DAS NEUE NARRENSCHIFF VON SEBASTIAN BRANT. by (HOFFMANN, JOSEF) - 1911

W. Bromley, Hammersmith, London.,1799FIRST EDITION. Folio.(17.4 x 11.2 inches). 14pp, 9 pages of plates. An early issue of this work, with paper watermarked 1796. Stipple engraved, hand coloured title page and seven full page, hand coloured plates, plus full page engraved speech from As You Like it, titled The ages of Man, featuring one of Shakespeare's most enduring and often quoted lines - All the world's a stage, and all the men and women meerly players- each printed by R. Fenner. The plates are engraved by William Bromley after Stothards drawings. . Fine recent binding of quarter red straight grained morocco, the spine, ruled, decorated and lettered in gilt. Marbled paper on boards. Red morocco tips to corners of boards. Some offsetting from the Illustrations onto the text pages and some staining to the margins only on 5 pages but overall a very good attractive copy of this scarce and beautiful work.

Bruxellis [Brussels]: Apud Franciscvm Foppens, 1682. Early Reprint. Full Calf. Near Fine+. First of the Brussels Foppens editions of Veen's enduringly popular "Emblems from Horace" (principally from the Odes and Satires), a classic of emblematic literature. 4to: [8],205,[3]pp, with full-page engraved coat-of-arms, portrait of "Octavio Vaenius," and 103 engraved emblems with mottoes in Latin and stanzas in French below each plate and verses in Latin, Italian, Dutch and French on verso of preceding plate. Contemporary sprinkled calf, very skillfully rebacked, spine in six compartments between raised bands with central printer's ornament in blind, recent blue morocco lettering piece gilt, title page in red and black with portrait medallion. Provenance: Crawfurd Antrobus (armorial book plate on front paste-down). An excellent, well-margined copy with several old well-executed paper repairs to short closed tears, mostly marginal; few marginal stains, else clean, fresh, and bright, plates in deep, rich… Read More

MODENA: PRESSO LA SOCIETA TIPOGRAFICA, 1784. In folio. cm. 38,5x27. Pp. XIX+526+(4). Splendida opera del 1784, la storia della Badia di Nonantola scritta da Girolamo Tiraboschi (1731-1794). L'opera era composta da due tomi, siamo purtroppo in possesso solo del primo tomo contenente tutte le incisioni e pagine ma mancante della carta.<BR>L'opera descrive i beni e le proprietà della Badia includendo quindi i territori di Modena, Bologna, Avellana, Solara, Frignano, Cremona, Pavia, Milano, Mantova, Piacenza, Parma, Ferrara, Valfabbrica nella diocesi di Assisi, Nocera Umbra, Sassoferrato. Una parte dedicata allo stato di Modena a partire dal XII secolo, Vescovi di Modena, storia della Badia di Nonantola dalla sua fondazione fino al presente (tra cui descrizione della biblioteca), Delle chiese e dei beni che il Monastero di Nonantola avea in diverse parti d'Italia. Alla fine del volume lista dei vescovi di Modena, Abati del Monastero di Nonantola, abati, vicari. Il testo è… Read More

Hodder and Stoughton. London. -- No date. 1913. FIRST THOMSON EDITION. 4to.(10.5 x 8.4 inches). 22 mounted colour plates, each with a printed paper guard. A fine and clean copy in an early fine binding of half green morocco. The spine has two raised bands, each with decorative gilt tooling. Tan title label, gilt. Gilt ruled box designs. There is an illustrated multi coloured leather onlay design to the middle of the spine showing a couple walking in the rain, under an umbrella. Blue cloth on boards. Marbled endpapers. Top edge gilt. Previous owners colour bookplate to the front paste down. A fine copy in a fine binding. The binding is unsigned but certainly the work of a master bookbinder.

Gainesville, Florida:: Crooked Letter Press,, 2021.. Edition of 40. Dimensions closed: 11” x 6.5” x 1.5”. Materials: colorplan 300 gsm paper, letterpress ink, tyvek, book cloth, metal brads and grommets. printed on and constructed from Colorplan paper, and letterpress printed from linoleum reduction blocks and photopolymer plates. Crooked Letter Press: "'Rule of Thumb' is a moveable book about the historical human obsession with ourselves and with approval from others. In the last 10 years, we have become obsessed with living online instead of actual living. We seem to only care about how many thumbs up, likes, or hearts we can accumulate on social media platforms. We practice a psychological social separation. We live virtual lives. Now, with the proliferation of the COVID-19 virus, we are living with the physical reality of social-distancing. How will we make it back? Can we make it back? 'Rule of Thumb' considers the ways in which humans have used our thumbs… Read More

London: Sherwood, Jones and Co. [through 1826], 1825. First Edition. Supposed First Issue (with plate 28 , vol. I, misdated 1284 and p.222, vol. II, blank) of one of the finest English color plate books, complete in two volumes. (Abbey and Tooley disagree, with Abbey arguing that these points are without bibliographical value.) Royal 8vo: xiii,417; xv,[1],399,[1]pp, with 71 hand-colored aquatints by Robert Cruikshank, Rowlandson, and others; 1 uncolored woodcut plate and 74 wood engravings in text. Bound in full crimson levant morocco, covers framed with French fillets, elaborately gilt-tooled spines and dentelles, marbled end papers, all edges gilt. the binding exquisite. Light bumping and wear to several corners, mild offsetting from plates, very occasional foxing, still an excellent copy inside and out, the binding exquisite, the plates vividly colored. Abbey Life 325. Tooley 504. Prideaux, p. 310. Martin Hardie, pp. 191-92. Originally published in 24 monthly parts, The English Spy provides a… Read More

Portland, Maine:: Rebecca Goodale,, 2014.. Edition of 8. 7.5 x 7"; hybrid structure of 13 flag pages plus an 8-page pamphlet sewn into on fold. Accordion structure extending from back pastedown. 13 flag pages have 3 asymmetric flags per page. Silkscreen and hand painting. Printed on [Katie] MacGregor Handmade Paper. Letterpress text designed and printed by Scott Vile of Ascenius Press. Bound in cloth-covered boards. Numbered. Signed by artist and poet.. Another in Goodale's Threatened and Endangered series. Rebecca Goodale's heart-shaped flags are accompanied by Miller's poem. Wild ginger, a low perennial with two heart-shaped leaves, is listed in Maine's threatened flora category. Cathleen Miller: "I am a poet, herbalist, artist, dreamer, gardener, systems-thinker, and special collections librarian living in Portland, Maine. I am an observer, in poems and in life. I write about connection, desire, place, the natural world, and bodies in space".

[Simi Valley, California]:: Pie in the Sky Press,, 2017.. Edition of 60 + lettered copies. 5 x 8"; 64 pages. 10 and 12 point Deepdene and the California Old Style figures were cast by M & H Typefounders, while the 14 and 36 point Deepdene italic were cast by Swamp Press. Photographs taken by a Nikon 7100 digital SLR equipped with a 60 mm macro lens and a polarizing filter mounted on a monopod. The specimen images, created using photopolymer plates made by Boxcar Press, habitat spreads, and handset type were letterpress printed on thick Awagami Kozo with Niyodo Kozo overlays using a Vandercook Universal III abp Press. Written, designed, printed, and bound by Rebecca Chamlee. Signed and numbered by Chamlee. Standard edition (numbered 1-60): a drum leaf sewn-board style binding, gloved spine in Ginga backcloth, printed St-Armand Old Master paper covering the boards. Laid in a printed paper chemise. In slipcase of lightweight blue paper.  Deluxe edition (lettered A-E): housed in… Read More

Macmillan and Co. London. 1891. FIRST THOMSON EDITION, Large paper issue. One of only 300 copies issued. Large 8vo. (10.5 x 7.4 inches). Illustrated throughout with 101 fine line drawings by Thomson. Finely bound by Cedric Chivers of bath in early twentieth century binding of full plum morocco. Spine with raised bands, the compartments ruled, decorated and lettered in gilt. Decorative line and floral design to both boards. Board edges double ruled in gilt. Mottled coloured endpapers. Turn ins with double ruled lines and floral design. Top edge gilt, others untrimmed. Two previous owner bookplates on the front paste down endpaper. A little fading to the spine but overall a very near fine copy.

Calvert's rarest print album
London, Hodgson & Co, 1823.
Oblong 4°
(24 x 16,5 cm.). With 24 soft ground etched plates and title. Original publisher's half morocco with printed front cover. With original tissue guards.
Very rare plate album by Irish landscape painter Frederick Calvert, complete with 24 "picturesque views" and in the original binding. Calvert moved to England in 1815 and, besides painting, produced a number of print albums and model books, a.o. The young artist's instructor (London, Hodgson and Co., 1823) and Rural scenery (London, Hodgson and Co., ca. 1825). He designed plates for Picturesque views ... in Staffordshire and Shropshire (Birmingham, William Emans, 1830-1831), and for A new and compendious history, of the county of Warwick (Birmingham, William Emans, 1830). Perhaps his most famous work was for The Isle of Wight illustrated (1846).
The present work is the rarest of Calvert's published oeuvre, with just 4 copies recorded in WorldCat and none at auction. It formed the basis… Read More