Well at the World's End by William Morris - 1896

New York, New York: Abradale Press. Very Good with No Dust Jacket as issued. 1972. First Edition. Hard Cover. 3656 pages: 7.5 x 9.75 in.: 33.4: KB#006434: No Jacket as Issued. Scarce, Out Of Print, Book. LCCN# 76-166507 and SBN 810902869. Set Consists of Twenty Volumes. Spines and front board of books are slightly tanned due to age. Otherwise, boards and pages are clean, unmarked, brightly colored, tightly bound and sharp cornered. Set contains over 2,000 clear, informative photographs and drawings, many in full color. This is a heavy book set, but price INCLUDES FULL EXTRA COST of Media Delivery; however USPS Priority would incur additional charge due to weight. "There are seven easy keys to finding information. All entries are arranged alphabetically. Each volume has a Table of Contents. Volume 1 has a Table of Contents for all 20 volumes. Volume 20 has a Complete Index to all volumes. Volume 19 contains a Glossary. Cross references are listed under major entries. A complete… Read More

Cambridge: Harvard University Press, 1994. Signed on the title page by Umberto Eco. First edition / First printing. Green paper spine, blue paper-covered boards. Very fine in very fine dust jacket.

Los Angeles: Sun & Moon Press, 1986. Signed by the author on the title page. First edition / First printing. Navy cloth. As New. Very fine in very fine dust jacket. The second book in the New York Trilogy.

London, E. Mathews; Boston, Copeland & Day, 1895, 8vo, pp. xi, 116; orig. iron blue paper boards, lettered dark blue at the spine. - Second (first 'trade') edition, limited to 750 copies for England and America, which was preceded by an issue of 25 copies signed by the poet. - Printed on handmade paper at the Chiswick Press under the supervision of Herbert Horne, who also provided a striking red and black title-page. - Very slight wear (chipping) at the extreme ends of spine; top edge dusty; a pale brownish stain on endpaper and prelims., not touching printed areas. Otherwise, and in general effect, a very nice copy of a scarce Nineties title, with a bookplate (C.C. Paine) to the front pastedown. - Kraus, Copeland and Day, 18; Russell Taylor: The Art Nouveau book in Britain, p. 70, illustration.

Easton Press, 2007. Limited Edition. hardcover. Fine/Fine. 6x1x9. Signed. SUMPTUOUS LEATHER BOUND EASTON PRESS EDITION SIGNED BY JIM BUTCHER. Brand new and still sealed in the publisher's shrinkwrap. Expedited shipping is welcome; signed by author.

New York: Viking, 1975. First edition / First printing. Uncorrected proof. Gold printed wrappers. Fine. Pulitzer Prize Winner.

London: Navarre Society 1924. (Hardcover) 359pp. Near fine, no dust jacket. A signed fine binding in 3 / 4 green Morocco with marbled boards, the spine with raised bands and tooled in gilt. Top edge gilt, marbled endpapers, and full-page and vignette illustrations. A handsome book. Edited with introduction by F.J. Harvey Darton. Illustrations by Philip Hagreen. . Suitable as a gift. Binding by Zaehnsdorf. Translated by William Adlington. (Fiction).

New York::: Scribners,,, 1969... First Printing of the First US Edition. A Near Fine copy with previous owner sticker removed from the flyleaf in a Near Fine unclipped dust jacket. These five works grew, of course, out of Hemingway's considerable experience of the Spanish war as a correspondent for the North American Newspaper Alliance and as a participant in filming "The Spanish Earth." More specifically, they grew from adventures in and around besieged Madrid--particularly in the Hotel Florida and in a bar called Chicote's. The book is unified, then, in time, place, and action. It is unified even more by the dominating presence of the author, who is to be found alive on every page. That presence slants the focus, but also gives the book its sharp distinction. This is immediate, unmistakable Hemingway. This collection contains Hemingway's play "The Fifth Column", and the four stories "The Denunciation", The Butterfly and the Tank", "Night Before Battle" and "Under the Ridge". Despite his fascination… Read More

London: Macmillan & Co, 1886. Hardcover. Good +. [6], 25, [43] p.: illustrations; 28 cm. Dark green cloth spine with gilt spine title and decoration. Green paper over boards with white and black title and illustration. All page edges green. Decorated endpapers. Illustrated title page. Small bookseller's label on front fixed endpaper: Williamson & Co., Toronto. Former owner's name on front free endpaper: Edith E. Farnsworth. This is the first of three books of poetry that Crane both wrote and illustrated. The text is printed first with out illustrations and then in a "handwritten" font within the illustrations. In Good+ Condition: edges rubbed; ends of spine just starting to fray; cover lightly soiled; soiling, primarily in the margins; illustrations are clean and bright.

Numbred. Limp Vellum. SHELLEY, Percy Bysshe. Adonais: An Elegy on the Death of John Keats. London: (Chiswick Press for the Reed Pale Press), 1935. Small, slim quarto, original full limp vellum, top edge gilt, uncut, blue silk ties.Limited edition of Shelley's moving tribute to his fallen friend, the poet John Keats. Number 180 of 250 copies, printed in red and black by the Chiswick Press and bound by Sangorski & Sutcliffe.Composed as a pastoral elegy, specifically in the tradition of Milton's beautiful Lycidas, it was first published in the spring of 1821, immediately after hearing of Keats's death."Shelley's use of the classical pastoral elegy form was natural enough. He had studied and translated many classical elegies himself; he had also read and admired Milton's 17th century interpretation of the form in Lycidas. Most critics believe Shelley modeled Adonais upon Virgil's tenth Eclogue, Bion's elegy on the classical hero Adonis, and the anonymous elegy o Bion himself. It is a beautiful work and… Read More