Into The Light by Chrissie Iles: The Projected Image in American Art 1964-1977

Abrams, Inc. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Abrams, Inc., 2001. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions.

Abrams, Inc. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

New York, NY: Whitney Museum, 2001. Cloth. Good/Good Dust Jacket. 4to - over 9¾" - 12" tall. 183 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Note: A hint of mustiness from being stored in a box in a basement. Otherwise the book would be very good in very good dust jacket.

Brand: Whitney Museum, 0000-00-00. First Edition. hardcover. Used: Good.

Hardback. Very Good.

New York: Whitney Museum of Art / Abrams, 2001. 1st. Hardcover. Fine/fine. 180 illustrations, 40 in color. With an essay by Thomas Zummer. Bound in the publisher's original navy blue with the front cover and spine stamped in red.

New York: Whitney Museum of American Art, 2001. Cloth/dust jacket Small Quarto. Hardcover. Very good. dark blue cloth, dust jacket, 183 pp, some passages marked up with light pencil Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

New York: Whitney Museum of American Art, 2001. Hardcover. VG/VG. Midnight blue cloth/boards with red lettering. Magenta/orange/black dj with white lettering. 183 pp. with 180 illus., 40 in color. Catalogue from the exhibition of October, 2001 to January, 2002 at the Whitney. The installations included herein reveal the ways in which traditional definitions of cinema, sculpture, and optical perception were overturned in the 1960s and early 1970s, as artists created hybrid environments that incorporated video, film, slides, performance, drawing, holography, and the participation of the viewer to explore new ideas of physical and psychological space. With an essay by Thomas Zummer; featuring the work of 19 artists. Each project is described in detail and situated in both a cinematic and an art historical context.

Whitney Museum, 2001-10-01. Hardcover. New. 11x9x0. Brand new still in publisher's shrink wrap. Please email for photos.