JOURNEY OF THE BANGWELL PUTT by MARIANNA

N.p.:: The F. A. R. Gallery,, [1945]. First edition; No. 265 of 500 copies signed by Marianna.. publisher's cloth-backed decorated paper-covered boards, in publisher's slipcase with printed paper label.. Very near fine in a slipcase in a slightly tanned slipcase with about three inches of wear along the joints.. Small 8vo,. Printed by the collotype process and hand colored in pochoir..

F.A.R. Gallery, 1945. Limited to 500 Copies. This is No.85 . Hardcover. Very Good Condition. 8vo. Clean copy, protected by the original slipcase. Light foxing. The slipcase shows light discoloration and shelf wear. Fast shipping. Free delivery confirmation. Thank you.

NY: F. A. R. Gallery. Fine. 1945. First Edition. Hardcover. Cloth-backed decorative boards. Limited edition #42 of 500 signed by Marianna to the limitation page. Fine condition in the original glassine which is toned with one chip, slight creasing. In original near fine slipcase. ; 8vo 8" - 9" tall; 40 pages; Signed by Author .

1945 1st Published by the F. A. R. Gallery. Limited to 500 copies, This is copy No.37, signed by Marianna. Story book for children based on real antiques found in American museums. Hardcover. Small octavo, 40pp., all pages with color illustrations, cloth. Fine in VG box (box not worn but unevenly faded.) .

New York: F.A.R. Gallery, 1945. First Edition ~1st Printing. Hardcover. SIGNED on limitation page by author, #32 of a limited edition of 500; fine in very good slipcase, no jacket as issued; yellowing and lite rubbing to slipcase edges else a tight square unmarked copy in sound binding

New York: F.A.R. Gallery, 1945. One of 500 copies, this copy out-of-series. Hand-colored pochoir illustrations throughout. 12mo. Blue cloth spine and patterned paper boards, glassine dust-jacket. Fine. In original slipcase. One of 500 copies, this copy out-of-series. Hand-colored pochoir illustrations throughout. 12mo. One of 500 copies, this copy out-of-series.  A lovely little book, with the text (in facsimile of manuscript) and illustrations printed in collotype by Meridan Gravure, with the illustrative component hand-colored in pochoir by the Martha Berrien Studio. The narrative involves fanciful interaction between antique dolls resident in a museum. A trade edition was published in the 1960s. "Marian Curtis Foster was born in 1909 in Cleveland, Ohio ... She studied art at Sophie Newcomb College in New Orleans and Grand Chaumiere in Paris. During the Depression, she worked for the Works Progress Administration drawing old toys and dolls in museums. It was her interest in old toys and dolls… Read More