Search Results: Art Criticism from ANTHOLOGY BOOKSELLERS

the author, 1987. Side-Stapled in Card Covers. Good. 4to, pp. unnumbered. Errata slip laid in. Compiled by the author as supplementary readings for his History of Art Criticism course. Includes interviews with Lawrence Weiner and Hans Haacke, articles on Joseph Beuys, Hamish Fulton, Richard Long, etc. Covers a bit soiled and edgeworn with stain on front, corners lightly bumped.

Berkeley: University of California, 1999. First edition. Cloth. Fine/Fine. 8vo. xi + 262 pp. Important collection of critical essays.

Lausanne: Skira, 1953. Cloth. Very Good/Good. Wide 4to, 200 pp., 105 tipped-in color plates. Lower corners of boards rubbed, light sunning and soiling to page edges and endpapers, otherwise clean and unmarked. Jacket priceclipped, sunned, handled and edgeworn with several chips and tears.

Chicago: University of Chicago, 1986. Cloth. Food in Very Good DJ. 8vo, 353 pp. Some ink marks in text and notes on rear pastedown. Jacket sunned, edgeworn.

Boston: Southend press, 1982. First edition. Wraps. Very Good/No dust jacket. Large 8vo. xviii+169pp. illustrated with b/w photos. Trade softcover. first printing.

New Haven: Abbeville Press, 1984. First printing. Boxed. Very Good +. Box containing unbound works of art created especially for the catalog by the six artists. Victor Burgin, Gilbert & George, Mary Kelly, Richard Long, Bruce McLean, David Tremlett Plus separate 48 page Catalog illustrated in b&w and separate 36 page Bibliography. Box VG+ (slight wear at corners.).

Milano: Archivio di Nuova Scrittura, 1994. First edition. Wraps. Very Good. Tall 4to, 61 pp., eleven color plates. Texts in Italian and French. with English digest at rear of the book. Llight wear to wrapper edges and corners, tiny stain on front.. Emilio Villa (Affori, 1914-Rieti, 2003) is one of the most radical figures of the cutting edge of the twentieth century. Intellectual multifaceted, artist, poet, Art Critic, Biblical Studies, translator, philologist, puts the word at the centre of his poetic research, experimenting with freedom and irreverence a new form of writing. Far from the norms laid down, his poetry merges with the page and is the subject, modeled on a hybrid language which mixes ancient and modern languages. Villa plays a major role in the artistic and cultural Italian landscape , still remaining in a kind of programme "hiding", Away from movements, groups, Academies, and from the traditional publishing and consumption; implementing them, in a mature age, aware and… Read More

New York: Hugh Lauter Levin Associates, 1991. First American edition. Hardcover. Near Fine in Near Fine Dust Jacket. 380pp., Illus., Index. A collection of paintings (116 color/117 B&W) and writings by the Impressionists. An impressive collection of texts by the artists and their critics. Gift inscription on front endpaper.

Boston: Beacon Press, 1976. wraps. Very Good/No dust jacket. 8vo., 438pp., illus.

New York: Phaidon, 1952. First American Edition. cloth. Near Fine/No dust jacket. 4to 488pp. illus. 400 illus in color & b&w Chapters include the Venetian painters, the Florentine painters, the Central Italian painters,the North Italian painters and the decline of art.

E.P. Dutton, 1968. First edition. Wraps. Very Good/No dust jacket. 448pp.

New York: Willis, Locker & Owens, 1984. Wraps. Very Good. 8vo, 213 pp., illus. Wrappers a bit rubbed, handled and edgeworn; light foxing to page edges.

Allworth, 2000. First edition. wraps. Fine/No dust jacket.

New York: Harcourt Brace, 1940. First American edition. Cloth. Good+ (no DJ). 8vo, 307 pp., frontis., illus. Covers unevenly faded, small spoto n top edge, previous owner name on ffep, date in pencil on last text page, spots to two rear blanks, pages tanned.

New York: H. N. Abrams, 1971. First printing. Cloth. Near Fine in Near Fine Dust Jacket. 331pp. 670 illus., Chronology, Bibliography, Index. The first comprehensive historical and critical interpretation of Picasso's sculpture.

Chicago: A. C> McClurg, 1891. Cloth. Good. 8vo, 373 pp., b/w plates. From the library of poet and critic Elder Olson, with his ownership signature. Covers rubbed and darkened, page edges tanned, light soiling to page edges and endpapers, previous owner name, scattered pencil marks in text.

London: George Bell, 1902. First edition. Cloth. Good Minus. 8vo, 152 pp., b/w plates. Covers stained and worn with some fraying and loss at head and heel of spine, superficial insect damage; rear hinge starting; stains and foxing to page edges, endpapers, and page margins throughout.

New York: Columbia University Press, 1994. First edition. Cloth. Fine/Near Fine. 8vo. 201pp. with illustrations. First Edition.