THE GIANTS by LE CLEZIO, J.M. G - 1975

Atheneum Books, 1975. First Edition THUS. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.First edition THUS. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Dust jacket wrapped in protective mylar sleeve. Secure packaging for safe delivery.Dust jacket quality is not guaranteed.

New York: Atheneum, 1975. 312 pages. Dust jacket has a bit of wear, rubbing to edges, a couple of short tears and a vertical crease to the front flap. Look good in plastic cover. No former owner's name. Text is clean and unmarked.. Hardcover. Good/Good.

Atheneum, 1975-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

New York, New York, U.S.A.: Atheneum, 1975. Book. Near Fine. Hardcover. First Edition. Hardcover in price-clipped jacket. Couple tiny tears to jacket..

New York: Atheneum, 1975. Near Fine, slight spine lean and faint foxing fore edge of page block, in a Very Good dustjacket, 1 1/2" tears at top edge rear panel and rear flap fold. His 7th novel published in the U.S, and quite SCARCE. Le Clezio was the winner of the Nobel Prize for Literature in 2008. . First American Edition. Cloth. Near Fine/Very Good.

1975. First American Edition. Hardcover & Dust Jacket. Near Fine in Very Good (or Better) DJ. DJ in mylar, no tears to speak of, not price clipped, tho the only crease (tiny) folds neatly over the price should you choose to conceal it. The book itself appears new and unread but for the following: an orderly, small, lone "H" in (actual?) gold paint or pen, indelible traces of a once penciled price on fep, almost imperceptible bleeding from what appears to be the original coloring of the top edge onto the half- and title page. As this long neglected book now appears to be collectible, we will gladly provide images. Bursting with experimental typography, this is likely to be Le Clezio's most lasting work. Neither science fiction, nor post-Nouveau Roman, it is a blast from "the far side of language," bending French much like Virginia Woolf reinvented Greek in The Waves. At a price falling from the shoulders of dwarves.