dax, Yves Elleouet, Charles Flamand, Louis Janover, Gerard Legrand, Nora Mitrani, Benjamin Peret, Jose Pierre, Andre Pieyre de Mandiargues, Jacques Sautes, and Jean Schuster. Very good, with a small stain to lower margin, light creasing, and a short closed tear at foot of center fold.
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Au Tour des Livrees Sanglantes!
by Eluard, Paul et al.
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En Contrechamp, La Main a Propulseur: Manifestation due Groupe Surrealiste RUpTure
by Groupe Surrealiste RUpTure
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[Malakoff]: Groupe Surrealiste RUpTure, 1969. 13 x 18", offset printed on recto only. A manifesto published by the Surrealist group RUpTure in conjunction with their 1969 show at Galerie du Ranelagh. it is signed in plate by Stephane Arbutina, JeanClaude Charbonel, Pascal Colard, Claude Dupuy, Fabien Muselet, Pierre Nesterenko, Maurice Odic, Jean-Pierre Plisson, Robert Radford, Patricia Remia, and Phillippe Rillon. Folded twice, with a touch of rubbing along fold lines; very good.
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Le Phare de Neuilly No. 1
by Deharme, Lisa & Georges Ribemont-Dessaignes, eds
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Neuilly-sur-Seine: Le Phare de Neuilly, 1933. First edition. 8vo, photographically illustrated wraps by Man Ray. Profusely illustrated. The debut issue (of four numbers published, the last a double number) of one of the most beautiful and unusual of all Surrealist periodicals. This is the second state, with the Daumal contribution replaced with "Miss Hazel" by Petrus-Borel. With contributions from Lêon-Paul Fargue, Jacques Baron, Robert Desnos, André de Richaud, Jules Supervielle, René Laforgue, Georgette Camille, Jean Painlevé, Céline Arnaud, Nicole Cazanave, Roger Vitrac, Jean Follain, Alejo Carpentier, and G. Ribemont-Dessaignes. It also includes photographs within by Man Ray, Nadal, and Lee Miller. Wraps rather creased and rubbed, with some tears along the spine, and soiling and some very faint waviness to back cover, a good only example but complete and sound.
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Rhétorique No. 5
by Bosmans, Andre, ed
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Tilleur-les-Liège, Belgium: Editions de la revue Rhétorique, 1962. First edition. 12mo, saddle-stapled wraps. Text in French. Superb issue of the Belgian avant-garde and Surrealist little magazine, notable for including a double-paged reproduction in color of the painting 'La Cascade,' with a text about the work by Marcel Lecomte, a reproduction of a work by Rudolf Hausner on the cover, and texts by Magritte, Jacques Wergifosse, and André Pierre de Mandiargues. A hint of toning, else fine.
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Rhétorique No. 1
by Bosmans, Andre, ed
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Tilleur-les-Liège, Belgium: Editions de la revue Rhétorique, 1961. First edition. 12mo, saddle-stapled wraps. Text in French. Debut issue of the Belgian avant-garde and Surrealist little magazine, illustrated with three works by René Magritte, and work by Rachel Baes, as well as contributions from Greorges Roux, Louis Scutenaire, Marcel Béalu, Paul Dewalhans, Jean-Sébastian Vert, Achille Cavée, Gérard van Bruaene, and Paul Colinet. A hint of rubbing along spine else fine.
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Rhétorique No. 6
by Bosmans, Andre, ed
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Tilleur-les-Liège, Belgium: Editions de la revue Rhétorique, 1962. First edition. 12mo, saddle-stapled wraps. Text in French. Single issue of the Belgian avant-garde and Surrealist little magazine, illustrated with a frontispiece by René Magritte, and work by Maurice Rapin, André Bosmans, Lopuis Scutenaire, Jacques Wergifosse. Tips lightly creased else fine.
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Unused Sheet of Stationary for the Surrealist Periodical l'Archibras
by Surrealism
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Paris: Centre d'Informations Surrealistes, 1967. 8 1/2 x 11" sheet, offset printed in two colors on green paper. An unused sheet of stationary for the Surrealist periodical, edited by Jean Schuster, which began in the year following the death of Breton and bracketed the uprisings of 1968. The design is unattributed. Fine.
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