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Great Barrington: The Figures, 1984. Paperback. 74p., very good first paperback edition thus, in black pictorial wraps. In San Francisco he became a part of the movement called Language writing or Language poetry. This title appeared earlier (1979) with only the first two pieces.
Search Results: avant-garde from Bolerium Books Inc., ABAA/ILAB
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A.K.A.
by Perelman, Bob
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- 0935724184
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Adad Hannah. Video projects
by Hannah, Adad
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Seoul: Ssamzie, 2006. Paperback. 32 pages, illustrations, wraps. Sticker label on lower left corner of front cover. Very Good. Two works by Hannah are documented. The first, Museum vivants, is video art set in a fine arts museum. The second is a recreation of an anonymous early 20th century photograph. Text in English and Korean, translated by Mina Kim. Introduction by Seo Hyun-Suk. Essays by Jennifer Fisher, Jim Drobnick, and Steve Reinke.
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Bassesse de Venise precedee de La traversee de l'Europe en avion et Du legat, avec un portrait de l'auteur par Man'Ray grave sur bois par G. Aubert
by Fabre, Lucien
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Paris: Editions de la Nouvelle Revue Française, 1924. Paperback. 102, [6]pp., portrait, wraps. 7.5 x 5.25 in. 37/1,150. Covers sunned, but otherwise very good. Essays by the French businessman, poet, novelist, and inventor.
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Begin Again; a biography of John Cage
by [Cage, John] Kenneth Silverman
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- 9781400044375
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- 1400044375
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New York: Knopf, 2010. Hardcover. 483p., frontis, documentation, index, illustrated with in-text b&w photos, very good first edition stated in boards and unclipped dj.
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Ben Wilson. Recent Paintings. December 1 to 21, 1964
by Wilson, Ben
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New York: Granite Galleries, 1964. Ephemera. Approximately 8.75 x 6 inch brochure, folding out to 17.5 x 11.5 inches. Printed on glossy coated stock. Announcement for an exhibition. Wilson had recently turned toward abstract expression in the early 1960s, and some of his paintings are used to illustrate the brochure.
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Biff Henrich
by Henrich, Biff
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Buffalo, NY: Burchfield Art Center, State University College at Buffalo, 1988. Pamphlet. [20] pages, illustrations, wraps. 11 x 8.25 in. On title page: "The Power, Fear and Beauty of Power, Fear and Beauty.". Catalog issued for an exhibition held October 7 to November 20, 1988. With a long essay by Richard Huntington. Henrich's photographs are mostly of comestibles (from donuts to cigarettes), heads, and people doing things with their faces (applying makeup or eating).
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[Bjarne Melgaard]
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[Place of publication not identified]: [publisher not identified], 2012. Spiral_bound. [28]ll., color illustrations, wraps. Spiralbound. 11 x 8.5 in. A custom creation gathering stories on the Norwegian painter Bjarne Melgaard from the art press. All articles are from 2012. Journals excerpted include Art Review, Modern Painters, Art in America, and Wallpaper. A single annotation in blue ink.
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Bodo Pfeifer. Mazelow Gallery, Toronto, Canada, September 17 to October 5
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Toronto: Mazelow Gallery, 1968. Poster. 1 poster. 20 x 27.75 in. Museum of Modern Art Library stamp on verso. Poster for an early Pfeifer solo show; glossy coating on printed side along with show information along the bottom... And glossy white emptiness above. Folded into eights.
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Intl. Ed.
Breaking Away From Painting
by Obrist, Hans Ulrich
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[Milan]: [Mousse Magazine], 2010. Ephemera. Three-panel brochure 12.25 x 8.5 in. (folds out to 33.5 x 24.5 in.) Issued as a supplement to the international edition of Mousse Magazine (Milan, Italy), Issue 24, Summer 2010. Interview between Hans Ulrich Obrist and Enrico Castellani discussing Castellani's relief paintings (canvas stretched over nails to produce texture and shadow), his work on the art journal Azimuth, and the social context of the late 1950s. Text in English and Italian. The brochure folds out into a large poster with text on one side and a captioned list of works by or associated with Castellani on the other side.
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Caviart. The ultimate selection from the Pratt-Muller empire
by Reutersward, Carl Fredrik. Preface by Dore Ashton
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Lausanne: Pratt-Muller University Press, 1983. Paperback. 35p., color illustrations, wraps. Catalog of works by Carl Fredrik Reutersward, working under the alias of Arnold Forel Pratt-Muller, who is supposed to be a wealthy philanthropist. The catalog and works play off the concept of art as a financial instrument and vehicle for investment and speculation.
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Ceci n'est pas l'art
by Keller, San
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Zurich: Pro Helvetia, 2004. Paperback. 39, [1] pages, illustrations, wraps. Very Good. Catalog with scripts of various performance art works by San Keller written as advertisements. Keller offers to sleep at your workplace, kiss advertisements, dance in the rain, invite passers-by into museums, and administer a quiz about himself. Concludes with advertisements for more art works.
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Cheng Zheng: Paintings. Oil Paintings. Ink Paintings
by Cheng Zheng (b.1955). Per Hovdenakk, introductory
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Beijing: National Gallery, 1992. Paperback. 50p., ads (principally for Scandanavian Airlines), high-gloss alkaline paperstock throughout, softbound in frenchfold cardstock wraps, 10x7 inches. Find a vignette artist's photoportrait in b&w and profuse fullcolor fullpage reproductions of her splashes and squiggles. Clean, sound and unmarked; has a seller's small sticker (blank) on cover, and several leaves bear tiny smudges (none affecting graphics), a very good copy. The artist saw an Edvard Munch show in 1981 and very soon left Beijing for Norway.
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Clothes in a Museum
by Pinney, Michael
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Bridport [England]: Bettiscombe Press, 1971. Paperback. [68]pp., wraps. Second edition. 4.75 x 7 in. Front cover has minor soiling, else very good. Artist's' book edition of a poem originally hung as a sequence of leaves with varying dimensions; also made into a movie with visuals by John Miles and soundtrack by Edward Williams.
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Collages. November 5 - December 21, 1985. Washburn Gallery, 42 East 57 and 113 Greene, New York
by Ryan, Anne
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New York: Washburn Gallery, 1985. Staplebound. [4]pp., color illustrations, wraps. 8.25 x 6 in. Ink date stamp on front cover: "Nov 1 1985.". Abstract expressionist artist active in the visual arts avant-garde of New York city during the 1950s and 1960s. Her collage work was inspired by a Kurt Schwitters show of collages in 1948. With an essay by John Ashbery, reprinted from ARTnews (March 1970).
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Constructed situations; a new history of the Situationist International
by Stracey, Frances
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- ISBN 13
- 9780745335261
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- 0745335268
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London: Pluto Press, 2014. Paperback. xiii, 173p., price sticker on back wrap, else in very good condition. Includes a chapter on the Watts Rebellion.
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Continuum. The Arts Council of Great Britain 1970. The Hayward Gallery London SE1 17 June - 7 July
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London: Arts Council of Great Britain, 1970. Staplebound. [32]p., illustrations, wraps. Sticker on leaf preceding title page with a slightly different title statement: Twelve light and motion sculptures by Janz, Jennings, Leonelli, KcKinnon, in editions of nine commissioned by the London Arts Group June 24th to July 18th 1970. Catalog of a group exhibition featuring large electronic light installations. With artists' statements on the programming and design of the different electronic art works.
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Der Greif - "Guest-Room: Katrin Weber". February 12 until February 25
by Weber, Katrin, curator; Simon Karlstetter et alia, editors
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Munich: the collective, 2015. Portfolio. 35 of the 37 plates called for (photographs, at least 35, hard to count cardstock) enclosed in a panelled dust jacket / folder, folder is dirty with dust and handling, the plates immaculate, most in color, the issue limited to 600cc. Avant-garde without being snootily abstract.
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Deux organisations d'espaces
by Sanejouand, Jean-Michel
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Paris: Galerie Yvon Lambert, 1968. Staplebound. [12]pp., illustrations, oblong wraps. 7 x 9.5 in. Ex-library stamp on front cover. Views of two installations in industrial spaces by Sanejouand. Photographs by Alain Bordas. Essay by Grégoire Müller.
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The Diaries of Guglielmo Achille Cavellini 1975
by Cavellini, Guglielmo Achille
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[Brescia, Italy]: Johannes Gutenberg Editor, 1978. Paperback. 56p., illustrations, wraps. Covers lightly toned, some edge wear, top right corner bumped. Diary entries dated from January 1 to December 25, 1975. Part of a series of texts in which the author engages in self-historicization through an encyclopedia entry, posters, and book cover designs for fictitious biographies by famous authors (St. Augustine, Machiavelli, Henry Miller). Includes images of Cavellini's performances handwriting these texts on different surfaces, including a white suit and the skin of a naked man. Cavellini's self-historicization project was meant to provide the material for an imagined retrospective in 2014 to mark the 100th year of his birth. First published in 1975 in Italian. This English translation is dated to sometime in or after 1978 based on the list of other publications by Cavellini on the final leaf. Cavellini was a painter and collector who later in life became heavily involved in mail art, abstract art, and…
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Ecomorphology. A direction in painting that leads to seeing in depth
by Onslow-Ford, Gordon
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Point Reyes, CA: Gordon Onslow-Ford, 1993. Staplebound. 19, [10] pp., illustrations, wraps. 11 x 8.5 in. Edition of 1,000. Printed by the Point Reyes Printing Company. A Very Good copy. Texts paired with paintings produced between 1946 and 1993. Onslow-Ford was a painter and active in the Paris-based surrealists pre-World War II, later moving to New York and eventually settling in Inverness, CA. He developed the concept of lucid art with Fariba Bogzaran, a scientist and artist interested in lucid dreaming, and co-founded the Lucid Art Foundation.
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