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Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics (Chicago Studies in Ethnomusicology) by Camal, Jérôme - 2019-07-04

by Camal, Jérôme

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Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics (Chicago Studies in Ethnomusicology) by Camal, JÃ�ƒÃ�©rÃ�ƒÃ�´me - 2019-07-04
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Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics (Chicago Studies in Ethnomusicology)

by Camal, Jérôme

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  • good
  • Paperback
University of Chicago Press, 2019-07-04. Paperback. Good. Paperback--pages marked--otherwise excellent condition
  • Bookseller Sunshine State Books US (US)
  • Format/Binding Paperback
  • Book Condition Used - Good
  • Quantity Available 1
  • Binding Paperback
  • ISBN 10 022663177X
  • ISBN 13 9780226631776
  • Publisher University of Chicago Press
  • Date Published 2019-07-04

We have 2 copies available starting at £30.04.

Creolized Aurality – Guadeloupean Gwoka and Postcolonial Politics
Stock Photo: Cover May Be Different

Creolized Aurality – Guadeloupean Gwoka and Postcolonial Politics

by Camal, Jérôme

  • New
  • Paperback
Condition
New
Binding
Paperback
ISBN 10 / ISBN 13
9780226631776 / 022663177X
Quantity Available
1
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Exeter, Devon, United Kingdom
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Univ of Chicago Pr, 2019. Paperback. New. 234 pages. 9.00x6.00x0.50 inches.
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Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics

Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics

by Jerome Camal

  • New
  • Paperback
Condition
New
Binding
Paperback
ISBN 10 / ISBN 13
9780226631776 / 022663177x
Quantity Available
10
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Southport, Merseyside, United Kingdom
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
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£30.65
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Paperback / softback. New. In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music--a secular, drum-based tradition--captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized… Read More
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