Unpacking Duchamp: Art in Transit by Judovitz, Dalia;Duchamp, Marcel - 1995

UsedGood. All orders ship by next business day! This is a used hardcover book. Has markings on pages. Pages have moderate wear. Dust jacket is included and has wear/tears. The cover/boards have moderate wear. Spine has been opened/creased. For USED books, we cannot guarantee supplemental materials such as CDs, DVDs, access codes and other materials. We are a small company and very thankful for your business!

University of California Press, 1995-11-21. Hardcover. Used: Good.

Univ of California Press. 1995. First Edition. 0520088093 . Library of Congress surplus stamp on ep else Fine in Fine dj; 308 pp. .

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Berkeley: University of California Press, 1995. Hardcover. VG/VG- light wear and soiling to dust jacket.. Black cloth boards with red spine and white spine lettering. White and BW-photographic dust jacket with black and red lettering. x, 308 pp. BW illustrations. Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful… Read More

University of California Press, 1995. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:0520088093

Berkeley, CA: University of California Press, 1995. Cloth, x, 308 pages, illustrations; 27 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. "Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect--and greater controversy--than Marcel Duchamp. Through a careful 'unpacking' of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to material that mimics art without being readily classifiable as such. Her book questions his paradoxical renunciation of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works including The Large Glass,… Read More

University of California Press, 1995-11-21. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Berkeley.: University of California Press, [1995]., 1995. 8vo. pp. x, [1], 308. 86 illus. biblio. index. bds., cloth sides. dw. First Edition.. F. Hardcover.