SVEDOCANSTVA [Testimonies]. Knjizevni Casopis Izlazi Desetodnevno [Literary Magazine Published Every 10 Days]. Ed. By Djordje Djordjević. No. 1-8. -

Beograd: (Rodlojub [Patriot]) 1924/25.. Gr. 8° (22,5–24,5:17,5 cm). 16 p. each. Original publisher's pictorial wrapper, every volume on differently coloured stock and cover design (no. 8 here brown, otherwise pink).. Complete set of this first collective publishing adventure of the later Belgrade surrealists around Marko Ristić (who contributed the first Serbian text written according the the rules of "écriture automatique" titled "Example" (no. 3), Dušan Matić, Milan Dedinac, Mladen Dimitrijević and Aleksandar Vučo, as well as some affiliated progressive poets like Moni de Buli (Monny de Boully), Rastko Petrović and others. As the title of the review suggests "Svedocanstva" should deliver testimonies to the contemporary developments in Serbian arts and society but also abroad, containing poetry, essays, short prose, letters as well as documents. Printed in 1.000 copies each (nevertheless hard to find today in complete sets) the issues of this magazine document early established and close ties to the French surrealist movement, whose periodical "La Révolution surréaliste" is promoted (no. 1). Matić, a professor of philosophy and major theoretical proponent of the Belgrade movement, and the poet Moni de Buli later signed the French surrealist's declaration "La révolution d'abord et toujours" in 1925. Additionally "Svedocanstva" contains translations of works by foreign modernist poets like Aleksandar Block (no. 2). Each issue of the magazine is devoted to a single subject, e.g. on art brute or primitive art (created by lunatics or children, no. 6), on dreaming, as one of the surrealist's main topics, etc. Together the set shows a unity in message and artistical, literary as well as philosophical activity of the Belgrade group and their relations the international avant-gardes. The visual material reproduced in "Svedocanstva" (whereof 5 plates, 1 inserted) consists of e.g. the picture novel "Vampir" (later reprinted in full length in "La Révolution surréaliste" (Oct. 1925), numerous reproductions of comic like drawings and also of some photographies made by Rastko Petrović showing tattooed outlaws (prisoners, prostitutes etc.) The rear cover incorporates a reproduction of a design by Picasso, drawn on a post-card especially for and dedicated to the editor's board of "Svedocanstva" and later sent to Belgrade. - Attached: Advertising leaflet for "Svedocanstva". 22:12,3 cm. Black offset print on one side on yellow stock. - Rear cover of no. 1 with on small fault (not inflicting text or illustration), margins and paper slightly time stained, staples and paper around it in parts rusty, otherwise well preserved, mainly uncut set of this rare and important magazine with surrealist tendencies avant la lettre. - Centre Pompidou, ed.: Le Fonds Destribats, 2011, no. 222; Antiquariaat Vloemans, Catalogue 129, no. 224; Kapidzic-Osmanagić, Hanifa: Le surréalisme serbe 1968, p. 76-98; Tijardović-Popović: Photography in Serbian Surrealism 2002, S. 46f.; Todić, Nemoguče 2002, S. 164f.