The Dancer Defects The Struggle for Cultural Supremacy During the Cold War by Caute, David - 2003

Oxford University Press, 2003, London.. 24x16. Encuadernación editorial con sobrecubierta. 788 pgs. Texto en inglés. Fotografías en b/n en papel couché fuera de texto. 673793

Oxford: Oxford University Press, 2003. 788 pages in excellent condition. Illustrated. Black cloth with gilt titles on the spine. Corners not bumped. Illustrated DJ with blue titles. Very light wear on the corners. FINE/NEAR FINE. Hard Cover. Fine/Near Fine.

Oxford University Press, Incorporated. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Oxford University Press, Incorporated. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Oxford University Press, 2003-08-28. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Oxford: Oxford, 2008. 1st. h/b. Fine, as new.. 8vo: royal (250 x 170 / 10"" x 6_""). The cultural Cold War between the Soviet Union and the West was without precedent. At the outset of this original and wide-ranging historical survey, David Caute establishes the nature of the extraordinary cultural competition set up post-1945 between Moscow, New York, London and Paris, with the most intimate frontier war staged in the city of Berlin. Using sources in four languages, Caute explores the cultural Cold War as it rapidly penetrated theatre, film, classical music, popular music, ballet, painting and sculpture, as well as propaganda by exhibition. Artists such as Miller, Picasso, Eisenstein, Shostakovich, and Stravinsky became involved in this fierce cultural competition through which each of the major Cold War protagonists sought to establish their supremacy. Caute challenges some recent, one-dimensional, American accounts of 'Cold War culture', which ignore not only the Soviet performance but virtually… Read More