Dessin original signé by Wolinski, Georges (1934-2015) - 1970

Paris: Au Moulin de Pen-Mur, 1947. Livre. Illus. by Umberto Brunelleschi. Bon. broché. Signé par l'illustrateur. Grand In-8. Paris, Au Moulin de Pen-Mur, sd [1947]. 23,5 x 18,5 cm, grand in-8, 434 (3) pp., nombreuses illustrations en couleurs dont une en frontispice et 7 hors-texte, broché sous couverture rempliée illustrée en couleurs, chemise et étui de l'éditeur. Tirage à 1000 exemplaires, celui-ci l'un des 23 premiers exemplaires (après un exemplaire unique) comportant une AQUARELLE ORIGINALE SIGNÉE (celle de la page 53) ainsi que DEUX SUITES des 24 plus grandes illustrations, l'une en couleurs et l'autre en noir (n° 10). Emboîtage assez défraîchi et de petites traces d'adhésif à l'une des planches de la suite en couleurs, bel exemplaire pour le reste. (MONOD, 8522).

Charlottenburg, 1928. An original portrait by the artist Richard Ingel who was based in Windscheidstraße in Berlin, Germany. The subject is a beautiful woman wearing a hat, and fashionable fur collar from the time. Her facial features and best points are highlighted by the artist, showing real skill with chalk. Signed by Ingel in the portrait. Circa mid to late 1920s. Sold under glass, in bronze effect frame, under passe-partout. If shipped, postage will be quoted at cost (either in frame or outside). Visible image: 375 mm x 260 mm (14¾ x 10¼ inches). Total size in frame: 510 x 390 mm (20 x 15¼ inches).

Paris: Librairie Floury, 1944. First edition, limited to 600 numbered copies, number 14. Published Paris: Librairie Floury, 1944. 4to. wrappers, 9" x 11 1/4", 22pp. preface and introduction, then unpaginated text and b/w plates of 93 works. Text in French. Errata slip laid in. Authoritative catalog raisonné of the etchings with a description of all states. Front cover detached, rear cover and spine paper lacking, Book block tight and secure, pages clean, bright, unmarked. Internally very good. In a fair slipcase. . 1st. Soft Cover. Good/No Jacket. 4to. Numbered, Limited Edition.

Birmingham, AL: Oxmoor House, 1989. First Edition, stated. Hardcover in DJ. Oversize. NF in NF DJ. Interior is tight, bright, and clean. Previous owner's sticker (Eclipse Thoroughbred Lib) is affixed to lower front flyleaf; rear flyleaves have some waving running along spine. Minor abrasion to leather on spine edges. Else As New. DJ shows minor shelf and handling wear with light abrasion as well as three black streaks on rear and a small grouping of black spots on front. Overall, a gorgeous copy! Photo is of the copy here at Barbed Wire Books.

New York, NY: Harry N. Abrams, Inc., 1982. Softcover. Oversized. 27 full-page prints. Very Good. Very faint age-toning to edges of pages. Owner signature on half-title page, else free of marks. Light soiling to cover with corners and spine edges rubbed. Overall, a clean, solid copy showing minimal signs of use. Photo is of the copy here at Barbed Wire Books.

Katalog anlässlich der Ausstellung Kunstverein Bremerhaven 5. Dez. 1993 – 2 Jan. 1994.A 1st ed (1000 copies/ auflage) near fine paperback catalogue with DJ has small closed tearing, text block as new. + letter to Friedrich Einhoff* signed by the artist (image_2).(Friedrich Einhoff gehört seit den 1960er Jahren als Maler und Zeichner sowie als prägender Lehrer jüngerer Künstler an der Hochschule für angewandte Wissenschaften zu den wichtigen Persönlichkeiten der Hamburger Kunstszene).Notice: This item ships from Hamburg, Germany.

A 1st ed. near fine hardcover (cloth-bound) with near fine DJ. Notice:
Has increased shipping cost due to weight (1,3kg.). Look up "Shipping terms".

Phaidon, y. 2005. Hardcover. 714845450. Good. Phaidon, 2005. Very Good. dj well bumped , textt very good

Paris: Au Moulin de Pen-Mur, 1947. Livre. Illus. by Umberto Brunelleschi. Bon. broché. Signé par l'illustrateur. Grand In-8. Paris, Au Moulin de Pen-Mur, sd [1947]. 23,5 x 18,5 cm, grand in-8, 434 (3) pp., nombreuses illustrations en couleurs dont une en frontispice et 7 hors-texte, broché sous couverture rempliée illustrée en couleurs, chemise et étui de l'éditeur. Tirage à 1000 exemplaires, celui-ci l'un des 23 premiers exemplaires (après un exemplaire unique) comportant une AQUARELLE ORIGINALE SIGNÉE (celle de la page 53) ainsi que DEUX SUITES des 24 plus grandes illustrations, l'une en couleurs et l'autre en noir (n° 10). Emboîtage assez défraîchi et de petites traces d'adhésif à l'une des planches de la suite en couleurs, bel exemplaire pour le reste. (MONOD, 8522).

Book is in good condition. Some wear on edges of cover and crown of spine. Front cover and end papers are signed by the author. Previous owner's inscription is in the inside end pages.