Daphnis & Chloe.
by GRAS, Madeleine, binder. MAILLOL, Aristide. LONGUS
- Used
- Signed
- Condition
- See description
- Seller
-
LONDON, Greater London, United Kingdom
Payment Methods Accepted
About This Item
Paris: Gonin, 1937. French edition, the version written by Amyot & edited by Courier. No. XXXIII of 500 signed copies, this signed by Maillol and initialled by Gonin, being one of the large paper Hors Commerce copies with roman numerals (often with two extra suites in black and sanguine but this with just one extra suite in sanguine). 49 woodcuts by Aristide Maillol (including one on the cover of the wrappers) with an additional complete suite of 48 woodcuts in sanguine (including one on the wrapper cover). Printed on Papier Maillol. Pp. [2], 217, [5]. Thick 8vo., beautifully bound, including the suite, by Madeleine Gras in full light brown morocco with a perfectly executed curving gilt tooled pattern on both sides with gilt lettering and curves on spine, suede doublures and endpapers, signed on the upper turn-in, all wrappers bound in, all edges gilt. Housed in the original chemise and slipcase. A very fine, handsome copy.||Madeleine Gras (1891-1958) was a Parisian bookbinder whose work was first exhibited at the 1922 Salon de la Société Nationale des Beaux-Arts. Her first teacher and a big influence was Henri Noulhac who also taught Rose Adler.
A few copies of Gonin’s ‘Daphnis and Chloe’ appeared with the 48 extra prints in sanguine and a very few with two extra suites in black and red. The extra suites always includes a sheet of the decorated initials used in the text but doesn’t include the two lone goat woodcuts on pp. 8 and the table des matieres in the text as they not unique and are from the groups of three goats illustrating pp. 72 and 161.
Gonin and Maillol’s book was a triumph of simple lines and subtle typography. Maillol had been introduced to book illustration by Harry Graf Kessler who had used Maillol to illustrated the Cranach Press ‘Eclogues’ in 1926. In 1937 Maillol returned to the delights of book illustration when images he had produced originally for the Cranach Press ‘Georgics’, which was to be unpublished by Kessler, were taken up by Gonin who then went on to produce this wonderful edition of Daphnis and Chloe which was simultaneously published in limited editions in French, English and German.
The illustrations are beautiful, John Buckland Wright was a great fan and wrote to Sandford at the Golden Cockerel Press: “They are probably far more erotic then even you would want me to do - I don't know - perhaps they correspond with your ideas. Actually I think you'd be prosecuted for publishing. Anyhow, they are quite perfect”.| A superb copy with an extra suite of woodcuts in a handsome binding by Parisian female bookbinder Madeleine Gras
A few copies of Gonin’s ‘Daphnis and Chloe’ appeared with the 48 extra prints in sanguine and a very few with two extra suites in black and red. The extra suites always includes a sheet of the decorated initials used in the text but doesn’t include the two lone goat woodcuts on pp. 8 and the table des matieres in the text as they not unique and are from the groups of three goats illustrating pp. 72 and 161.
Gonin and Maillol’s book was a triumph of simple lines and subtle typography. Maillol had been introduced to book illustration by Harry Graf Kessler who had used Maillol to illustrated the Cranach Press ‘Eclogues’ in 1926. In 1937 Maillol returned to the delights of book illustration when images he had produced originally for the Cranach Press ‘Georgics’, which was to be unpublished by Kessler, were taken up by Gonin who then went on to produce this wonderful edition of Daphnis and Chloe which was simultaneously published in limited editions in French, English and German.
The illustrations are beautiful, John Buckland Wright was a great fan and wrote to Sandford at the Golden Cockerel Press: “They are probably far more erotic then even you would want me to do - I don't know - perhaps they correspond with your ideas. Actually I think you'd be prosecuted for publishing. Anyhow, they are quite perfect”.| A superb copy with an extra suite of woodcuts in a handsome binding by Parisian female bookbinder Madeleine Gras
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Details
- Bookseller
- SOPHIE SCHNEIDEMAN RARE BOOKS (GB)
- Bookseller's Inventory #
- 11393
- Title
- Daphnis & Chloe.
- Author
- GRAS, Madeleine, binder. MAILLOL, Aristide. LONGUS
- Book Condition
- Used
- Publisher
- Gonin
- Place of Publication
- Paris
- Date Published
- 1937
- Keywords
- Maillol;Gras;Fine Binding;Woodcuts Book,Fine Bookbinding, Illustrated
Terms of Sale
SOPHIE SCHNEIDEMAN RARE BOOKS
30 day return guarantee, with full refund including original shipping costs for up to 10 days after delivery if an item arrives misdescribed or damaged.
About the Seller
SOPHIE SCHNEIDEMAN RARE BOOKS
Biblio member since 2012
LONDON, Greater London
About SOPHIE SCHNEIDEMAN RARE BOOKS
RARE BOOK AND PRINT SELLER FOR OVER 30 YEARS SPECIALISING IN PRIVATE PRESS & ILLUSTRATED BOOKS, ARTISTS' & FINE PRESS BOOKS, FINE BINDING, LETTERING, TYPOGRAPHY PRINTS &C WE ARE OPEN BY APPOINTMENT OR CHANCE 7 DAYS A WEEK, DAY & EVENING, WE ARE MEMBERS OF PBFA, ABA & ILAB
Glossary
Some terminology that may be used in this description includes:
- Fine
- A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
- Morocco
- Morocco is a style of leather book binding that is usually made with goatskin, as it is durable and easy to dye. (see also...
- Wrappers
- The paper covering on the outside of a paperback. Also see the entry for pictorial wraps, color illustrated coverings for...
- Spine
- The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....
- Gilt
- The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...
- Edges
- The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...