Search Results: maud muller by john g whittier

Boston: Ticknor & Fields. Good. 1867. Hardcover. Binding is cracked preceding the title page. Covers have slight wear to the outer corners and spine ends. ; Owner's inscription on front blank "P. P. Hastings Xmas /66". BAL 22258. .

Boston: James R. Osgood, 1872. Rust cloth on beveled boards w/gilt spine & cover Deco Lettering, blind stamp on back cover. 12 illustrted pages w/gilt page edge. tiny chip on top/btm spine, scant cover rub, Front end paper has been removed making front hinge weak.. Hard Cover. Good/No Jacket. Illus. by W. J. Hennessy . 8vo - over 7¾" - 9¾" tall.

Boston: Ticknor and Fields, 1867. 1st. Hardcover. Very Good/None. W.J. Hennessy. Hardcover. Non-Paginated. Black & white illustrations by W.J. Hennessy. Foxing to pages. Previous owners inscription on front endpaper. Title and decoration of girl raking in gilt on front cover and spine. Record # 608262

Boston. Ticknor and Fields. 1869. 1st Edition. Hardcover. 8vo. 22cm, first edition, later printing, v,12p., single sided leaves, heavy stock paper, title page vignette, 12 illustrations, maroon endpapers, original green cloth with beveled boards, decorated title gilt on the upper cover, repeated in blind on the bottom board, gilt spine title, some bubbling to upper cover, a very good copy ~ One of Whittier's best poems written in the rural poetic genre. Gracefully illustrated by Irish artist, William J. Hennessey. This poem contains the oft used quotation: For all the sad words of tongue or pen, the saddest are these, "It might have been!

London: Eyre and Spottiswoode, 1900. Hardcover. Very Good. Very good in publisher's green cloth with bevelled edges, black embossed decoration and gilt titles. Internally very clean apart from a little foxing. With frontispiece and 20 colour lithographic plates by George Carline. A very attractive copy of a wistful tale. Very Good 1900

Boston: Ticknor and Fields, 1869. 3/4 Leather. Very Good. 22.5 x 15.5 cm. Octavo. 12pp, single sided pagination. Illustrations by W. J. Hennessy, 12 engravings. Bound in 3/4 brown leather with marble boards and endpapers. 5 raised bands to spine. Gilt foredges. Rubbing to outer joints. Foxing to blank endpapers. Early reprint with 1866 on copyright page and 1869 on title page.