Description:
London: Hamish Hamilton, 1956. Softbound. tiny stain to fore edge and a couple of nicks to rear cover else a very good copy. Comprises contributions by James Thurber, James T, Farrell, W. H. Auden, et al.
Print of a Typographic illustration from "The Ghosts of the Underblows" by Alfred Young Fisher, Inscribed by Lustig to P. K. Thomajon by LUSTIG, Alvin - 1940
by LUSTIG, Alvin
Print of a Typographic illustration from "The Ghosts of the Underblows" by Alfred Young Fisher, Inscribed by Lustig to P. K. Thomajon
by LUSTIG, Alvin
- Used
- near fine
- Signed
[Los Angeles: Ward Ritchie Press, 1940. Unbound. Near Fine. Abstract typographic print in orange and black with circles and dotted rectangles. Measuring 7" x 9½". Faintest age-toning, evidence of adhesive on verso from being mounted, else about fine. Inscribed by Lustig in the bottom margin to P. K. Thomajon: "To 'P.K.' with deepest regards, Alvin Lustig '44." Thomajon was himself a noted designer.
One of the typographic designs from Fisher's rare book *The Ghosts of the Underblows* published in 1940 by Ward Ritchie. Lustig's lithography in orange and black ink on off-white wove paper.
"Lustig was experimenting with non-representational constructions made from slugs of metal typographic material, revealing the influence of Frank Lloyd Wright, with whom he studied for three months at Taliesin East. The most interesting of these slug compositions was for *Ghost in the Underblows* (1940) for Ward Ritchie Press, which echoed Constructivist typecase experiments from the early twenties yet revealed a distinctly native American aesthetic." - Steven Heller. Lustig was a leading American book, type, and graphic designer. His prints are especially uncommon.
One of the typographic designs from Fisher's rare book *The Ghosts of the Underblows* published in 1940 by Ward Ritchie. Lustig's lithography in orange and black ink on off-white wove paper.
"Lustig was experimenting with non-representational constructions made from slugs of metal typographic material, revealing the influence of Frank Lloyd Wright, with whom he studied for three months at Taliesin East. The most interesting of these slug compositions was for *Ghost in the Underblows* (1940) for Ward Ritchie Press, which echoed Constructivist typecase experiments from the early twenties yet revealed a distinctly native American aesthetic." - Steven Heller. Lustig was a leading American book, type, and graphic designer. His prints are especially uncommon.
- Bookseller Between the Covers- Rare Books, Inc. ABAA (US)
- Format/Binding Unbound
- Book Condition Used - Near Fine
- Quantity Available 1
- Publisher Ward Ritchie Press
- Place of Publication [Los Angeles
- Date Published 1940
- Keywords Art/Illustration, BookCollecting, AssociationCopy, BusinessBooks