Search Results: le morte darthur the story of by malory thomas

NY: The Heritage Press, 1955. Hardcover. Very good condition with text clean and binding sound without dust jacket or box.. Size: [7.5" X 11"], 757pp.

NY: Heritage, 1955. Gibbings, Robert. 4to, pp. vii, 757. With wood engravings by Robert Gibbings. Patterned paper over boards with cloth spine. A nice copy in somewhat faded and spotted publisher's box. Heavy.

Good. Pages are clean and smooth. Inside of front cover has previous owners name written on it, all other pages have no writing or highlighting. Light page tanning. Mild use and shelf wear. Box sleeve not included.

NY: The Heritage Press. Very Good+ with no dust jacket. 1955. Limited Edition. 1. Hard Cover. Quarter bound in publisher's navy blue cloth over printed boards, gilt lettering on spine. Generously illustrated with B&W woodcuts by Robert Gibbings. This edition was originally created for the members of the Limited Editions Club by the Golden Cockerel Press in London. Gibbings designed nearly one hundred wood blocks to create engravings on the title page, as head and tailpieces, and decoration on every page. The type used is Perpetua, designed by Eric Gill. . The volume is in excellent condition, showing only slight shelf-wear, otherwise it is unmarked, tight, square and clean. The slipcase is held together with clear tape. VERY GOOD+/FAIR (slipcase). . B&W Woodcuts. 4to 11" - 13" tall. viii, 757 pp .

NY: The Heritage Press. Near Fine with no dust jacket. 1955. Limited Edition. 1. Hard Cover. Quarter bound in publisher's navy blue cloth over printed boards, gilt lettering on spine. Generously illustrated with B&W woodcuts by Robert Gibbings. This edition was originally created for the members of the Limited Editions Club by the Golden Cockerel Press in London. Gibbings designed nearly one hundred wood blocks to create engravings on the title page, as head and tailpieces, and decoration on every page. The type used is Perpetua, designed by Eric Gill. . The volume is in almost perfect condition, showing only slight shelf-wear, unmarked, tight, square and clean. NEAR FINE. . B&W Woodcuts. 4to 11" - 13" tall. viii, 757 pp .

NY: The Heritage Press. Near Fine with No dust jacket as issued. 1955. Limited Edition. First Printing. Hard Cover. Quarter bound in publisher's navy blue cloth over printed boards, gilt lettering on spine. Generously illustrated with B&W woodcuts by Robert Gibbings. This edition was originally created for the members of the Limited Editions Club by the Golden Cockerel Press in London. Gibbings designed nearly one hundred wood blocks to create engravings on the title page, as head and tailpieces, and decoration on every page. The type used is Perpetua, designed by Eric Gill. Sandglass (No.x:19) laid in.. The volume is in almost perfect condition, showing only slight shelf-wear, unmarked, tight, square and clean. The blue slipcase is separating at the seams. NEAR FINE. . B&W Woodcuts. 4to 11" - 13" tall. viii, 757 pp .

Limited Editions Club, 1936. Limited edition. Hard Cover. very good. Quarto. (12 1/2" x 8"). Half blue linen over paper patterned boards. Three volume set. Illustrations by Robert Gibbons. Limited to 1500 copies signed by artist of which this is copy #1089. Some light edge wear to cloth. Bookplates of former owner on front endpapers. Lacking slipcase.

London / New York: Golden Cockerel Press / Limited Editions Club, 1936. Very Good+. London / New York: Golden Cockerel Press / Limited Editions Club, 1936. First Thus, Limited to 1500 copies of which this is no. 909. Three volumes; tall quartos; publisher's blue cloth over decorative paper-covered boards, gilt-lettered spines, housed in original paper-covered slipcase; text decorations throughout. Textblocks a bit toned, spines slightly rubbed, moderate wear to slipcase, else a Very Good or better set. Signed by the illustrator on colophon in rear of Vol. III.